“Bloomfield Machine, has released a mesmerizing album titled “Left to Our Own Devices”. The album is a genre-defying musical journey that draws inspiration from the ‘60s to contemporary sounds, reflecting our rapidly changing world. This album is a captivating manifesto pushing musical boundaries and inviting listeners on an immersive sonic odyssey across various genres”.
Bloomfield Machine, the brainchild of multi-talented artist Brian Kassan, hails from the sun-soaked shores of Huntington Beach, California. As a true musical polymath, Brian possesses the remarkable ability to seamlessly navigate the realms of guitar, keyboards, bass, and drum programming/loops. His journey as Bloomfield Machine began in 2017, and since then, he has sculpted a distinctive path in the world of instrumental music.
Drawing inspiration from a diverse palette, Bloomfield Machine’s sonic tapestry bears the imprints of 70s progressive rock, the elegance of classical music, and the innovative spirit of modern electronic pioneers like Boards of Canada, My Bloody Valentine, Gary Numan, and New Order. These influences converge in his compositions, resulting in a mesmerizing fusion of genres that transcends traditional categorizations.
While Bloomfield Machine has graced a few local stages alongside a drummer, the hunger for more live performances lingers, hinting at the untapped potential for captivating audiences on a grander scale. Their music has garnered acclaim from notable critics and publications. Pitchfork Music lauds Brian Kassan’s ability to craft “trippy, progressive vibes”. The Indie Source acknowledges Brian Kassan’s prowess in storytelling through music, emphasizing his capacity to evoke emotions without words.
In summary, Bloomfield Machine, is a musical venture that defies conventions, offering listeners a kaleidoscope of sound. With a burgeoning desire to share his creations with wider audiences, Bloomfield Machine is poised to continue pushing the boundaries of instrumental music, leaving an indelible mark on the world of music.
Bloomfield Machine, has unveiled his latest album titled “Left To Our Own Devices”. Released on September 8th, 2023, this original album is a captivating journey through a realm where past and future collide, all within the confines of progressive, instrumental, and electronic soundscape. This album, like a carefully curated time capsule, captures the essence of this diverse musical heritage. The result is a truly original and genre-defying stew that will enthrall a wide range of listeners.
“Left To Our Own Devices” serves as a musical mirror to our rapidly changing society. In a world where technology shapes our every move, this album invites us to contemplate the consequences of our newfound autonomy. Each track, with its unique sonic signature, encapsulates a facet of our modern existence, inviting introspection and awe in equal measure.
Left To Our Own Devices Album Track List:
Reality Collapse
The Imperatives
Looking For Leverage
Ghost Passenger
Greeble
Impression Management
Inventing Hope
Minister Of Loneliness
Supernormal
No Explanation
Zep Tepi
Illuminaughty
When Is It Done Really
Soul Crusher
Inner Beauty Pageant
Levels Of Infinity
Inventing Hope:
“Inventing Hope”, a standout track from Bloomfield Machine’s album “Left To Our Own Devices”, is a musical masterpiece that transports listeners to a realm of gorgeous, spacious ambiance. From the very first notes, “Inventing Hope” takes you on a cosmic journey, inviting you to explore the vast expanse of the unknown. The spacey synths in this track are like shimmering stars, each note a flicker of brilliance in the dark expanse of the musical cosmos.
It’s a sound that encourages introspection and wonder, much like gazing at the night sky. What makes “Inventing Hope” truly special is its ability to evoke deep emotions through its wistful melodies. It’s as if the music tells a story of hope emerging from the depths of uncertainty, mirroring the emotional arcs found in the most gripping space operas. The track’s climactic moments are where its true power shines.
“Inventing Hope” is a testament to Bloomfield Machine’s ability to craft music that transcends genres and captures the imagination. This track invites you to dream, contemplate, and experience the thrill of a cosmic journey in the form of music.
Minister Of Loneliness:
“Minister of Loneliness”, a compelling track within the “Left To Our Own Devices” album by Bloomfield Machine, is a sonic voyage that seamlessly melds elements of the ‘80s with an industrial electronic and rock synergy. This composition transcends eras, drawing listeners into a captivating auditory landscape where nostalgia and innovation converge.
These tones exude a sense of nostalgia, reminiscent of the era’s iconic soundscapes. Yet, the track doesn’t linger in the past; instead, it masterfully intertwines this vintage essence with modern elements. It’s a musical fusion that keeps the listener engaged, never quite settling into one style, but instead, constantly evolving.
