Meegan & Tobin is a powerhouse creative partnership that has been shaping music across continents since 2010, built on the complementary strengths of Emmy-winning vocalist and composer Jeff Meegan and BAFTA-affiliated orchestrator and composer David Tobin. With a catalog that has surpassed a thousand works spanning pop, jazz, funk, classical, and film scoring, their music has become a staple in television, film, and stage, featured in globally acclaimed productions such as Fleabag, This Is Us, NCIS, and RuPaul’s Drag Race. Tobin’s orchestral mastery and classical grounding pair seamlessly with Meegan’s versatile songwriting, soulful vocals, and melodic instincts, creating a unique fusion that is both refined and approachable. Together, they not only bring technical brilliance but also a shared philosophy of crafting music that feels timeless yet alive, keeping the spirit of collaboration at the center of everything they do. This creative bond has made them sought-after voices in both the industry and performance spaces, proving that their partnership is far more than the sum of its parts.
“Keep On Movin’” was released on August 15th, 2025, and it stands as one of the most vibrant big band records in recent years, a project that fully embraces both nostalgia and modernity in equal measure. Recorded live at Abbey Road Studio 2, the album immediately establishes itself as a labor of love, not just for the genre but for the act of music-making itself. What makes this collection particularly compelling is its commitment to authenticity, with a full big band captured in real time without the intervention of machines or samples. That choice creates a sound that feels dynamic, immediate, and deeply human, allowing listeners to connect with the energy of the musicians as though they were present in the studio. Every note has weight and spontaneity, and the sheer scale of the instrumentation gives the record a warmth and richness that is difficult to replicate in more processed formats.
Vocals are at the heart of “Keep On Movin’”, and they elevate the project from being just a superbly arranged big band record to a fully realized experience of showmanship and charm. The vocal performances are a highlight, as Jeff Meegan, Sara Niemietz, and Steve Memmolo deliver charismatic, versatile interpretations that balance charm, sophistication, and joy, turning each track into a vibrant showcase of swing at its most alive. Their performances are not only technically impressive but also emotionally engaging, with each singer embodying the spirit of swing while adding their own unique touch. On the more jubilant tracks, voices soar with confidence and joy, while on the softer, romantic numbers they bring tenderness and nuance, reminding listeners of the emotional range inherent in the genre. This vocal interplay mirrors the instrumental richness, making the album feel multidimensional and constantly engaging. Every performance contributes to the sense that this project is a revival of swing that is both respectful of its history and unafraid to reimagine its possibilities for today’s audiences.
Keep On Movin’ Album Track List:
Who’d Have Believed:
“Who’d Have Believed” is one of the most tender and reflective moments on ‘Keep On Movin’, showcasing the album’s ability to balance its jubilant swing energy with a softer, more romantic sensibility. The track begins with a lush drum intro that immediately establishes a gentle mood, followed by delicate horn lines and a restrained rhythm section that create an atmosphere of warmth and intimacy. Unlike the more exuberant pieces on the album, this song leans into subtlety, proving that the big band format can be just as effective in evoking quiet wonder as it is in driving energetic groove. The upright bass and brushed drums provide a steady but understated foundation, leaving space for the melodic interplay between horns and vocals to take center stage.
At the heart of the track is Sara Niemietz’s stunning vocal performance, which brings lyrical storytelling to life with both technical finesse and emotional honesty. Her delivery floats gracefully over the orchestration, full of tenderness and nuance, as though she is savoring each line with a sense of awe. The horns respond in gentle swells, almost as if they are conversing with her, reinforcing the intimacy of the narrative while adding depth and grandeur. This dialogue between voice and brass creates a lush, cinematic quality, drawing listeners into the story of unexpected love and fortune that the lyrics explore. Niemietz’s ability to blend clarity with emotion ensures that the message resonates, making her performance both personal and universal.
