Explore Our Latest Music Discoveries Of Talented Independent Artists.
Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
Never or Now Band – Alabaster Chambers:
“Alabaster Chambers” by Never or Now Band is one of those rare songs that instantly grabs your attention not with flashy theatrics, but with the depth and honesty of its sound. From the very first notes, there is a haunting atmosphere that pulls you in, created by the delicate interplay of the instruments. The guitars stand out as the emotional backbone of the track, sometimes shimmering with gentle arpeggiated patterns that feel fragile and introspective, and other times breaking into crisp, sharper riffs that cut through with a sense of urgency. Beneath this, the bass provides a taut, resonant foundation that gives the song its steady heartbeat, keeping everything anchored even when the melodies float upward into dreamlike territory. The drums add another layer of intrigue, carrying a steady yet forward-pushing groove that never feels rushed but still drives the momentum. What makes the percussion especially engaging is how it balances subtle textures with bursts of energy, giving the rhythm section a human, organic quality. Vocally, the delivery is raw and deeply expressive, every tiny shift in phrasing, the hiss of consonants, and the sibilant sharpness of certain words create a striking sense of intimacy. Instead of striving for perfection, the singer leans into vulnerability, with the accidental vocal overlap in the bridge becoming a powerful highlight. Rather than being a flaw, it feels like a moment of spontaneity that captures the beauty of imperfection, reminding listeners that true artistry often comes from embracing authenticity rather than polishing it away.
What makes “Alabaster Chambers” truly unforgettable is the way it transforms subtle details into defining strengths, leaving an emotional impact that lingers long after the final note fades. There is a richness in the arrangement that goes beyond its surface, with each instrument contributing something vital to the overall feel. The bass doesn’t just provide rhythm, it adds a pulsing undercurrent that feels almost like an emotional tether, while the drums weave in syncopated patterns that make the groove feel alive and evolving. Layered guitars create a sonic atmosphere that is both airy and textured, sometimes shimmering like light filtering through glass, and other times ringing out with a rock-driven bite that injects energy into the mix. The overall production leans into a lo-fi indie sensibility, giving the track a rawness that feels unpolished yet deliberate, as if the band chose to showcase humanity and imperfection instead of hiding it under gloss. This choice makes the song resonate even more, because it feels personal and relatable rather than distant or over-produced. Emotionally, it captures that tension between chaos and order, the way life’s imperfections can be reframed into something meaningful and beautiful. Every element, from the subtle BPM adjustment that gives the track its unique pace, to the layered atmosphere that feels expansive but never cluttered, works together seamlessly. The result is a song that doesn’t just sound good, it feels alive, breathing with every note, every phrase, and every imperfectly perfect moment. “Alabaster Chambers” stands out not only as a display of musical skill, but as an embodiment of what makes music powerful: its ability to connect deeply, to turn raw emotion and everyday messiness into something timeless and unforgettable.
Maianovembre – La porte des nuages:
“La porte des nuages” by Maianovembre is the kind of composition that immediately pulls you into its world with an almost cinematic beauty, as though you are stepping through an invisible threshold into another realm. From the very first notes, the track exudes an airy and transcendent quality, wrapping the listener in a soft yet compelling embrace of sound. The opening textures are delicate, layered with ambient pads that spread like an endless horizon, while subtle synths and faint piano notes glide gently underneath to give it depth and dimension. What makes this introduction so incredible is its ability to create atmosphere without rushing, it breathes, it expands, it allows the listener to sink slowly into its universe. The way the reverb carries each sound feels like floating through clouds, creating a sense of weightlessness. Every instrumental choice, from the muted percussive taps that resemble distant heartbeats to the hushed melodic runs that rise and fall like a breeze, contributes to a cohesive soundscape that is not just heard but felt. The track doesn’t rely on heavy beats or flashy drops; instead, it focuses on texture, space, and resonance, which is what makes it so distinctive and deeply moving.
