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# Dulaxi: Dulaxi is your premier music entertainment network, dedicated to connecting fans with the latest hits and timeless classics while supporting emerging artists worldwide.

## Sitemaps
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## Posts
- [DISCOVERY 10/10](https://dulaxi.com/discovery-10-10-173/): Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
- [DISCOVERY 10/10](https://dulaxi.com/discovery-10-10-172/): Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
- [The Bastas Project – Sharp Comfort (Review)](https://dulaxi.com/the-bastas-project-sharp-comfort-review/): Released on March 23rd, 2026, “Sharp Comfort” by The Bastas Project is an emotionally thoughtful album built around one of humanity’s most complicated experiences: the desire for closeness while protecting ourselves from emotional pain. Drawing inspiration from Schopenhauer’s “Hedgehog’s Dilemma,” the record uses hedgehogs seeking warmth in the cold as a metaphor for relationships, where intimacy offers comfort while vulnerability can also bring hurt. Throughout the album, The Bastas Project transforms this philosophical idea into something accessible and deeply human, exploring connection, emotional distance, self preservation, and the ways relationships shape our lives. Rather than treating its central theme as an abstract concept, the album gives it warmth through personal songwriting and an inviting indie sound.
- [ARI4 – COLORS (Reviews)](https://dulaxi.com/ari4-colors-reviews/): ARI4’s “COLORS,” released on August 7th, 2026, is a deeply personal indie pop statement about pain, connection, healing, and the courage to rebuild an identity beyond difficult experiences. Created in Gan Yavne, Israel, the single transforms an intimate conversation between two friends into an emotionally expansive piece of music. What began as a routine writing assignment during ARI4’sstudies at BPM College with classmate Daisy Rogozinski quickly became something far more personal, as the two opened up about their deepest wounds. That vulnerable exchange became the foundation for a song centered on trauma bonding and the complicated relationships that can develop when people recognize themselves in each other’s pain.
- [Sunny C – Star Ruler (Dry Mix) (Review)](https://dulaxi.com/sunny-c-star-ruler-dry-mix-review/): “Star Ruler (dry mix)” by Belgian electronic artist Sunny C arrives as a substantially rebuilt and remastered version of a track originally released on the album “Alvida Odia”. Released on August 14th, 2026, the new version presents the song with stronger vocals, harder percussion and a more focused production approach. Rather than relying on layers of atmospheric effects, Sunny C places the track’s core elements firmly in the foreground, creating a sound that feels immediate, severe and deliberately uncompromising. The result sits comfortably within the darker territories of EBM, dark electro, coldwave and industrial electronic music while maintaining a melodic identity that gives the track accessibility beneath its abrasive exterior.
- [Michael William Gilbert – The Float (Review)](https://dulaxi.com/michael-william-gilbert-the-float-review/): Michael William Gilbert’s “The Float” is an immersive instrumental composition that gradually draws the listener into a world shaped by electronic textures, ambient sounds, and evolving synth melodies. Rather than revealing its full character immediately, the track opens slowly, allowing curiosity to build as spacious electronic elements begin to emerge.
- [Champagne Coast – Road Trip (Review)](https://dulaxi.com/champagne-coast-road-trip-review/): There is an undeniable sense of freedom attached to the idea of a road trip, and Champagne Coastcaptures that feeling with remarkable clarity in “Road Trip.” Released on July 29th, 2026, the single was inspired by a spontaneous journey to Big Sur, California, transforming a personal adventure into an infectious celebration of movement, escape, and living in the moment. From its opening notes, the song establishes an upbeat and inviting atmosphere that immediately feels like the beginning of an unscripted journey. Its modern pop sensibilities are complemented by an indie leaning aesthetic, creating a polished yet intimate sound that carries the excitement of leaving routine behind.
- [HANGAWI – SPARE (Review)](https://dulaxi.com/hangawi-spare-review/): HANGAWI’s “SPARE” arrives as an intimate Alt R&B and Chill Pop single that turns the quiet devastation of a one sided relationship into an atmospheric listening experience. Released on August 7th, 2026, the Seoul based indie singer songwriter approaches heartbreak with restraint. Inspired by Billie Eilish, Ariana Grande, and PinkPantheress, HANGAWI combines warm acoustic guitar riffs with lush vocal layers and electronic textures. The result feels personal, drawing the listener into loneliness, uncertainty, and the painful realization that affection has not been equally returned.
- [Dr. M. – Follow Me (Review)](https://dulaxi.com/dr-m-follow-me-review/): Dr. M.’s “Follow Me,” released on June 20th, 2026, introduces an ambitious musical concept from Turku, Finland, presenting what the artist calls “Adult Metal,” a genre that brings together the polished accessibility of adult contemporary music and the weight, power, and intensity of heavy metal. Across its nine songs, the album establishes a sound that is deliberately mature, melodic, and emotionally focused, offering an alternative to the aggression and angst traditionally associated with heavier music.