The mechanical-like rhythms serve as the backbone of “Minister of Loneliness”, lending it an industrial edge. These rhythms pulse with a relentless energy, creating a sense of urgency and motion within the composition. The fusion of these mechanical rhythms with the ‘80s guitar tones results in a sonic tapestry that is both familiar and refreshingly contemporary.
Throughout “Minister of Loneliness”, the aesthetics are striking. The track stirs emotions, evoking a sense of longing and introspection. It’s a journey through sonic murkiness, where the shadows of the past and the innovation of the present converge to create a unique and compelling auditory experience. “Minister of Loneliness” is a testament to Bloomfield Machine’s ability to transport listeners through time and space with their music.
When Is It Done Really:
“When Is It Done Really” is a captivating track nestled within Bloomfield Machine’s album “Left To Our Own Devices”. From the very first notes, “When Is It Done Really” envelops listeners in a world of icy, ethereal synths. These chilling tones create an otherworldly ambiance that is both haunting and mesmerizing.
The heartbeat of this track lies in its ability to build anticipation and intrigue through its rhythm. As the composition progresses, it steadily escalates, creating a sense of mounting excitement. The rhythm is like a journey with an unknown destination, enticing the listener to follow its path. It’s as if the music invites you to venture into a mysterious and enigmatic landscape, shrouded in a captivating sonic mist.
One of the standout features of “When Is It Done Really” is its infectious quality. The crunchy pulses that punctuate the track give it a unique and addictive character. These pulses draw you in, creating a sonic pull that’s impossible to resist. It’s a musical journey that becomes increasingly immersive as it unfolds.
“When Is It Done Really” is a testament to Bloomfield Machine’s ability to craft music that is both nostalgic and forward-thinking. This track’s fusion of icy synth-driven chills, rhythmic intrigue, and infectious pulses creates a mesmerizing sonic experience. It invites listeners to embark on a journey of sonic discovery, where the destination is as intriguing as the path itself. For those who appreciate the allure of experimental electronic music, this track is a captivating gem within “Left To Our Own Devices”.
Levels Of Infinity:
“Levels Of Infinity” serves as the hauntingly fitting finale to Bloomfield Machine’s album “Left To Our Own Devices.” This concluding composition weaves a sonic tapestry that alternates between spaciousness and eerie blasts of distortion, leaving listeners with a lingering sense of intrigue.
The opening moments of “Levels Of Infinity” envelop listeners in a haunting spaciousness. It’s as if the music beckons you into a vast, enigmatic void, where every note echoes with a sense of contemplation and depth. This spaciousness allows room for reflection, inviting the listener to explore the uncharted realms of sound.
As the track progresses, it takes an unexpected turn with eerie mid-point blasts of distortion. These sonic detonations disrupt the serenity established earlier, injecting an element of tension and surprise. It brings together the album’s thematic elements of innovation, nostalgia, and exploration, leaving a lasting impression on the listener.
“Levels Of Infinity” serves as a fitting conclusion to the album, encapsulating the diverse sonic journey that “Left To Our Own Devices” has offered thus far. “Levels Of Infinity” not only brings the album to a close but also leaves an indelible mark on the listener’s mind.
In conclusion, the album’s sonic journey is nothing short of mesmerizing. From industrial rock’s gritty textures to the ethereal realms of spacey electronic exploration, Bloomfield Machine traverses an expansive musical spectrum. Each track is a vignette, a brief yet immersive experience that transports the listener to uncharted territories of sound.
Throughout “Left to Our Own Devices”, Bloomfield Machine has crafted a captivating listening experience. The album’s personality-filled soundscapes traverse various genres, from ambient beauty to industrial intensity. It’s a testament to the his ability to evoke emotions, provoke thought, and transport listeners to different sonic realms.
“Left to Our Own Devices” stands as a testament to the power of music to convey emotion and tell stories without words, inviting listeners to immerse themselves in a world of sound and imagination. “Left To Our Own Devices” by Bloomfield Machine is more than just an album; it’s an artistic manifesto that defies conventions and blurs the lines between past and future. Brian Kassan’s innovative approach to composition and sound creation culminates in an album that beckons us to contemplate the ever-evolving tapestry of our world.
With its striking atmospheres and daring musical explorations, this album stands as a testament to the boundless possibilities of music in the digital age. For those who seek a profound auditory experience, “Left to Our Own Devices” is a captivating journey worth embarking upon.
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