music
music
Joshua Pearlstein — Wanna Dance (Review)
Joshua Pearlstein’s latest single, “Wanna Dance,” released on 27 March 2026, is a vivid testament to the artist’s... Read More
Dax – God, Can You Hear Me? (Feedback)
Dax stands alone in a dimly lit room, piano keys under his fingers, a world of inner conflict... Read More
Strange Poet – KCMO (Feedback)
Strange Poet steps into KCMO with a bold sense of identity, almost like someone who has already made... Read More
Jon Lindsay – Anti-Inflammatory (Feedback)
Jon Lindsay steps into Anti-Inflammatory like someone with something to say and a clear vision of how to... Read More
AC Scott – The Ballad of Lucy Jordan (Review)
AC Scott approaches “The Ballad of Lucy Jordan,” released on 28th January 2026, with a reverence that is... Read More
The Burton D’Agostini Procedure – The Waiting (Review)
The Burton D’Agostini Procedure’s original single “The Waiting,” released on 28th February 2026, unfolds with a quiet confidence... Read More
50mething — Date Night Tonight (Review)
“Date Night Tonight,” the latest single by 50mething, set to release on 19 March 2026, is a deeply... Read More
Chris Aschman — Triangles (Review)
Chris Aschman’s third single from his debut album “Volcanic”, “Triangles”, explores the softer, more introspective side of his... Read More
James Stephen & The Good Ones — Lonely Days (Review)
“Lonely Days,” released on 27 March 2026 by James Stephen & The Good Ones, unfolds like a quiet... Read More
ReeToxA — Soliloquy (Review)
“Soliloquy” by ReeToxA, released on March 23, 2026, is a landmark in contemporary rock, redefining what an album... Read More
DISCOVERY 10/10
Explore Our Latest Music Discoveries Of Talented Independent Artists. Welcome to Discovery 10/10, where we highlight ten standout... Read More
Rubbish Party — Plastic Orange (Review)
Credit: Von Berg of Rubbish Party (far right), with his producer Brutus Brimstone (crutches), and the Australian Indie... Read More