- [Reetoxa – Dancing With Lou (Review)](https://dulaxi.com/reetoxa-dancing-with-lou-review/): “Dancing With Lou” by Reetoxa is a compelling meeting point between personal memory, musical devotion, and electronic minimalism. Released on July 31st, 2026, as part of the critically acclaimed album “Soliloquy,” the single transforms a formative teenage experience into a rhythmic and contemporary statement. At its heart, the song is a love letter to Lou Reed and to the moment Jason Bill McKee discovered Reed’s solo work at fifteen. Having already developed an appreciation for The Velvet Underground, McKee had not yet explored Reed’s solo catalogue until a friend’s father introduced him to “The Blue Mask.” That listening session, surrounded by vinyl, conversation, and the unfiltered honesty of adolescence, became a defining musical experience that would influence McKee’s creative direction for years to come.
- [Samaistha & KFVKA — Find Your Way (Review)](https://dulaxi.com/samaistha-find-your-way-review/): Released on 14th August 2026, “Find Your Way” by Samaistha and Hamburg-based singer-songwriter KFVKA builds its emotional identity around one of life’s most familiar struggles: trying to move forward when the direction ahead remains uncertain. What makes the song effective is the way its vocals carry this uncertainty without becoming overwhelmed by it. The delivery feels intimate, reassuring and emotionally grounded, giving the lyrics the quality of someone speaking directly to a listener who feels trapped inside confusion. The words “lost in the maze, caught in the fog and thick of the haze” create a vivid emotional picture of disorientation, while “You're gonna make it out into the day” shifts the perspective toward hope and survival. The vocal performance gives these lines warmth and conviction, allowing the reassurance to feel personal rather than simply motivational. Instead of remaining within the darkness established by its imagery, the song gradually moves toward confidence, creating an emotional journey that mirrors its central message.
- [Jude Austin, O – Find Me at Home (Review)](https://dulaxi.com/jude-austin-o-find-me-at-home-review/): Jude Austin, O’s “Find Me at Home” is a deeply personal pop alternative blues composition that transforms a painful chapter of self discovery into an intimate statement of identity, belonging, and inner freedom. Released on 26 February 2026, the Sydney based artist’s first major release carries a dark undertone beneath its delicate musical surface, creating a striking contrast between vulnerability and strength. Written by Jude Austin, O and Anthony Snape, with both artists contributing vocals, the song does not simply tell a story about transition. It captures the emotional weight of confronting people and structures that refuse to recognize the person one knows themselves to be.
- [C’batch — The Vault 4 – Cinematic (Review)](https://dulaxi.com/cbatch-the-vault-4-cinematic-review/): Released on 10th July 2026, C’batch’s “The Vault 4 - Cinematic” presents a 20-piece collection that approaches instrumental music as a form of visual storytelling. Across its 57-minute runtime, the album draws from cinematic, electronic, ambient, orchestral, soundtrack and downtempo traditions, creating the impression of an unseen film unfolding through sound. Rather than following the familiar structure of a conventional electronic album, C’batch shapes each composition as an individual chapter while maintaining a strong connection between the pieces. The result is an immersive experience built around atmosphere, emotional movement and the imagination of scenes that never need to be explicitly shown. A major strength of “The Vault 4 - Cinematic” is its ability to balance scale with intimacy. Expansive passages can give way to reflective moments, while periods of tension, movement and dramatic intensity are carefully positioned alongside more spacious and contemplative sections. C’batch’s approach to pacing is particularly effective because the music is given room to develop instead of constantly demanding attention. This creates space for emotions to linger and allows the listener to become absorbed in the environments being created.
- [M3TIN – Notre Histoire Est Finie (Review)](https://dulaxi.com/m3tin-notre-histoire-est-finie-review/): This international approach ultimately reveals the broader identity behind M3TIN Records, the independent label founded by Ahmet Metin Oktay. Based in Istanbul, M3TIN has built a project around one story speaking through many voices, with every lyric and creative decision originating from Oktay and every adaptation confirmed by native speakers. The studio openly embraces contemporary tools, including AI, while maintaining that the creative direction remains human led. With more than 14 releases across seven languages, international radio support, press coverage across several countries, and a rapidly growing audience, M3TIN is building a distinctive musical world around emotional storytelling. “Notre Histoire Est Finie” stands as a particularly affecting expression of that vision, turning heartbreak into a shared language and proving that sometimes the most powerful ending is simply the courage to admit that the story is finished.
