Robot Witch is the brainchild of Milwaukee based artist Matt Lubus, who originally conceived the project as a synth driven side experiment over five years ago. Since then, Robot Witch has evolved into his primary artistic outlet, a dynamic space where punk attitude collides with electronic innovation. Over time, a rotating roster of skilled musicians, particularly guitarists with punk sensibilities, have come aboard to help shape the project’s unpredictable identity. Drawing heavily from iconic influences like Nine Inch Nails, LCD Soundsystem, The Misfits, and The Velvet Underground, Robot Witch has gained a reputation for fearless genre blending and raw, theatrical intensity. Now, with the highly anticipated release of their debut full length album, Robot Witch cements their place in the underground scene with a sound that is immersive, provocative, and unapologetically bold.
“Take Me To The Show,” released on July 28th, 2025, plays out like a dual experience odyssey, with its structure intentionally split into two contrasting halves. The first half of the album feels like a turbulent ride through the chaos of a rock concert, fueled by live band energy, jagged guitars, and a relentless fusion of punk, glam, and industrial rock. These tracks are saturated in grit and volume, with pounding drum machines and thick, distorted synths that mirror the visceral charge of a live performance. As the album progresses into its second half, the tone shifts dramatically. Here, Robot Witch enters a more introspective space, trading the chaos of the concert for the eerie calm of the afterparty. These tracks feel like club ready, noir toned electronic anthems meant for dancing, sulking, and reflecting under dim lights. Matt’s remixes and solo demos dominate this half, weaving pulsating beats with ambient touches and ethereal synth work that suggest a vulnerable undercurrent.
Matt’s vocal delivery is deeply performative, snarling through layers of aggressive production with an authority that feels both dangerous and magnetic. His voice carries theatrical defiance, adding a human pulse to the mechanical madness swirling underneath. The album delves into themes of rebellion, identity, disillusionment, and transformation. The writing is often sharp edged, with lines that balance vulnerability and venom. There is a deep sense of self awareness here, as though each track serves as both performance and confession. Whether channeling the collective roar of punk resistance or the lonely musings of someone lost in strobe lit solitude, the lyrics always feel rooted in real emotion.
Take Me To The Show Album Track List:
Take Me To the Show:
The track “Take Me To the Show” launches the album with explosive confidence, acting as both a sonic declaration and a bold invitation into Robot Witch’s chaotic and compelling world. From the opening seconds, the song fuses punk rawness with post-punk swagger, channeling thick synth lines and gritty guitars into a rhythmically charged and tightly wound atmosphere. The production strikes a crucial balance between energy and clarity, avoiding slick over-polish while still delivering enough punch to feel immediate and immersive. Guitar tones snarl, bass lines hum with menace, and synth accents add dimension, creating a textured wall of sound that maintains urgency throughout.
“Take Me To the Show” positions itself as a manifesto for the entire project. The words feel direct and energized, tapping into the adrenaline of anticipation and the theatricality of performance. Matt Lubus’ vocal delivery stands front and center, cutting through the mix with sharp authority and a touch of flamboyance. His voice is firm, deliberate, and styled with an almost live-wire intensity, reflecting the band’s performance-driven roots. There’s a performative honesty in the way he leads the track, which gives the song an anthemic quality that resonates beyond its runtime.
As an opening number, “Take Me To the Show” does more than introduce an album, it defines its identity. The arrangement is focused and kinetic, with every instrument serving a role in building the track’s forward momentum. Tight drumming anchors the song, while guitar phrases punch in and out with deliberate precision, and synth flourishes act as bursts of color against the grit. Everything feels meticulously designed for maximum impact, both in recorded form and on a live stage. The song’s pacing, tone, and intensity perfectly mirror the thrill of entering a dark venue. It is an immersive entry point that immediately captures the spirit of Robot Witch: theatrical, electrified, and unapologetically alive.
Town:
“Town” immediately picks up where the album’s opener left off, amplifying the momentum with a sonic charge that fuses garage punk attitude and synth pop sleekness into something both volatile and danceable. At just under four minutes, the track wastes no time establishing its presence, lurching forward with jagged guitar riffs, distorted basslines, and a percussive backbone that never lets up. The layering of analog synths over this rough edged foundation creates an atmosphere that feels retro but not recycled, gritty yet polished. Every element feels purpose driven, from the rhythmic guitar jabs to the keyboard lines that twist in and out of the mix, crafting a musical landscape that is both dense and infectious.
Vocally, Matt Lubus shines with striking clarity, bringing an emotional charge to his delivery that is both charismatic and grounded. His voice slices through the busy mix with confident precision, never losing its melodic shape amid the layered textures of the track. There is a balance here between grit and tunefulness, a push and pull that reflects the tension in the song’s emotional core. Matt’s performance anchors the track with a subtle narrative pull, even as the lyrics unfold in stream of consciousness form. The words feel raw, instinctive, and unfiltered, carrying a kind of accidental honesty that becomes more poignant upon reflection. This authenticity becomes even more powerful when considering the song’s backstory: a snowy night in Milwaukee, a long held guitar riff, and a moment of spontaneous inspiration that would later reveal deeply personal meaning.
“Town” stands as a pivotal point in the album, crystallizing the fusion of raw rock energy and electronic experimentation that defines Robot Witch’s aesthetic. The song’s origin story, written quickly, almost unconsciously, mirrors the emotional theme it grapples with: avoidance, escape, and the slow realization of self reckoning. As the second track, it cements the album’s identity by demonstrating just how fluidly the band can shift between genre conventions without losing cohesion. The live band aesthetic remains front and center, but it is complemented by production choices that give the song depth and dimension. “Town” is not just a burst of adrenaline, it is a moment of emotional confrontation dressed in swagger and distortion.