What makes “Who’d Have Believed” stand out is the way it demonstrates the versatility of Meegan & Tobin’s vision for the album. While much of ‘Keep On Movin’ thrives on exuberant swing and infectious rhythm, this track proves that the duo can slow down and highlight the romantic and reflective side of big band music without losing authenticity. The orchestration is carefully balanced to maintain richness without overwhelming the vocal line, allowing the emotional storytelling to remain the focus. In doing so, the song not only diversifies the album’s palette but also reinforces its dedication to honoring the multifaceted nature of classic big band while breathing new life into it. “Who’d Have Believed” is a glowing example of how restraint, when paired with sincerity and craftsmanship, can be just as powerful as unrestrained exuberance.
On Top Of The World:
“On Top Of The World” captures the radiant heart of ‘Keep On Movin’, opening with an electrifying burst of drums and a jubilant horn fanfare that immediately floods the listener with energy. From the very first moments, the track establishes itself as a celebration of swing at its most exuberant, thriving on rhythm, brightness, and pure optimism. The upright bass walks with playful assurance, anchoring the rhythm section with a groove that is both steady and full of bounce, while the brass punctuates every phrase with dazzling sharpness and flair. This combination creates a soundscape that feels larger than life, setting the stage for a performance that celebrates not only musical excellence but also the timeless joy of big-band tradition.
At the center of the track is Steve Memmolo’s charismatic vocal performance, which glides with a charm that perfectly mirrors the buoyant atmosphere of the arrangement. His phrasing carries an effortless lightness, embodying the lyrical themes of joy and success with authenticity and confidence. The horns often echo or respond to his lines, creating a spirited dialogue that makes the song feel alive with interaction, as though the instruments themselves are cheering alongside him. This interplay reinforces the celebratory spirit of the song, ensuring that the vocal and instrumental elements are inseparable in delivering the message of radiant positivity. The live recording format further enhances this feeling, capturing every subtle inflection and spontaneous burst of energy as though the listener is in the room with the musicians.
What makes “On Top Of The World” such a standout is the way it embodies the overall ethos of ‘Keep On Movin’: a joyful and forward-looking revival of swing that pays homage to tradition while embracing freshness. The meticulous arrangements elevate the big band spirit without losing its spontaneity, and the balance between technical polish and playful exuberance is what gives the track its brilliance. It serves as both a centerpiece and a mission statement for the album, proving that swing is not only alive but thriving in new and exciting ways. With its jubilant horns, confident rhythm, and charismatic vocals, “On Top Of The World” is more than just a song; it is an anthem of optimism that encapsulates the vibrancy and joy at the core of the entire project.
Keep On Movin’:
“Keep On Movin’,” the title track of the album, stands as a vibrant anthem that encapsulates the project’s entire spirit of resilience, joy, and forward drive. Opening with nothing more than finger snapping and Sara Niemietz’s raw, unrefined vocals, the track immediately pulls listeners into an intimate yet strikingly confident space. Her voice brims with authenticity, unaccompanied at first, setting a tone that feels both personal and commanding. This stripped-down opening creates a sense of anticipation, which pays off beautifully as the rhythm section enters, with upright bass and drums laying down a swinging groove that sets the momentum in motion. The transition from sparseness to full-bodied instrumentation mirrors the very theme of perseverance, building from simplicity into unstoppable energy.
As the song progresses, the horns pour in with brassy vitality, bursting with confidence and flair that elevates the track into a full-bodied celebration of big band brilliance. Sara Niemietz’s vocals rise to meet this richness with elegance and power, her phrasing sharp and rhythmic, locking perfectly in time with the band. The interplay between her voice and the instrumental swells gives the performance a cinematic quality, creating the feeling of waves of energy rising and falling throughout the arrangement. Her delivery balances charm, poise, and command, embodying the lyrics’ message of keeping faith and pressing forward. The arrangement itself fluctuates with dynamic variation, alternating between the intimacy of voice and finger snaps and the full force of band and brass, keeping the listener fully engaged while showcasing the versatility of the ensemble
What makes “Keep On Movin’” such a defining moment of the album is its ability to bridge eras, paying homage to the golden age of swing while embodying the freshness of a modern production. The song’s structure reflects motion in itself, always building, receding, and then surging forward again with renewed intensity, much like the act of persevering through life’s challenges. Its jubilant energy is infectious, and its bold soundscape positions it as both a centerpiece and a mission statement for the record. With Sara Niemietz’s captivating vocal performance at the helm and the band’s seamless interplay driving the momentum, “Keep On Movin’” emerges as not just a song but a celebration of resilience, joy, and the timeless vitality of swing music reborn for today’s listeners.