- [C’batch — Next Time (I Won’t Be Falling/You’ve Got Me Falling) (Review)](https://dulaxi.com/cbatch-next-time-i-wont-be-falling-youve-got-me-falling-review/): C’batch’s “Next Time (I Won’t Be Falling/You’ve Got Me Falling),” released on July 10th, 2026, turns romantic vulnerability into an energetic and emotionally charged dance experience. What immediately defines the song is the way the vocals communicate a person caught between emotional caution and irresistible attraction. There is smoothness in C’batch’s delivery, but beneath that warmth sits a restless urgency, especially as the performance moves around the central admission of falling for someone despite having decided not to fall again. The repeated idea of being unable to cool down gives the song its emotional temperature, presenting love as something physical, consuming, and difficult to control. Rather than portraying romance as simple comfort, C’batch captures the disruption that arrives when someone unexpectedly breaks through carefully rebuilt defenses. The lyrics therefore carry a message about healing without emotional closure, showing that moving forward does not necessarily mean becoming incapable of loving again. The song finds its emotional strength in that contradiction: the desire to protect oneself exists alongside the undeniable pull toward another person.
- [Lefty Barnes — La Loteria (Review)](https://dulaxi.com/lefty-barnes-la-loteria-review/): Released on 4th July 2026, “La Loteria” by Lefty Barnes, with Element421 and Big Herk da Terrible, is an ambitious conceptual album that transforms the Mexican Lotería game into a distinctive Spanish-language boom-bap hip-hop experience. Each song is connected to an individual Lotería card, using its characteristics and symbolism as the foundation for a broader narrative. This approach gives the project a clear artistic identity while creating a bridge between cultural tradition and contemporary urban expression. The album’s greatest strength is the originality of its concept. Lefty Barnes, Element421 and Big Herk da Terrible developed the project around the idea of turning familiar Lotería imagery into stories about identity, morality, cultural heritage, social struggle, resilience, ambition and personal responsibility. The decision to make the entire project in Spanish further reinforces its cultural purpose, while its boom-bap foundation connects the album to classic hip-hop traditions. Created between Element421’s studio and Big Herk da Terrible’s studio, the project carries the energy of artists deliberately exploring territory outside the ordinary.
- [VelumVelvet — Polarised by Love (Interview)](https://dulaxi.com/velumvelvet-polarised-by-love-interview/): Hello everyone, it's your host Tehillah from DULAXI, and today I'm delighted to be joined by Donna James, the creative force behind VelumVelvet, an emerging pop project from Brigg, England. VelumVelvet's latest single, "Polarised by Love", was released on July 17, 2026, bringing a nostalgic 1980s-inspired pop atmosphere to a story about attraction, possibility, and the extraordinary emotional weight that can exist inside one fleeting encounter.
- [Xxäm — Xxäm (Review)](https://dulaxi.com/xxam-xxam-review-2/): “Xxäm” which was released on 7th August 2026 is Xxäm’s self-titled debut album, an ambitious electronic sound that refuses to be pigeonholed. The album combines trip-hop, chamber music, orchestral arrangements, synth-pop, synthwave, and darker electronic textures to create a wide sonic identity that is both nostalgic and modern. The project is distributed by RetroSynth Records and it has a very strong retro-futuristic character but at the same time it is very personal and emotional. Xxäm creates a world of atmosphere, contrast, experimentation, and emotional precision across 11 tracks. The production revolves around the effect of the album. The raw, woodsy percussion grates against metallic textures as synths, bells, cinematic strings, programmed rhythms, pulsing low-end and layered electronic effects combine to create a sound that feels deliberately detailed. These elements create a deep environment where each texture contributes to the album’s emotional weight.
- [Mickey P — Good Love (Interview)](https://dulaxi.com/mickey-p-good-love-interview/): Hello everyone, it's your host Tehillah from DULAXI, and today I'm delighted to be joined by Mickey P, the East London, England-based multi-genre artist behind the recently released Good Love EP. Drawing from electronic dance music, house, UK garage, disco, and dance grooves, Mickey P brings together a contemporary approach with a strong connection to the musical culture that shaped him. Released on 3 July 2026, Good Love is a five-track EP exploring different dimensions of love, heartbreak, hope, and emotional renewal.
- [Bailey Bomar — Not Me (Interview)](https://dulaxi.com/bailey-bomar-not-me-interview/): Hello everyone, it's your host Tehillah from DULAXI, and today I'm delighted to be joined by Bailey Bomar, an emerging alt-pop artist from Springfield, Missouri, United States. Blending cinematic alternative pop with shimmering synths, driving guitars, emotionally honest songwriting, and the influence of 80s new wave, Bailey has developed a sound that feels both nostalgic and distinctly contemporary. Her latest single, “Not Me,” was released on August 7th, 2026, and explores the courage it takes to challenge expectations, reject a predetermined path, and choose a life that feels authentically your own.
