Delta of Venus emerged from the tight-knit and eclectic music scene of Mystic, Connecticut, bringing together elements of electronic music and traditional rock in a way that feels both fresh and deeply rooted in the past. The band, initially formed as an experiment among three longtime collaborators; Dawn Estabrooks, Mat Tarbox, and Rich Freitas, evolved as they stepped into unfamiliar roles, pushing the boundaries of their musical expression.
Their origins are steeped in the Mystic music community, with each member carrying a history of influence from prior projects. Freitas, formerly the drummer for 17 Relics, shifted to guitar, while Tarbox, the charismatic frontman of Skimbleshanks, took on bass duties. Estabrooks, known for her work in the Petervito ensemble, added her own creative touch. This foundation laid the groundwork for Delta of Venus’ distinct sound. As their artistic vision expanded, the band welcomed a new vocalist, Issy, whose presence and voice added another layer of depth to their music. With a finalized lineup featuring Issy on vocals, Freitas on guitar, Tarbox on bass, and Shawn Fake on drums, Delta of Venus has crafted a style that seamlessly fuses indie pop with the dreamy textures of shoegaze.
Released on March 25th, 2025, the music video for “Disengaged b/w Slipping” marks a significant artistic statement from Delta of Venus. More than just a visual accompaniment to the band’s double A-side single, the video reinterprets the legendary story of Joan of Arc, imagining a world where she survived beyond her historical fate and became the leader of a modern-day resistance movement. Filmed in Mystic, CT, and directed by acclaimed photographer Michelle Gemma, the video weaves a dreamlike narrative that blurs the line between historical mythology and contemporary feminist themes. With stunning cinematography and a deliberately enigmatic storyline, “Disengaged b/w Slipping” is both visually and thematically ambitious, inviting viewers to engage deeply with its symbolism and layered storytelling.
From its opening moments, “Disengaged” immediately establishes an atmospheric, almost ethereal tone. The video begins with striking imagery of trains, the shoreline, and a home, evoking a sense of quiet anticipation. These shots serve as a visual prologue, hinting at the journey that will soon unfold. As the scene transitions, a woman is revealed, seated on an intricately adorned throne. Her presence is regal, yet her attire suggests a warrior’s resolve. Clad in a hooded cloak and gripping a sword, she appears as a modern Joan of Arc, both a leader and a fighter. This image alone is rich with meaning, symbolizing defiance, power, and the burden of leadership. The throne itself, while not grand, is set within a natural setting, perhaps indicating that her power is not derived from institutions, but from something more organic and untamed.
The narrative then shifts, introducing two women walking together with a distinct sense of purpose. One carries a sword, reinforcing the theme of resistance, while the other pastes images onto trees, suggesting an act of spreading a message or rallying support. The deliberate pacing of these scenes allows viewers to absorb the symbolism, as the video refrains from over-explaining its meaning. This approach invites speculation: Are these women disciples of the warrior queen? Are they organizing a movement, leaving behind visual markers for others to follow? The lack of explicit answers heightens the intrigue, making “Disengaged” feel like a fragment of a larger, untold story.
As “Disengaged” reaches its conclusion, the transition into “Slipping” is seamless yet distinct. Where the first half of the video feels expansive and outward-facing, “Slipping” turns inward, shifting from grand visual statements to a more introspective and haunting atmosphere. The opening shot of a woman walking alone through the streets suggests a journey, perhaps of escape, self-discovery, or acceptance. This transition mirrors the song’s sonic shift as well, as “Slipping” moves away from the broad soundscapes of “Disengaged” and settles into something more intimate and melancholic.
The two women from the first section reappear in “Slipping,” but this time, their presence is more mysterious and ritualistic. They enter an unknown location with their swords held high, their movements deliberate and ceremonial. The change in setting and tone creates a sense of unease, as if the story has entered its most crucial moment. Their actions, whether symbolic or literal, suggest the fulfillment of a prophecy, the execution of a long-planned mission, or the beginning of a new chapter in their resistance. This sequence is one of the most visually arresting in the video, as the combination of dark, atmospheric lighting and slow, deliberate pacing amplifies the emotional weight of their actions.
What makes “Disengaged b/w Slipping” particularly compelling is its refusal to offer easy interpretations. The narrative is deliberately abstract, allowing multiple readings based on the viewer’s perspective. Is this a literal retelling of Joan of Arc’s survival, or is it a metaphor for modern struggles against oppression? Are the swords and rituals meant to be taken at face value, or do they symbolize inner battles and personal transformations? The ambiguity is what makes the video so engaging; each frame is rich with meaning, yet nothing is handed to the audience outright. This approach aligns with Delta of Venus’ musical style, which often embraces a sense of mystery and emotional depth, allowing the listener (or viewer) to bring their own experiences and interpretations to the work.
Beyond its narrative and thematic depth, the video is a testament to the power of collaboration. Michelle Gemma’s direction, combined with the editing skills of James Canty, creates a visually cohesive and aesthetically striking piece. The cinematography captures both the beauty and mysticism of Mystic, CT, using natural and historical settings to enhance the timeless quality of the story. The choice to film at locations such as the House of 1833, with its gothic, antique charm, adds an additional layer of visual storytelling. Furthermore, the participation of models Fiona, Emma, Maya, Izzy N., Nora, and Issy P. helps bring the vision to life, as their performances add depth and emotion to the unfolding tale.
Ultimately, “Disengaged b/w Slipping” is more than just a music video, it is an immersive experience that blends history, mythology, and contemporary themes into a single, captivating visual piece. It challenges viewers to look beyond the surface, to consider the weight of its imagery, and to find personal meaning in its abstract storytelling. Paired with Delta of Venus’ evocative music, the video leaves a lasting impression, proving that the band is not only pushing musical boundaries but also redefining the role of visual storytelling in independent music.
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Listen to “Disengaged b/w Slipping” by Delta of Venus, and many more in our Pop / Commercial playlist.
