Ricky Liontones, a versatile singer-songwriter based in Chicago, has carved a distinctive niche in the music world for himself. Ricky’s music reflects a rich tapestry of influences that captivate and intrigue. Over the years, he has become a fixture in Chicago’s vibrant music scene, gracing stages at prominent festivals such as Ruido Fest, Wicker Park Fest, Good Ole Days Fest, and Pilsen Fest, while sharing the spotlight with iconic acts like Joanna Connor, LA Guns, Demob Happy, Stoner, The Dead Boys, Suzi Moon, and others. With three solo albums and contributions to over ten other projects, Ricky’s impressive discography and magnetic performances solidify his reputation as one of Chicagoland’s most dynamic and enduring musicians.
Ricky Liontones has once again proven his mastery in blending rock, funk, and psychedelic elements with the release of his fourth solo album, “DejaVolution”. Released on October 12, 2024, and recorded at Bricktop Recording in Chicago, this hard rock album features nine tracks that showcase Liontones’ artistic range. With collaborations including the legendary Alain Johannes and engineering by Pete Grossmann, DejaVolution encapsulates the spirit of experimentation while staying true to its roots. The album seamlessly blends wild energy with introspective moments, taking listeners on a journey of raw emotion, intricate instrumentation, and lyrical depth.
DejaVolution’s tracklist:
Illusion of Choice:
“Illusion of Choice,” the opening track on the album, featuring the legendary Alain Johannes, immediately grabs attention with its dynamic and untamed energy. The song begins with intense, and rapid guitar strums creating an immediate sense of urgency that builds anticipation for what’s to come. These guitar lines are a force in themselves, occupying the sonic space with such vigor and drawing the listener into the heart of the track before the vocals even arrive. The guitar’s dominant presence allows for a slow build-up, giving the music room to fully envelop before the powerful vocals emerge at the 0:43 mark.
When the vocals enter, it does so with unrestrained force, demanding attention and fully claiming its space within the track. The delivery is fierce and confident, as though the artist is singing with nothing to lose, charging through each note with the intensity of someone breaking free from all constraints. This moment is a key element of the track’s energy, the vocals aren’t shy, they are anthemic, filled with defiance and unfiltered emotion.
What sets “Illusion of Choice” apart is its sense of wild abandon, a chaos that seems to take control of both the music and anyone listening to it. There’s a raw freedom in the way the song unfolds; it doesn’t allow for passive listening. The intricate guitar melodies and punchy, powerful drum beats become an almost physical experience as if the rhythms are actively pulling the audience into the song, making it impossible to remain still.
The guitar work is particularly noteworthy, with each strum feeling intentional and purposeful, layering complex, yet accessible, melodies that enrich the song’s atmosphere. The drums provide a perfect counterbalance to the frenetic energy, adding weight and structure to the music without diminishing its chaotic intensity. The combination of these instruments, along with the artist’s powerful vocals, generates a compelling energy that characterizes the song. As the song approaches its peak, it doesn’t decrease in speed or lose momentum; it keeps pushing ahead, staying intense and full of energy until the final note.
“Illusion of Choice” boldly introduces the album with its quick rhythms, unrestricted instrumentation, and confident performance, setting the tone. It is a declaration of purpose, a tune that embraces its unpolished nature without any regrets and paves the way for what is to follow.
Feels Good Tho:
The third track, “Feels Good Tho,” offers an energy shift, demonstrating Ricky Liontones’ versatility. While retaining his signature energetic guitar riffs, this song opts for a more rhythmic and measured tempo compared to the wild abandon of the album’s opening track. The song begins with Ricky’s untamed guitar, layered over a faint background of spoken voices. As the instrumental settles into a groovy rhythm, Ricky’s vocals emerge at the 0:56 mark, smooth and velvety, drawing into a more introspective yet upbeat vibe.
His performance feels personal and immersive, as though he is singing directly to the listener, inviting them to lose themselves in the music. The lyrics in the song convey a theme of empowering oneself and looking inward, as seen in the lines, “Let go of all of the things that held you back, you are so much greater than all of the things that you lack.” The message of overcoming challenges is emphasized by the recurring, positive chorus, “It feels good tho,” acting as a mantra of encouragement.
