Single Review
Single Review
RISE — Always (Review)
Released on 27th February 2026, “Always” by RISE emerges with a striking sense of purpose, anchored strongly in... Read More
Hollow Shift — Electric Gloom (Review)
Released on March 13, 2026, “Electric Gloom” by Hollow Shift unfolds as a restless meditation on insomnia and... Read More
Maryann Connolly — Etched In Love (Review)
Maryann Connolly’s latest 2026 release, “Etched In Love”, is a compelling pop-rock single that showcases her remarkable vocal... Read More
The Cadence of Rhyme — Surprise Me (Review)
Released on 10th November 2025, “Surprise Me” by The Cadence of Rhyme is a bold exploration of unpredictability,... Read More
RydymX — Still Choose Love (Review)
Released on 1st March 2026, “Still Chose Love” by RydymX is a reflective hip-hop track exploring resilience, forgiveness,... Read More
Dimitris Nezis — MANA (Review)
Dimitris Nezis’ “MANA,” released on 27 March 2026, unfolds like a quiet invocation, one that leans into the... Read More
Tyler McGinnis — Admiring Ghosts (Review)
Tyler McGinnis’ latest single, “Admiring Ghosts,” released on 27 March 2026, is a deeply reflective exploration of memory,... Read More
Joshua Pearlstein — Wanna Dance (Review)
Joshua Pearlstein’s latest single, “Wanna Dance,” released on 27 March 2026, is a vivid testament to the artist’s... Read More
50mething — Date Night Tonight (Review)
“Date Night Tonight,” the latest single by 50mething, set to release on 19 March 2026, is a deeply... Read More
Chris Aschman — Triangles (Review)
Chris Aschman’s third single from his debut album “Volcanic”, “Triangles”, explores the softer, more introspective side of his... Read More
James Stephen & The Good Ones — Lonely Days (Review)
“Lonely Days,” released on 27 March 2026 by James Stephen & The Good Ones, unfolds like a quiet... Read More
Rubbish Party — Plastic Orange (Review)
Credit: Von Berg of Rubbish Party (far right), with his producer Brutus Brimstone (crutches), and the Australian Indie... Read More