As the piece unfolds, the fusion of Pierre Reverdy’s poetic presence with Maianovembre’s ethereal instrumentation becomes the defining highlight that elevates the song into something profound. The poetry feels like a voice echoing across time, softly intertwined with the music’s spacious arrangement, giving the entire track a reflective and contemplative aura. The calm pacing allows each phrase, each musical accent, to linger in the air, making the listener pause and absorb the weight of both the words and the sounds around them. Beneath this, you can hear faint string-like synths swelling in the background, giving the composition a symphonic depth, while gentle, almost harp-like plucks add a glistening quality to the upper layers. The rhythm itself is not driven by drums in a conventional sense but by the natural ebb and flow of the instruments, creating a groove that is fluid rather than rigid, almost like waves rolling in and out on a misty shore. This lack of urgency in rhythm is what makes the track feel timeless, giving it a meditative cadence that captures the listener’s emotions while keeping them suspended in a state of awe. By blending poetry with atmospheric instrumentation so seamlessly, “La porte des nuages” becomes more than just a song, it is a transcendental experience, one that resonates long after it ends, leaving behind the impression of having touched something spiritual, profound, and beautifully rare.
t3kro – Stories:
“Stories” by t3kro is one of those rare tracks that instantly grips you, not because it overwhelms with noise or flashy gimmicks, but because it knows how to build a mood so intimate and immersive that you can’t help but get pulled in. Right from the opening, the production creates an atmospheric soundscape that feels haunting yet strangely soothing, a steady drum pattern anchors the rhythm with an almost heartbeat-like consistency, while subtle hi-hats and snares add texture and movement without taking away from the reflective tone. Beneath this, faint synth layers and moody basslines swell in and out, creating a spacious backdrop that feels both minimal and full of depth. What stands out most is how t3kro uses this restrained yet layered instrumental arrangement to let his voice become the center of gravity, almost as if every beat and instrumental nuance exists to frame his delivery. The balance between the crisp percussion, the warm undercurrent of bass, and the floating synth textures gives the song a unique sonic identity, hypnotic, introspective, and deeply personal.
The true brilliance of “Stories” is how t3kro merges this sonic palette with his lyrical delivery, creating a piece that feels less like a song you simply hear and more like an experience you step into. His voice carries a raw emotional weight, sometimes sharp and clipped in the verses, pressing against the beat with urgency, and at other times more drawn out and melodic, allowing the listener to breathe with him in those softer moments. This dynamic interplay mirrors the song’s themes of paranoia, regret, and late-night reflection, making the listener feel as though they are sitting right inside t3kro’s stream of consciousness. The groove is understated but steady, giving the track a sense of quiet momentum, while the production’s sparseness ensures that no word or emotion gets lost in the mix. Every element, from the distant echoes of synths to the subtle layering of effects on the vocals, is carefully placed to highlight the vulnerability and depth of the storytelling. This careful balance between rhythm, atmosphere, and lyrical honesty is what makes Stories stand out, it is not just a rap track, but a raw and reflective soundscape that resonates deeply with anyone who has wrestled with their own unspoken thoughts.
Zachary Mason – Don’t Feel Very Much Like A Man:
Zachary Mason’s “Don’t Feel Very Much Like a Man” is the kind of song that doesn’t just play through your speakers, it settles into the atmosphere and commands your full attention with its weight, vulnerability, and breathtaking honesty. From the very first moment, you can sense that this track is not designed to impress with flashy production or quick hooks, but rather to disarm you with raw truth and a mood that feels deeply personal. The song takes its time to unfold, allowing every note, lyric, and pause to sink in with a sense of unhurried intimacy. Mason’s voice stands at the core of the track, fragile yet deliberate, carrying a cracked emotional texture that communicates the very essence of doubt and quiet suffering. Behind him, the instrumentation stays gentle but powerful: the steady strum of acoustic guitar creates a tender backbone, subtle piano chords slip in like whispered reassurances, and faint layers of atmospheric tones give the track a dreamlike, meditative quality. Together, these elements create a sonic world that feels both spacious and immersive, leaving the listener not just hearing a song but experiencing the artist’s most vulnerable state. The overall rhythm doesn’t drive or push forward, it lingers, it drifts, it moves like a slow tide, mirroring the emotional weight of the lyrics and reinforcing the idea that this song is a reflection more than a performance.