- [Alekxander – High Fashion Lip Gloss (Interview)](https://dulaxi.com/alekxander-high-fashion-lip-gloss-interview/): Hello everyone, it's your host Tehillah from DULAXI, and today I'm delighted to be joined by Alekxander, a rising pop-dance artist from Birmingham, United States, whose music moves across electronic pop, dance, and synth-driven territory. His latest original single, "High Fashion Lip Gloss," was released on 7 August 2026, arriving as a vibrant electronic pop experience built around high-energy dance production, bright synthesizer textures, heavy bass, and an unmistakably playful spirit.
- [DownTown Mystic – Mystic Highway Road Trip (Interview)](https://dulaxi.com/downtown-mystic-mystic-highway-road-trip-interview/): Hello everyone, it's your host Oliver from DULAXI, and today I'm delighted to be joined by American rocker Robert Allen, the creative force behind DownTown Mystic, a project rooted in American rock and roll, roots rock, and classic rock traditions. Based in Toms River, United States, DownTown Mystic has developed a distinctive musical identity built around storytelling, vintage recording character, guitar-driven arrangements, and a contemporary sense of energy. Today, we are discussing the new EP, Mystic Highway Road Trip, released on July 10, 2026.
- [Laji George — Sittin Here Thinkin (Review)](https://dulaxi.com/laji-george-sittin-here-thinkin-review/): Laji George’s “Sittin Here Thinkin,” released on 6th of August 2026, carries its emotional weight through a vocal performance that feels lived-in rather than manufactured. George sings with a grainy, soulful texture that gives every phrase the character of someone processing a long day rather than performing for spectacle. His delivery moves naturally between restrained passages and more forceful moments, creating the sensation of thoughts gradually becoming words. The measured phrasing is particularly effective because it leaves space around the lyrics, allowing the song’s reflections on exhaustion, friendship, resilience, and the need for peace to settle without being rushed. There is vulnerability in the performance, but it never becomes fragile; George maintains an underlying strength that mirrors the working-class perspective at the heart of the song. His voice becomes the emotional center, carrying both weariness and determination while keeping the storytelling direct, intimate, and human.
- [Chatterless — DECUMANUS (Review)](https://dulaxi.com/chatterless-decumanus-review/): Released on 24th July 2026, Chatterless’ “DECUMANUS” arrives as a dark, cinematic synthwave single from Vancouver, Canada, carrying an atmosphere that feels designed for movement rather than stillness. The track immediately establishes its identity through a commanding low end and a brooding film-score sensibility, creating an electronic world that feels simultaneously futuristic, industrial, and strangely timeless. Its title adds another layer to that experience: the Decumanus was the Roman east-to-west road around which cities were built, and Chatterless transforms that historical idea into a musical statement about movement, direction, and entering unfamiliar territory with purpose. The concept is especially fitting because the song itself feels like a passage through a vast technological landscape, constantly pushing forward instead of settling into one fixed emotional position. The artist’s own framing, “The DECUMANUS was originally built to move people. So is this song,” captures the track’s central character with precision.
- [Guyver7x3 — HALF OF ME STILL WITH YOU (Review)](https://dulaxi.com/guyver7x3-half-of-me-still-with-you-review/): Released on 26th April 2026, Guyver7x3’s “HALF OF ME STILL WITH YOU” turns heartbreak into an emotionally divided state, where moving forward never means completely leaving the past behind. The song’s central idea is painfully direct: after losing someone, part of your identity remains attached to the relationship, the memories, and the life that once existed around it. Guyver7x3 communicates that emotional fracture through a vocal performance that constantly changes shape. The opening arrives with soft, hushed tones that feel almost like an admission made privately, creating the sense of someone speaking to themselves while struggling to process what remains. From there, the delivery develops through an alternative R&B-influenced cadence, with stuttering vocal shots and delicate falsetto flutters adding tension to the yearning in the lyrics. The vocals never treat heartbreak as a single emotion; they move through vulnerability, exhaustion, longing and resistance, making the divided feeling at the heart of the song increasingly vivid.
- [Wingfish — Dyads (Review)](https://dulaxi.com/wingfish-dyads-review/): Released on 30th November 2025, Wingfish’s “Dyads” is an album shaped by the raw energy of live performance, combining new studio recordings with live material to create a vivid portrait of the band’s musical journey. Spanning 23 years, the album connects Wingfish’s past, present and future while maintaining a strong commitment to organic performance rather than flawless studio production. Its core foundation remains rock, but the band moves confidently through atmospheric rock, blues-rock, progressive rock, drone and singer-songwriter territory. The album carries a strong sense of history through its musicianship. The material featuring Jesper on vocals and guitar with Thomas on drums reaches back to the early 1990s, when the two began making music together as a duo before developing through different musical constellations. Elsewhere, Jesper performs with his son Johan, who contributes guitar and backing vocals to compositions originally written before his birth. Johan’s involvement gives these older pieces renewed musical energy, transforming established material while connecting Wingfish’s history with its future as a band.