Superstar:
“Superstar” dives headfirst into a dark and volatile groove, opening with a bold rhythmic pulse that immediately commands attention and invites the listener into a world of tightly wound energy and sharpened sonics. The percussion drives the track with relentless urgency, allowing jagged guitar chords and angular synth lines to weave around each other in a mix that feels both volatile and calculated. This tension between chaos and control gives the track its edge, painting a sonic picture of restlessness and defiance. The arrangement is thick with motion, each element darting in and out of the spotlight, maintaining a pulsing immediacy that feels designed for the dancefloor but grounded in gritty, guitar-driven intensity.
Matt Lubus carries “Superstar” with striking presence, his delivery walking the line between fierce intensity and melodic command. There’s a raw charisma in his tone, assertive without being abrasive, and tuneful without softening the track’s rugged spirit. His voice sits high in the mix, cutting cleanly through the instrumental layers and anchoring the song’s whirlwind of sonic movement. The chorus gains extra dimension through subtle backing vocals that don’t distract but rather deepen the soundscape, creating moments of echo and lift that enhance the hook’s impact. This vocal layering, paired with the muscular rhythm section and shimmering synth overlays, pushes “Superstar” toward a sound that is as theatrical as it is grounded.
“Superstar” acts as a high-voltage piece, encapsulating everything Robot Witch does best: fusing livewire rock energy with danceable finesse and a flair for drama. The production holds nothing back, offering distorted guitars that bite, synths that glimmer with eerie clarity, and a rhythm section that is unwaveringly tight. Yet it all remains cohesive, a testament to the band’s understanding of balance within complexity. The track feels like a statement of identity, a declaration of style, attitude, and emotional intensity. It captures the heart of “Take Me To The Show” with precision, propelling the listener deeper into the album’s world with both swagger and sincerity.
I Am What I Am:
“I Am What I Am” bursts forth with uncompromising intensity, driven by a dense wall of synths, fuzzed out guitars, and distorted textures that immediately engulf the listener in its rebellious fervor. The opening is both hypnotic and forceful, built on a foundation of stomping drums and a grinding bassline that provides the song with its relentless forward motion. From the outset, the track asserts itself as more than just a song, it is a statement of being, a manifesto channeled through raw, electrified sound. Layers of electronic noise ebb and swell across the mix, injecting a touch of industrial chaos into the otherwise punk rooted frame. The production thrives in this tension, capturing a storm of sonics that feels primal and immediate without ever tipping into pure disarray.
At the heart of this sonic tempest is Matt Lubus’ vocal performance, delivered with a clarity and grit that matches the track’s emotional weight. His voice is raspy and determined, hitting each phrase with rhythmic exactness and emotional urgency. There is no hesitation in his tone, only assertiveness and pride, which underscores the declaration at the song’s core. The chorus, driven by repetition, builds its power through sheer momentum, anchoring its message in each urgent refrain. Behind him, the tightly locked percussion and shifting electronic elements keep the track grounded in danceable structure, even as it pulses with punk’s characteristic defiance. The soundscape moves with a kind of ritualistic force, relentless and hypnotic, keeping the listener in step with its steady march of identity and resistance.
“I Am What I Am” stands out as one of the album’s most defiant and fully realized tracks, crystallizing Robot Witch’s aesthetic into a singular moment of cathartic confrontation. The interplay between aggressive instrumentation and meticulous rhythm creates a space where rebellion and rhythm coexist, where performance becomes declaration. This is not merely a song meant for the stage, it is one meant to claim space, to articulate a stance, to echo with the power of self definition. In embodying the core themes of “Take Me To The Show,” the track transforms personal truth into collective energy, channeling riot into ritual without losing a beat. It is fearless in both message and execution, capturing the essence of the album’s spirit with unshakable conviction.
The production, handled at Milwaukee’s Sound Select Studios with longtime collaborator Paul Kneevers, is a masterclass in controlled chaos. Every song is densely layered yet deliberately arranged, with sonic elements clashing and coalescing in ways that keep the listener on edge. Guitars grind and shriek against synthetic textures, while drum machines punch through thick walls of reverb and distortion. There is a sense of spectacle throughout, as though each track is staged rather than simply performed. This theatricality is one of the album’s strongest features. Robot Witch does not just craft songs; they craft scenes, worlds, and moods that draw you in visually as much as sonically.
What makes “Take Me To The Show” so compelling is its refusal to settle. It is as much a chaotic manifesto as it is a carefully curated art piece, thriving on dualities such as loud and quiet, synthetic and organic, futuristic and nostalgic. Robot Witch wears its influences proudly, but never imitates; instead, the album feels like a unique mutation of everything that came before it, shaped by Matt Lubus’s singular vision and the collaborative spirit of the musicians who orbit it. Each song feels distinct but connected, like scenes in a larger theatrical performance. And while the sound can be overwhelming at times, it is never aimless. There is purpose in every scream, every synth swell, and every sudden silence.
Take Me To The Show is a Fierce Rock Album That Fuses Punk Attitude, Industrial Grit, And Electronic Chaos Into One Electrifying, Genre-bending Ride
In the end, “Take Me To The Show” is more than just an album. It is an experience. It is a blueprint for a new kind of genre fusion where punk fury meets industrial precision and emotional depth. Robot Witch invites you into their world with blaring speakers and flashing lights, and by the time the curtain drops, you have not only heard their story, you have felt it. With this record, Robot Witch does not just ask you to listen. They demand that you feel, move, and reflect. And they absolutely take you to the show.
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