What makes “Don’t Feel Very Much Like a Man” unforgettable is the way it leans into fragility as its strength, using stillness, minimalism, and subtle progression to hold the listener in an emotional trance. Instead of relying on soaring choruses or dramatic climaxes, the song thrives on nuance, tiny shifts in Mason’s vocal tone carry monumental significance, while the delicate interplay between the guitar, soft piano flourishes, and the faint hum of background instrumentation creates an atmosphere that feels almost sacred. The track does not aim to entertain in the conventional sense; it seeks to connect, to resonate, to hold a mirror up to the listener’s own insecurities and quiet reflections. Its length becomes part of the experience, allowing listeners to sit with the emotions instead of rushing through them, almost like a guided meditation on vulnerability and identity. By the time the song reaches its closing moments, you don’t just feel like you’ve heard someone’s story, you feel like you’ve been drawn into their solitude, their inner conflict, and their quiet yearning for understanding. It is haunting, it is heartfelt, and it lingers in the mind long after the final chord fades, proving itself to be a masterpiece in understated emotional storytelling.
Marilou Nézeys – Earth:
Marilou Nézeys’ “Earth” is a breathtaking composition that immediately draws the listener into its profound emotional depth through the elegance of her piano performance. The piece unfolds with a graceful simplicity that quickly reveals layers of richness, as each note feels deliberate and expressive, almost like a voice telling a story without words. What stands out the most is the way Marilou uses dynamics and phrasing to give the piano a human-like quality, soft, delicate passages carry an intimate tenderness, while more powerful, resonant strokes create a sense of gravity and magnitude, as if echoing the vastness of the planet itself. The pacing of the song is also striking, never rushed, but carefully measured to allow each emotion to breathe and resonate, giving the listener space to reflect and feel the essence of the theme she is portraying. This careful balance of restraint and release makes the song not only technically impressive but also deeply moving.
What truly elevates “Earth” is its ability to feel both intimate and universal at the same time. The composition flows seamlessly like the natural cycles of life, weaving together moments of stillness with waves of intensity that mirror the highs and lows of existence on this planet. The clarity of the piano tone, combined with Marilou’s nuanced touch, creates a cinematic atmosphere that feels timeless, every chord progression paints an image, whether it’s the serenity of nature or the weight of human experience. It’s not just a song you listen to, but one you feel within yourself, as if the piano keys are striking chords in your own soul. This makes “Earth” a rare kind of piece: one that transcends being simply music and becomes an experience of connection, reflection, and beauty, standing out as a remarkable testament to Marilou Nézeys’ artistry.
Ariel Bart – Screams Before Silence:
When “Screams Before Silence” opens, you are immediately drawn into a world of pause, breath, and tension, there’s a fragile hush before any sound fully asserts itself. The harmonica enters as if speaking with a human voice: it’s raw, intimate, capable of both trembling vulnerability and piercing clarity. That voice floats over a sparse but warm bed of piano, which gently sketches out chordal shapes and echoes into the space, giving both grounding and openness. The cello weaves low tones, sometimes swelling, other times whispering, acting almost like a shadow or mirror to the harmonica’s emotional arcs. The dynamic is subtle at first: quiet, expectant, with the cello string and piano key strokes almost muted, allowing room for delicate silence, for tension, for what is about to be said without words. Then, as the piece unfolds, the harmonica’s timbre deepens, its phrasing more daring, moving from gentle articulation into tones that almost scream, bending, sustaining, releasing, before receding back into quieter passages. The rhythms are not driven by drums; instead, the pacing comes from internal pulse, how long the pauses last, how the piano responds, how the cello lets its lines linger or fade. There’s an ebb and flow: moments pull you in with longing, then release into shadows, silence, breath again.
What makes “Screams Before Silence” standout is its astonishing emotional clarity and the way Ariel Bart uses these three instruments, harmonica, cello, piano, as storytellers, not just accompanists. The harmonica doesn’t dominate just by playing more notes; it dominates through sincerity, through texture with some notes shimmering, others rough-edged, through dynamic contrast, through timing. The cello is not just lush warmth: sometimes it confronts, sometimes it supports, sometimes it mourns. The piano isn’t merely harmonic filler; it shapes atmosphere with space, with resonance, with the way chords hang, decay, then are re-entered. There’s a real sense of weight in silence, of what is unsaid, and that makes every note more powerful. When harmonica and cello align in unison or harmony unexpectedly, the effect is almost a shiver: two voices becoming one, then diverging. The song’s contour, its peaks and valleys of intensity, the way quiet sections make louder moments hit harder, is masterfully controlled. Overall rhythmically the song is less about beats and more about pulse, breathing, and tension: you feel it in your chest. It’s this thoughtful interplay of restraint and release, of instrumental color and space, that gives “Screams Before Silence” its compelling power, it’s a song that lives in the edges of sound and silence, where emotion isn’t shouted, but deeply felt.