- [Shaven Primates – Kill The Algorithm (Review)](https://dulaxi.com/shaven-primates-kill-the-algorithm-review/): Shaven Primates return with “Kill The Algorithm,” a fiercely charged EP that pushes the Oxford four piece deeper into hard rock and punk while retaining the dark atmospheric character that has defined their identity. Released on 31st July 2026, the project feels deliberately confrontational, using abrasive textures, restless energy, and emotionally intense songwriting to explore anxiety and control. Rather than softening its themes, the EP approaches them head on, creating music that feels raw, urgent, and unapologetically human.
- [Naoko Hiranuma – Sea of Light (Review)](https://dulaxi.com/naoko-hiranuma-sea-of-light-review/): Released on February 5th, 2026, Naoko Hiranuma’s “Sea of Light” is a beautifully atmospheric indie folk and indie pop song that transforms a fleeting summer romance into an intimate reflection on love, memory, loss, and emotional resilience. Set against the imagery of a nighttime drive from the coast toward the city, the song captures the lingering presence of someone who is no longer there. The shimmering city lights reflected across the water become a powerful metaphor for memories that continue glowing long after a relationship has ended. Hiranuma creates a deeply cinematic experience where nostalgia is not simply remembered but felt through the movement of the music, making “Sea of Light” an emotionally immersive piece from beginning to end.
- [Black Silver – Void Where Inhibited (Review)](https://dulaxi.com/black-silver-void-where-inhibited-review/): “Void Where Inhibited” by Black Silver is a tightly constructed seven song EP that immediately establishes itself as a project driven by lyrical intelligence, sonic discipline, and deliberate artistic direction. Released on July 31st, 2026, the Las Vegas based emcee joins forces with producer HardMoney and elite engineer J Flat to create a body of work that feels cohesive from beginning to end. Rather than relying on fleeting trends, the EP builds its identity around coded storytelling, sharp observations, motivational themes, and fearless commentary, giving listeners music that rewards repeated attention.
- [Kindoki – LA NUIT ROUGE (Review)](https://dulaxi.com/kindoki-la-nuit-rouge-review/): Released on July 2nd, 2026, “LA NUIT ROUGE” finds Milan based electronic duo Kindoki transforming an unplanned studio moment into a fully realized late night experience. Running for five minutes and thirty four seconds, the track carries the atmosphere of a dimly lit underground club, where heavy bass, hypnotic rhythms, atmospheric synthesisers, and haunting vocals converge beneath the imagined glow of a red moon. What makes the single particularly compelling is the spontaneity behind its creation. During an afternoon jam session, Kindoki were developing beats while vocalist Carola improvised over the emerging instrumental, allowing the track to develop organically rather than from a rigidly predetermined blueprint. That sense of creative freedom remains embedded throughout the finished production.
- [The Expo — This Time (Review)](https://dulaxi.com/the-expo-this-time-review/): Released on 29th July 2026, The Expo’s “This Time” presents love as something that demands honesty, accountability, and the courage to confront what has been lost. As the band’s second single, the song carries a retro-flavoured rock identity while giving its emotional core plenty of room to breathe. What immediately defines the experience, however, is the vocal performance. The lead vocal begins with a raw, intimate quality that makes the words feel like a private admission rather than a rehearsed declaration. That conversational approach gives the verses considerable emotional weight, particularly as the singer addresses distance, missed moments, and the desire to repair what has been damaged. There is no emotional detachment in the delivery; every phrase carries the tension of someone looking directly at their own mistakes while still believing that love can be restored. When the chorus arrives, the voice expands into a stronger, soaring performance, transforming personal uncertainty into an unmistakable promise of devotion.
- [Xxäm — Xxäm (Review)](https://dulaxi.com/xxam-xxam-review/): Released on 7th August 2026, “Xxäm” marks Xxäm’s self-titled debut with an ambitious electronic sound that refuses to settle into a single genre. The album brings together trip-hop, chamber music, orchestral arrangements, synth-pop, synthwave, and darker electronic textures, creating an expansive sonic identity that feels both nostalgic and contemporary. Released through RetroSynth Records, the project carries a strong retro-futuristic character while maintaining an intensely personal emotional perspective. Across its 11 tracks, Xxäm establishes a world built on atmosphere, contrast, experimentation, and emotional precision. The album’s production is central to its impact. Stark, woody percussion collides with metallic textures, while synthesizers, bells, cinematic strings, programmed rhythms, pulsing low-end, and layered electronic effects construct a sound that feels deliberately detailed. Rather than functioning solely as dance-oriented electronic music, these elements create an immersive environment where every texture contributes to the album’s emotional weight.
