Single Review
Single Review
Nemesis Uncle — The Sword (Review)
Released on 14th June 2024, “The Sword” by Nemesis Uncle unfolds like a slow-burning confession wrapped inside shadowy... Read More
Grainville Train — New Hand To Hold (Review)
Grainville Train’s “New Hand to Hold”, released on 24th April 2026 as the lead single from their forthcoming... Read More
Night Wolf & The Fods — Kickback (Review)
Released on April 26th, 2026, “Kickback” by Night Wolf and The Fods carries the kind of emotional freedom... Read More
Ferdinand Rennie — Why Do We Try? (Review)
Ferdinand Rennie’s “Why Do We Try?”, released on 24 Apr 2026 in Dunoon, Scotland, operates as a standalone... Read More
The Lazz — Observer (Review)
Released on April 4th, 2026, “Observer” by The Lazz feels less like a standard metal release and more... Read More
Astral Rocks — The Flame In Me (Review)
“The Flame in Me” by Astral Rocks, released on 22 April 2026, is a cinematic rock composition built... Read More
7Z MAXI — Back From The Dead (Review)
Released on 30th March 2026, “Back From The Dead” is a spiritually-driven drill record that merges raw street... Read More
Trail Hawk — The Place Called No Way Out (Review)
Released on 10th February 2026, “The Place Called No Way Out” by Trail Hawk immediately establishes itself as... Read More
Adrielle Bow Belle — ICEY ROADS (Review)
Adrielle Bow Belle’s “ICEY ROADS,” released 15th May 2026, unfolds as a glacial, slow-burn indie composition that turns... Read More
Blacklight Beat Patrol — Dumpster Fire (Review)
“Dumpster Fire” functions as more than a sonic experiment; it presents itself as a thematic articulation of controlled... Read More
Inception of Eternity — Mother of Dawn (Review)
“Mother of Dawn”, released on April 17th, 2026, by Inception Of Eternity, presents Angela Hansen’s defining symphonic metal... Read More
C’batch — Trapped (I’m Doing Fine) (Review)
Released on March 15th, 2026, “Trapped (I’m Doing Fine)” by C’batch unfolds like a private emotional conversation disguised... Read More