The Subtheory – Things That Caught My Attention (Review)
In an age defined by endless scrolling, fractured attention spans, and a constant barrage of information, The Subtheory’s...
Hip-hop / Trap / Drill
Unexpectid — They Might (Review)
Released on 20th June 2026, “They Might” sees Unexpectid transform an intensely personal ordeal into a gripping and...
Ray Gibbz — Royal Ruby (Review)
Released on 4th June 2026, “Royal Ruby” thrives because Ray Gibbz commits completely to the world he creates,...
Medium B – Right Hand Man (Review)
Released on 5th May 2026 through Third Motion Media and Electric Avenue Records, “Right Hand Man” sees Medium...
Geese Da Goon — Let Me Take You to Snap City (Review)
Released on June 5th 2026, “Let Me Take You to Snap City EP” sees Geese Da Goon transform...
Cashus King & Big O — Water to Wine (Interview)
Hello everyone it’s your host Daniel from Dulaxi, and today I have with me the exceptional hip-hop duo...
Silver Dawn – I Don’t Know What I Don’t Know (Review)
Silver Dawn’s “I Don’t Know What I Don’t Know” is an arresting exercise in experimental glitch pop, one...
Dolu – Late Bloomer (Review)
Dolu’s “Late Bloomer”, released on May 1st, 2026, is a deeply reflective three-track EP that showcases the Nigerian-born,...
Deptford Sound Collective – Miss U #Tupac (Review)
Released on June 6th, 2026, Deptford Sound Collective’s “Miss U #Tupac” arrives as far more than a commemorative...
Cashus King & Big O — Water to Wine (Review)
“Water to Wine” is a conceptual hip-hop album by Cashus King & Big O, released on 05 Jun...
Mesmonized – In the Room (Review)
Mesmonized “In the Room” EP from Mesmonized is a compelling release from Mesmonized, an artist based in North...
Exclusive Interview With DyeVerse – GEMINI ANTHEM
Hello everyone, it’s your host Faithfulness, and today I have with me DyeVerse from Las Vegas, Nevada, United...