- [EGGER — Get Up (Review)](https://dulaxi.com/egger-get-up-review/): Released on 8th August 2026, EGGER’s “Get Up” turns a simple command into an urgent statement about movement, desire, and reclaiming human agency. At the centre of the song is Wolfgang Egger’s vocal performance, which deliberately avoids conventional melodic storytelling and instead operates like another rhythmic instrument. His voice arrives with precision, repetition, and authority, cutting through the surrounding electronic density without attempting to soften its severity. The recurring phrase “get up, get up” becomes more than a lyric; it behaves like a mantra, gradually imposing its rhythm on the listener. There is something almost confrontational in this delivery, because Egger does not invite passive observation. He commands action. The repetition creates a hypnotic effect while giving each word increasing psychological weight, turning the vocal into a rallying cry for physical and emotional awakening.
- [Cognitive Constellation Corps — Thank You for Your Feedback (I) (Interview)](https://dulaxi.com/cognitive-constellation-corps-thank-you-for-your-feedback-i-interview/): Hello everyone, it's Tehillah from DULAXI, and today I'm delighted to be joined by Brooke Tamsin Clevenger, the principal creative force behind Belfast-based electronic project Cognitive Constellation Corps. Rooted in electronic, alternative pop, dream-pop, experimental and mellow electronic music, the project has developed an extensive catalogue exploring consciousness, identity, memory, technology, and the philosophical dimensions of human experience. Today, we are discussing Thank You for Your Feedback (I), the original album released on 10th April 2025.
- [DONELLI A.I. ENSEMBLE – Previsioni del tempo incerto (Review)](https://dulaxi.com/donelli-a-i-ensemble-previsioni-del-tempo-incerto-review/): Released on 27th July 2026, “Previsioni del tempo incerto” by DONELLI A.I. ENSEMBLE is an ambitious eighteen track journey through jazz, progressive rock, and world music, built around the idea of uncertainty. Originating from Crosio della Valle, Italy, the album takes increasingly extreme and unpredictable weather as its central metaphor, extending the concept toward the sudden changes defining the present era. Across its expansive tracklist, the project also revisits past events that continue to resonate with contemporary realities, giving the music a sense of movement between memory, observation, and anticipation. Rather than presenting uncertainty as something purely negative, the album transforms it into an artistic space where sounds, structures, and emotions are continuously allowed to evolve.
- [RISE – Hard To Leave You (Review)](https://dulaxi.com/rise-hard-to-leave-you-review/): “Hard To Leave You” by RISE arrives as a high energy remix that transforms an already compelling song into something considerably more urgent, aggressive and immediate. Released on 2nd August 2026, the track arrives as the Barbarian Mix, revisiting the original 2024 version from the “Memories and Possibilities” EP, with the Liverpool four piece deliberately rebuilding its intensity to reflect the energy they bring to the song in a live setting. From its opening moments, there is an unmistakable sense of momentum. The track moves quickly, refusing to settle into a passive rhythm, while its catchy melodic construction gives the song an accessible quality beneath its heavier alternative rock exterior. The result is a driving performance that captures the emotional pressure at the centre of its subject matter while showcasing the distinctive RISE sound.
- [Scirii – TON 618 (Review)](https://dulaxi.com/scirii-ton-618-review/): Released on 29th July 2026, Scirii’s “TON 618” transforms one of the universe’s most powerful phenomena into a haunting metaphor for destructive love. Named after TON 618, one of the largest black holes known to science, the song draws from an entity whose immense energy shines at 140 trillion times the brightness of the sun while consuming everything in its path. Scirii applies that overwhelming force to the story of a past lover who relentlessly searches for “the one” while unknowingly destroying the people caught within their gravitational pull. The result is a deeply emotional exploration of sadness, anger, helplessness, and the painful inability to escape someone whose attraction remains powerful even when their presence becomes destructive.
- [D.D.R. – Never Forever (Review)](https://dulaxi.com/d-d-r-never-forever-review/): D.D.R. returns with “Never Forever,” an emotionally charged melodic rock anthem that turns the collapse of a lifelong promise into a story of heartbreak, betrayal, and eventual acceptance. Released on 29 July 2026, the single immediately establishes its 1980s inspired arena rock identity through a soaring guitar introduction that sets the emotional scale before the rest of the arrangement enters with commanding momentum. The track carries the grand melodic instincts associated with classic rock while benefiting from contemporary production, giving its nostalgic foundation a polished and expansive character. From the opening bars, the guitars establish a dense sonic landscape, combining overdriven rhythm parts with melodic lead work that continually pushes the song toward something larger than personal confession. The driving bassline and crashing cymbals reinforce that forward motion, creating the sense of a song built for both intimate reflection and a full arena singalong.