Dance:
“Dance” bursts onto the album with an irresistible rhythmic pull, its crisp drums and walking bass immediately setting the tone for movement and joy. From the very first beat, the groove is infectious, inviting listeners to tap their feet, sway, or indeed get up and dance. The introduction cleverly teases with restraint as the vocals step in, allowing a moment of intimacy before the full big band energy unfolds. This dynamic opening gives the track a sense of anticipation, making the eventual entrance of the horns all the more thrilling. Once they arrive, their playful stabs and sweeping lines amplify the momentum, layering brassy confidence over the already swinging rhythm section.
As the song progresses, the arrangement thrives on syncopated grooves and dazzling horn flourishes, creating a constantly shifting energy that feels both sophisticated and playful. The balance between technical polish and sheer exuberance ensures that the track never loses its accessibility while still showcasing the musicians’ virtuosity. The vocals embody this same duality, delivered with charm and charisma, perfectly capturing the song’s theme of letting go and embracing the sheer fun of music. Each phrase feels alive, carrying the joy of the moment and reinforcing the celebratory atmosphere of the performance. The interaction between the singer and the horns creates a conversational energy, making the listener feel directly involved in the party that the music is throwing.
What makes “Dance” particularly effective is how it embodies the very ethos of ‘Keep On Movin’ honoring the jazz and big-band tradition while reinvigorating it with contemporary brightness and immediacy. The track functions not just as a song but as an open invitation, encouraging the audience to participate in the spirit of swing rather than merely observe it. The arrangement’s clever alternation between restrained moments and high-energy bursts ensures that the track feels dynamic from start to finish, keeping the listener engaged while radiating infectious positivity. In this way, “Dance” becomes both a tribute to the enduring vitality of swing and a modern anthem of joy, proving that music rooted in tradition can still feel fresh, vibrant, and utterly irresistible.
The instrumentation on “Keep On Movin’” is at once lush and purposeful, with horns, rhythm sections, and upright bass blending seamlessly into a tapestry of sound that pays homage to the golden era of swing while pushing it into new territory. Arrangers Callum Au, Martin Williams, and Charley Harrison infuse each piece with technical brilliance and cinematic scope, resulting in arrangements that are as intricate as they are accessible. The brass flourishes sparkle with exuberance, the percussion is rhythmically tight and infectious, and the orchestral layers bring grandeur without ever overwhelming the groove. What emerges is a balance between the discipline of careful orchestration and the freedom of live performance, a balance that allows each track to breathe while maintaining a sense of cohesion across the album. The result is a listening experience that feels polished yet alive, as though the musicians are constantly conversing with one another in real time.
Keep On Movin’ is a Radiant Revival Of Swing, Blending Timeless Charm With Fresh Energy In A Celebration Of Joy, Resilience, And Pure Musical Craftsmanship
Ultimately, “Keep On Movin’” succeeds because it is more than just an exercise in nostalgia; it is a celebration of joy, resilience, and musical craftsmanship. Conceived as a musical antidote to uncertain times, the album radiates positivity and groove from start to finish. Meegan & Tobin’s decision to channel the spirit of the Great American Songbook while infusing it with fresh ideas makes the record timeless rather than dated, ensuring that each song feels familiar yet new. The spontaneity of the live session format heightens this effect, allowing the listener to feel part of the performance rather than a distant observer. From jubilant highs to tender interludes, the project never loses its sense of fun and sincerity, standing as a testament to the enduring power of swing when it is delivered with passion and authenticity. “Keep On Movin’” is not just an album to hear but one to feel, a dazzling revival that will resonate with both longtime lovers of big band and new listeners discovering the genre for the first time.
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