Eternal Mourning — Working That Mine (Review)
“Working That Mine” by Eternal Mourning, released on 10th Dec 2025, is a striking meditation on labor, endurance,...
Rock / Electric guitar based
Emma Forgette – Barfly Barbie (Review)
Emma Forgette’s latest single, “Barfly Barbie”, released March 13th, 2026, marks a bold declaration in contemporary country music....
Kelsie Kimberlin – Lady Liberty (Review)
Kelsie Kimberlin’s “Lady Liberty,” released on March 27th, 2026, is a striking and urgent commentary on the state...
Sweet Mess — Violate The Night (Review)
On March 24, 2026, Sweet Mess unveiled their original single, “Violate the Night,” marking a bold step into...
RISE — Always (Review)
Released on 27th February 2026, “Always” by RISE emerges with a striking sense of purpose, anchored strongly in...
Hollow Shift — Electric Gloom (Review)
Released on March 13, 2026, “Electric Gloom” by Hollow Shift unfolds as a restless meditation on insomnia and...
Ellery Twining & Ben Bostian – Oy! (Review)
Released On 7th March 2026, “Oy!” emerges as a contemplative short film that resists the pull of conventional...
ALLEY the band — Telling Stories (Review)
Released on March 31, 2026, “Telling Stories” by ALLEY the band stands as a cohesive and emotionally immersive...
Spyderhuff — Sometimes (i need to do something bad) (Review)
Spyderhuff’s seventh EP, “Sometimes (i need to do something bad),” released on 27 March 2026, delivers a raw,...
ReeToxA — Soliloquy (Review)
“Soliloquy” by ReeToxA, released on March 23, 2026, is a landmark in contemporary rock, redefining what an album...
Rubbish Party — Plastic Orange (Review)
Credit: Von Berg of Rubbish Party (far right), with his producer Brutus Brimstone (crutches), and the Australian Indie...
For You Brother – Don’t You Want Me (Review)
For You Brother’s latest album, “Don’t You Want Me”, released March 16, 2026, is a masterful reimagining of...