- [Alekxander — High Fashion Lip Gloss (Review)](https://dulaxi.com/alekxander-high-fashion-lip-gloss-review/): Released on 7th August 2026, Alekxander’s “High Fashion Lip Gloss” turns an ordinary act of applying Dior lip gloss into an exuberant statement about confidence, identity, glamour, and unapologetic self-expression. The song’s greatest strength is its vocal character, with Alekxander treating his voice almost like another electronic instrument within the production. His rapid-fire melodic hooks move alongside spoken-word passages, creating a performance that feels rhythmic as much as it feels sung. Repetition becomes especially important because Alekxander builds the vocal arrangement around concise, memorable phrases that establish the track’s identity without overwhelming its playful concept. His delivery carries confidence and attitude, allowing the vocal performance to communicate the song’s central message with clarity. Vocal layering, harmonies, echo effects, and processing give the performance additional intensity, creating an atmosphere that feels hypnotic and commanding while keeping the emphasis firmly on individuality and self-expression.
- [Mickey P — Good Love (Review)](https://dulaxi.com/mickey-p-good-love-review/): Released on 3rd July 2026, Mickey P’s “Good Love” is a vibrant five-track EP that transforms the complicated emotions of romance into an infectious and emotionally expressive musical experience. Recorded in East London, the project draws heavily from the rhythmic character of London’s dance-music culture, combining house, UK garage, disco, R&B, Afrobeats and contemporary electronic production into a cohesive sound. Mickey P creates a project that feels modern while retaining a nostalgic quality, using energetic rhythms and melodic arrangements to establish an atmosphere that is equally suited to dancefloors, festivals, radio and personal listening. The musical identity of “Good Love” is strengthened by Mickey P’s versatile vocal approach. His delivery moves between soulful intimacy, conversational warmth and emotional vulnerability, allowing the romantic themes to feel direct and personal. The production provides a rich foundation through warm basslines, piano-driven house elements, atmospheric synthesizers, acoustic instrumentation and disco-inspired textures.
- [Cruel Ploy — Fear (Review)](https://dulaxi.com/cruel-ploy-fear-review/): Released on 31st July 2026, Cruel Ploy’s “Fear” is a tightly focused five-song alternative rock EP that transforms anxiety, perfectionism, identity, regret, self-doubt, and personal growth into an emotionally cohesive body of work. Drawing from alternative rock, indie rock, emo, and modern guitar-driven songwriting, Cruel Ploy create a sound that balances atmospheric textures with energetic rhythms and emotionally charged vocals. The result is an EP that feels intimate without becoming insular, allowing deeply personal experiences to connect with listeners facing their own internal struggles. At the heart of “Fear” is Cruel Ploy’s exploration of the stories people create in their minds before life gives them a reason to believe those stories. The EP confronts the tendency to expect disaster, hide imperfections, question identity, and maintain an appearance of strength even when uncertainty becomes overwhelming. Its songwriting approaches these subjects with directness rather than easy solutions, presenting anxiety and emotional struggle as ongoing experiences rather than problems that disappear instantly.
- [The Sonic Travelers — Please Comfort Me (Review)](https://dulaxi.com/the-sonic-travelers-please-comfort-me-review/): Released on August 7th, 2026, The Sonic Travelers’ “Please Comfort Me” is an Americana ballad that finds its greatest strength in the emotional directness of its vocal performance. The singing carries the character of someone who has experienced disappointment, loneliness, and uncertainty without allowing those experiences to erase the possibility of hope. Rather than approaching the song with theatrical intensity, The Sonic Travelers deliver the words with an intimate, conversational quality that makes the performance feel like a private confession shared between friends. That restraint gives phrases such as “Please comfort me” and “I need a friend” enormous emotional weight because the singer does not hide behind elaborate vocal ornamentation. The weathered, unadorned delivery communicates vulnerability with remarkable clarity, turning the voice into the emotional center of the recording. There is no attempt to disguise human fragility; instead, the vocal performance embraces it completely.
- [Cassy Judy — I’ve Come So Far Symphonic (Interview)](https://dulaxi.com/cassy-judy-ive-come-so-far-symphonic-interview/): Hello everyone, it's your host Tehillah from DULAXI, and today I'm delighted to be joined by Sydney-based singer-songwriter and performance artist Cassy Judy. Before we begin our conversation with Cassy Judy, here's what you need to know about today's featured project.
- [Cognitive Constellation Corps – Thank You for Your Feedback (I) (Review)](https://dulaxi.com/cognitive-constellation-corps-thank-you-for-your-feedback-i-review/): “Thank You for Your Feedback (I)” by Cognitive Constellation Corps is an album that takes an ordinary phrase from the language of automated systems and institutional processes and transforms it into something surprisingly intimate. Released on 10th April 2025, the project presents one of the most melodically accessible and emotionally warm expressions of Brooke Tamsin Clevenger’s artistic world. Rather than approaching technology with coldness or aggression, the album explores its emotional implications through softness, repetition, and carefully constructed electronic textures. The result sits comfortably between indie pop, dream pop, ambient composition, and mellow electronic music, creating a sound that feels approachable while carrying considerably deeper philosophical weight.
