DA-MOVEMENT is a Chicago-based hip-hop collective rooted in lyricism, soul, and the preservation of the city’s rich musical heritage. Founded by Pompey Hicks (Pay) alongside Qraft, the group was created with a clear mission: to restore depth, meaning, and authenticity to hip-hop. Their debut project, DA-MOVEMENT MUZIC, reflects this vision by blending soulful melodies with thoughtful, street-grounded lyricism. At its core, DA-MOVEMENT represents a fusion of respected Chicago artists whose individual legacies strengthen the collective’s impact.
Central to the group’s identity is the late Johnny P. (John Pigram), a Chicago legend known for his soulful voice and groundbreaking contributions to Midwest hip-hop. A former child prodigy who won 113 consecutive talent shows and signed with Columbia Records as a teenager, Johnny P. became the defining voice behind classics like Do or Die’s “Po Pimp,” Twista’s “Emotions,” and “Smile” with Scarface and 2Pac. Complementing his smooth vocals is Never (Marrico King) of Crucial Conflict, whose gritty lyricism adds balance and authenticity. Together, their collaborations, such as “This Is What It Sounds Like” and several unreleased tracks, cement DA-MOVEMENT as a powerful tribute to Chicago’s enduring hip-hop legacy.
Released on Dec 12, 2025, “All Black Everything (Remix)” by DA-MOVEMENT is a masterclass in Chicago hip-hop, a song that effortlessly blends lyrical dexterity, vocal layering, and cultural symbolism. At the forefront, the track thrives on its commanding vocals, led by AK of Do or Die, Never of Crucial Conflict, and Judge Hariss. Each emcee brings a distinct energy to the song, creating an intricate interplay that keeps the listener engaged throughout its four-minute runtime. AK delivers a controlled, authoritative flow, riding the beat with smooth cadence transitions and measured breathwork, evoking the classic West Side Chicago sound. Never introduces syncopated rhythms and melodic inflections that nod to ’90s Midwest hip-hop traditions, adding bounce and groove to the verses. Judge Hariss complements the veterans with sharp articulation and contemporary precision, heightening the track’s urgency. These layered vocal textures, combined with stacked background ad-libs in the hook, give the refrain a chant-like intensity, reinforcing the song’s central motif while making it irresistibly replayable.
The vocal diversity ensures dynamic variation, preventing monotony, and allowing each artist’s unique stylistic identity to shine within a cohesive ensemble. Lyrically, “All Black Everything (Remix)” is both an anthem and a cultural statement. The recurring phrase “all black everything” operates as a powerful metaphor for unity, dominance, resilience, and aesthetic identity, elevating the color black into a symbol of armor and presence. Lines like “We put the city on our back like a T. It’s a fact… We second to none. We number one” exemplify collective pride, regional representation, and unshakable confidence, while “It’s blast off in here. Always taking it to another level” emphasizes ambition and relentless drive. The songwriting alternates between declarative bars, motivational assertions, and dismissive remarks toward critics, creating momentum and giving the track anthemic qualities. Internal rhymes, rhythmic repetition, and punchline-driven cadences reinforce the flow, while the evocative imagery; “Black skullies… black rims on a black car… dark space with a bright star”, bridges street realism with cosmic aspiration.
Thematically, the track celebrates preeminence, cultural heritage, and the enduring legacy of Chicago hip-hop, transforming its lyrical content into a rallying cry that resonates across generations. The instrumental composition and production techniques amplify the song’s message with cinematic precision. Anchored by punchy kicks, crisp snares, and a deep resonant bassline, the minimalist yet brooding backdrop allows the vocals to dominate the foreground while maintaining a polished, balanced sonic environment. Brooding synth pads stretch across the track, providing an atmospheric tension that mirrors the lyrical intensity, while subtle melodic textures and strategic spacing ensure each verse lands with clarity. The mix demonstrates tight low-end control, seamless transitions, and precise vocal separation, making the record ideal for car speakers, high-volume clubs, and FM radio rotations. The mid-tempo rhythm fosters accessibility without sacrificing weight, creating a “riding music” experience rooted in Chicago’s streets while embracing modern polish.
All Black Everything (Remix) Embodies Chicago Hip-Hop’s Essence, Celebrating Unity, Resilience, Dominance, And Pride, Transforming Black Into A Symbol Of Strength, Identity, And Timeless Cultural Power.
~ Daniel (Dulaxi Team)
Overall, the production’s dark tonality, combined with layered harmonics and ad-libs, reinforces the song’s cultural gravitas and musical cohesion. “All Black Everything (Remix)” is a commanding showcase of lyrical mastery, cultural pride, and sonic craftsmanship, making it essential listening for hip-hop enthusiasts. The track’s vocal interplay, thematic depth, and polished production establish it as both a bridge between eras and a timeless Chicago anthem. Whether you’re drawn to its streetwise storytelling, anthem-like hook, or hypnotic grooves, the song delivers a holistic listening experience that engages every sense. For anyone seeking music that embodies heritage, ambition, and authenticity, DA-MOVEMENT’s latest offering is an absolute must-add to your playlist. Its bold message, infectious energy, and undeniable craftsmanship make “All Black Everything (Remix)” a track that commands attention and leaves a lasting impact.
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