At the 3:58 mark, the vocals pause, allowing Ricky’s guitar to take center stage in an emotionally charged solo. The song concludes with a crescendo of Ricky’s exuberant chanting, merging seamlessly with the fading instrumentals. “Feels Good Tho” is a standout track, balancing rhythmic sophistication with a heartfelt message.
Barbwire Necktie:
“Barbwire Necktie,” the eighth track from Ricky Liontones’ DejaVolution album, stands out with its refreshing blend of country charm and hard rock edge. This track showcases Ricky’s versatility, presenting a lively energy that contrasts beautifully with the more intense or experimental tones of the album’s other songs. From the first note, the song radiates infectious happiness, creating a light-hearted atmosphere that invites listeners to let loose and dance. The spirited guitar riffs, a signature of Ricky’s style, take on a new personality here, exuding pure joy and playfulness. These melodies, combined with the upbeat tempo, evoke a sense of togetherness, inspiring images of carefree moments shared with friends, where music becomes the bond that unites everyone in the moment.
The lyrics of “Barbwire Necktie” bring an element of humor and relatability to the track, with playful lines like “oh and I’ve fallen for you, your hands are barbwire and necktie, how can I love a stranger when I can’t see her in sight,” cleverly painting a picture of complicated emotions and whimsical attraction. This lyrical wit, paired with Ricky’s knack for crafting simple yet captivating choruses, makes the song unforgettable. The repetitive refrain, “like a barbwire and necktie,” paired with the pulsating guitar rhythms, urges listeners to join in and sing along, adding to the track’s engaging and communal vibe. With its carefree spirit, catchy melodies, and a perfect balance of humor and musical sophistication, “Barbwire Necktie” is a delightful gem on the DejaVolution album that leaves a lasting impression.
Slaves & Bulldozers:
“Slaves & Bulldozers,” the final track on DejaVolution, closes the album with a distinct and memorable energy that feels both resolute and refreshing. Featuring the legendary Alain Johannes, the track opens with a calm and steady rhythm, drawing listeners in with its understated yet compelling atmosphere. The gentle guitar riffs and deliberate drum beats establish a reflective tone that feels almost meditative. However, what truly elevates this track is the unexpected infusion of screamo elements, which inject a raw and unapologetic edge into the composition. This juxtaposition of calmness and intensity creates a dynamic listening experience, reflecting a sense of controlled chaos and artistic mastery.
The lyrics of “Slaves & Bulldozers” carry a profound sense of conviction, as Ricky delivers lines like, “and well what I say is what I mean, everything I gave is what I mean.” These words resonate as a declaration of self-assurance and authenticity, showcasing his ability to weave powerful messages into his music. The addition of the line “everything I show is what I feel” further solidifies the emotional depth of the song, emphasizing the artist’s vulnerability and genuine expression. The interplay between the screamo energy and the relaxed instrumental elements creates a striking contrast that ensures the album concludes on a high note. Instead of leaving listeners overwhelmed, the track strikes a perfect balance, wrapping up the musical journey with a sense of fulfillment while still leaving them eager for more. With its thoughtful arrangement and bold delivery, “Slaves & Bulldozers” is a fitting and impactful conclusion to an album brimming with creativity and passion.
DejaVolution is a prime example of dynamic storytelling and musical creativity from beginning to end. Ricky Liontones has created an album that combines boundless energy with introspective moments, providing a listening experience that is thrilling and stimulating. Thanks to Pete Grossmann’s production quality, each track is highlighted, showcasing intricate guitar work, punchy drums, and evocative vocals. Alain Johannes being part of the album increases its depth and authenticity, enhancing its overall impact.
Every song demonstrates Ricky’s skill in challenging limits and remaining loyal to his distinctive combination of rock, funk, and psychedelic inspiration. From the vibrant energy of “Illusion of Choice” to the reflective groove of “Feels Good Tho,” the delightful charm of “Barbwire Necktie,” and the strong conclusion of “Slaves & Bulldozers,” DejaVolution has something to appeal to all tastes.
Listen to DejaVolution now and experience the evolution of Ricky Liontones’ artistry.
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