- [New Sunday – The Empty Street (Review)](https://dulaxi.com/new-sunday-the-empty-street-review/): “The Empty Street” by New Sunday is a haunting and deeply atmospheric original single that turns loneliness, grief, and existential uncertainty into an intimate musical experience. Released on June 23rd, 2026, the track immediately establishes a world of solitude through its sombre melodies, restrained pacing, and vulnerable emotional character. There is something striking about how the song creates the sensation of walking alone through a deserted urban landscape, where every surrounding detail seems to amplify the thoughts occupying the mind. Rather than overwhelming the listener with a dense arrangement, New Sunday allows space, silence, and repetition to carry much of the emotional weight. The result is a composition that feels deliberately isolated, placing the listener inside the protagonist’s emotional landscape and making the absence of connection one of the song’s most powerful musical elements.
- [Bailey Bomar – Not Me (Review)](https://dulaxi.com/bailey-bomar-not-me-review/): Bailey Bomar’s “Not Me,” released on August 7th, 2026, arrives as a cinematic alt pop anthem built around self discovery, independence, and the courage to reject expectations. From its opening, the track establishes a polished yet emotionally charged atmosphere, bringing together shimmering synthesizers, driving guitars, and a rhythmic foundation that gives the song an immediate sense of movement. Bomar draws strongly from the spirit of 1980s new wave while keeping the production firmly connected to contemporary alternative pop. The result is a song that feels nostalgic without becoming dated, using familiar sonic textures to support a message that remains deeply personal and relevant.
- [Noya Sol – Sunlight In My Soul (Review)](https://dulaxi.com/noya-sol-sunlight-in-my-soul-review/): Noya Sol’s “Sunlight In My Soul,” released on August 6th, 2026, is an emotionally rich alternative rock single that draws strength from blues, indie rock, soul, and Americana. From its opening presence, the song establishes an atmosphere that feels warm, reflective, and deeply human. Rather than allowing loss to define its emotional landscape, Sol turns toward resilience, healing, freedom, and the discovery of an inner light that remains present even when life becomes turbulent. There is a refreshing honesty in that perspective, and the music supports it with a guitar driven character that feels both timeless and distinctly personal. “Sunlight In My Soul” becomes less about escaping difficult experiences and more about learning how to carry your own light through them.
- [Andrei British – Distant Moon Cantina (Review)](https://dulaxi.com/andrei-british-distant-moon-cantina-review/): Andrei British’s “Distant Moon Cantina” is an immersive futuristic jazz experience that transforms the atmosphere of a classic late night lounge into a vivid world somewhere at the edge of the galaxy. Released on July 31st, 2026, the single draws deeply from the gritty charm of the iconic Tatooine cantina, but British approaches the concept with enough originality to establish a world of its own. The track feels like an invitation into a smoky, neon lit refuge where dreamers, renegades, travelers, and music lovers gather beneath unfamiliar stars. From its overall atmosphere to its storytelling, the song carries a strong cinematic quality, immediately creating the impression of a place where anything can happen. Its combination of nostalgia, mystery, romance, and futuristic imagination gives “Distant Moon Cantina” a distinctive personality that remains engaging throughout.
- [Crystal D’Esprit – Echoes Memories & Dreams (Review)](https://dulaxi.com/crystal-desprit-echoes-memories-dreams-review/): Crystal D’Esprit’s “Echoes Memories & Dreams”, released on 21st July 2026, is an album that embraces simplicity without ever feeling small. Built around the natural voice of a real piano, the project captures the intimate relationship between composer, performer, and instrument in its purest form. Recorded live over two days in Crystal’s personal piano room using stereo microphones, every note, resonance, and harmonic detail remains beautifully preserved. Rather than relying on elaborate production, the album allows authenticity to become its greatest strength, inviting listeners into a peaceful musical space where emotion unfolds naturally.
- [Mark Cee — Missed Connection (Review)](https://dulaxi.com/mark-cee-missed-connection-review/): Mark Cee’s “Missed Connection,” released on 7th August 2026, establishes its emotional identity through a vocal performance that feels remarkably close, restrained, and human. His voice carries a rustic melancholy that never needs exaggerated projection to communicate the weight behind the song. There is an almost conversational quality to his delivery, as though the thoughts are being spoken privately rather than performed for a crowd, and that choice gives every phrase a sense of vulnerability. The deliberate pacing is equally important because it allows the emotional meaning of the words to settle rather than rush toward a dramatic conclusion. At the center of the song is longing: the ache created when two people cross paths but fail to arrive at the same emotional destination. Mark Cee explores bad timing, unfinished possibilities, and the haunting question of what could have happened if circumstances had been different. His lyricism turns that uncertainty into something deeply relatable, capturing how a brief encounter can remain psychologically significant long after it has ended. The song does not treat missed opportunity as simple regret; it examines the beautiful, painful persistence of possibility itself.

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