Romielle – Ma plus belle histoire d’amour c’est vous:
Romielle’s “Ma plus belle histoire d’amour c’est vous” is a profoundly beautiful piece of music that instantly captivates from the very first note, radiating a sense of elegance and emotional honesty that feels both timeless and deeply moving. The opening is gentle yet commanding, immediately setting a tender atmosphere that draws the listener into an intimate journey of sound and sentiment. Romielle’s vocal performance is the true heart of the song, her delivery is soft yet powerful, carrying an unshakable authenticity that allows every phrase to land with weight and emotion. The richness in her voice creates a direct connection, almost as though she is speaking to each listener personally, confiding her feelings through melody. There’s a natural flow in her phrasing, a careful balance of breath, control, and passion, making the performance not only technically strong but emotionally stirring. The song feels like a dialogue of love and devotion, with every note emphasizing sincerity, vulnerability, and warmth, leaving you with the impression of having experienced something deeply human and soul-touching.
The instrumentation heightens this experience, providing a canvas of sound that is both delicate and full of life, perfectly supporting the vocal without overshadowing it. The gentle strumming of acoustic guitar forms the song’s foundation, offering a steady rhythm that creates both a sense of intimacy and flow. The piano adds depth and resonance, its chords flowing with grace while occasionally rising to emphasize emotional peaks, painting a soundscape that feels rich and expressive. Strings swell softly in the background, weaving in moments of tenderness that lift the melody and enrich the atmosphere, while light percussive touches, whether soft brush strokes on the snare or delicate cymbal accents, add a subtle groove, giving the rhythm a heartbeat without disturbing the serenity of the piece. Each element is placed with precision, creating a balanced arrangement that feels spacious yet complete, where every instrument breathes and contributes to the overall emotional journey. The absence of background vocals allows Romielle’s voice to remain unaccompanied and unchallenged, giving it the purity and spotlight it deserves. The overall groove of the track is slow, heartfelt, and meditative, pulling the listener into a reflective state, while the rhythm and instrumentation combine to give the song a serene, almost ethereal feel. What makes this piece stand out is how effortlessly it blends simplicity with emotional depth, offering a performance that lingers in memory not just as a song, but as an unforgettable experience of sound and feeling.
Scarlette Ember – Ultimate Jazz:
Scarlette Ember’s “Ultimate Jazz” is a radiant piece of artistry that feels like a celebration of the very essence of jazz while weaving in a soulful modern edge that makes it stand out instantly. From the opening moments, the listener is pulled in by the smooth yet dynamic instrumentation, where the interplay of rhythm and melody creates a fluid atmosphere that is both timeless and refreshing. The instrumental arrangement is carefully layered, each element, from the gentle keys to the subtle yet steady basslines and the crisp percussion, works in harmony to paint a vivid soundscape that feels alive and breathing. What really stands out is the way the piece balances sophistication and accessibility; it has the depth and complexity expected of jazz, yet its flow feels inviting, making it easy for both seasoned jazz enthusiasts and casual listeners to connect. The tonal shifts throughout the track add to its brilliance, giving it a sense of progression and movement that feels like a story unfolding in sound.
Another incredible highlight of “Ultimate Jazz” is its ability to capture emotion without ever saying a word, letting the instruments themselves speak a universal language. The textures are rich, and the subtle improvisational touches add a raw, organic beauty that makes the track endlessly replayable. Each section feels purposeful, yet it leaves enough space for freedom, embodying the spirit of jazz in its purest form. The production is crisp and clear, allowing every detail to shine, from the warm resonance of the bass to the silky melodies floating on top. There’s a certain elegance in how the track transitions seamlessly between moments of intensity and calm, making the listening experience dynamic yet soothing. Altogether, Scarlette Ember achieves something remarkable with “Ultimate Jazz”: a track that feels both classic and new, deeply rooted in jazz tradition while offering her own fresh, captivating twist that sets it apart as a truly unforgettable piece.
