Rubbish Party — Let Me Take You / First World Villain (Review)
Von Berg and Brutus Brimstone. Theatrical Photo for upcoming concept album / short film set for a 2029...
Rock / Electric guitar based
Hardy White — What Dem Cowboys Say (Review)
Hardy White’s “What Dem Cowboys Say,” released on April 3rd, 2026, is a compelling fusion of country, rock,...
Nick Pappalardo – Heart’s on Fire (Review)
Nick Pappalardo’s “Heart’s on Fire” arrives as a striking fusion of technical brilliance and emotional vulnerability, capturing the...
Aaron Lewis Moore — Miss Henderson (Exclusive Interview)
Hello everyone it’s your host Daniel from Dulaxi, and today I have with me the exceptional Aaron Lewis...
V.E.N! – Now (Review)
V.E.N!’s “Now,” released on 1st January, 2026, emerges from the EP “The Beauty of Danger” as a vivid...
Zegovia – Above the Roof & In the Tree (Review)
Zegovia’s “Above the Roof & In the Tree,” released March 25th, 2026, arrives as a striking continuation of...
Eternal Mourning — Working That Mine (Review)
“Working That Mine” by Eternal Mourning, released on 10th Dec 2025, is a striking meditation on labor, endurance,...
Emma Forgette – Barfly Barbie (Review)
Emma Forgette’s latest single, “Barfly Barbie”, released March 13th, 2026, marks a bold declaration in contemporary country music....
Kelsie Kimberlin – Lady Liberty (Review)
Kelsie Kimberlin’s “Lady Liberty,” released on March 27th, 2026, is a striking and urgent commentary on the state...
Sweet Mess — Violate The Night (Review)
On March 24, 2026, Sweet Mess unveiled their original single, “Violate the Night,” marking a bold step into...
RISE — Always (Review)
Released on 27th February 2026, “Always” by RISE emerges with a striking sense of purpose, anchored strongly in...
Hollow Shift — Electric Gloom (Review)
Released on March 13, 2026, “Electric Gloom” by Hollow Shift unfolds as a restless meditation on insomnia and...