Duplexity – Mercy:
“Mercy” is the kind of song that immediately strikes you not only as music, but as a full emotional encounter that reaches deep into the listener’s chest and holds on tightly. From the opening, there’s a dark, atmospheric pull that feels both cinematic and intimate, like the soundtrack to an inner battle being fought in real time. What makes the track stand out so powerfully is the way it transforms raw feelings into a sonic landscape that is tangible and unforgettable. The vocals cut through the mix with clarity and urgency, dripping with emotion yet delivered with such control that they command every moment of attention. There’s a haunting quality in the tone, something that feels almost ghostly, while at the same time there is undeniable strength rising in every phrase, which gives the song its anthemic presence. It doesn’t just sound like a performance; it feels like an outpouring of lived experience, messy, painful, and beautiful all at once. The more you listen, the more the atmosphere pulls you deeper, and what stays with you long after the song ends is the incredible way it blends fragility and force into one unforgettable expression.
The instrumentation behind “Mercy” is another defining factor in what makes the track so exceptional. The rhythm is carried by steady, resonant drums that hit with weight and purpose, laying down a foundation that feels almost like a heartbeat, pulsing with intensity. Layered on top of that, the bassline adds a thick, grounding depth, giving the track warmth while also intensifying its dramatic mood. The guitars are especially striking, they alternate between atmospheric chords that swell in the background and sharp, cutting riffs that pierce through at just the right moments, adding texture and raw energy. Subtle synths and ambient sound effects expand the space around the core instruments, wrapping the track in a cinematic aura that makes it feel vast and all-encompassing. Together, these elements create a groove that is steady and deliberate, not fast or rushed, but filled with tension, drawing the listener into its emotional gravity. The rhythm has a weight to it that makes you sway, not because it’s danceable in the traditional sense, but because it resonates so deeply with the human pulse. Each instrumental layer is purposeful, and when combined, they create a sound that feels alive, dynamic, and deeply moving.
François Marius – Jamrock Despacito:
“Jamrock Despacito” by François Marius is not just a song, it is a sonic experience that immediately draws you in with its warm, inviting energy and rich fusion of sounds. From the very first beat, you can feel the rhythm settle into your body, led by a steady drum pattern that gives the track a heartbeat, a foundation that is both grounding and captivating. The percussion is sharp yet fluid, giving the groove a natural sway reminiscent of the Caribbean while still keeping that Latin reggaeton pulse alive. Layered over this, the bassline comes through with a deep, pulsing resonance that ties everything together, adding weight and warmth to the song while encouraging movement with every note. Acoustic and electric guitar strums weave in and out of the arrangement, their bright tones adding texture and sparkle, while subtle synth pads provide an atmospheric backdrop that lifts the song beyond the ordinary. The interplay of male and female vocals is where the magic truly flourishes, the male voice enters with a confident, grounded delivery that feels steady and sure, while the female counterpart glides in with grace and softness, introducing a sensual elegance that perfectly balances the masculine strength. The chemistry between these voices feels organic and unforced, almost like two energies in dialogue, and it’s this vocal contrast that makes the song not just listenable but utterly compelling.
What elevates “Jamrock Despacito” into something unforgettable is the way François Marius allows every element of the track to breathe, creating a groove that feels spacious, soulful, and irresistibly danceable. The rhythm flows at a deliberate pace, true to the essence of “Despacito”, moving slowly, smoothly, and seductively, yet it never loses its fire or momentum. The percussion accents, shakers, hi-hats, and rhythmic claps, add a vibrant sparkle that keeps the groove alive, while the guitar flourishes and bass notes echo with warmth, enveloping the listener in a rich soundscape that feels both tropical and cosmopolitan. There is an undeniable sensuality in how the song unfolds, with each instrumental layer enhancing the vocals rather than overpowering them. The result is music that doesn’t just sound good, but feels good, uplifting, sultry, and deeply immersive. It’s the kind of track that pulls you into its world, making you want to close your eyes and sway to the rhythm, while also energizing you with its infectious beat. François Marius has managed to create a piece that feels like a journey across cultures and emotions, a fusion of reggae’s soul, reggaeton’s fire, and pop’s accessibility, all woven seamlessly into a single track that leaves a lasting impression long after the final note fades.