Music Entertainment
Ben Lester — Ben Lester (Review)
Released on September 5th 2025 through Mayfield Records, Ben Lester’s self-titled debut album, “Ben Lester,” is a richly...
Music Entertainment
Eric Osterhout — Green Eyed Angel (Review)
Released on 7th August 2026, Eric Osterhout’s “Green Eyed Angel” turns a dangerous attraction into a vivid Texas...
Gideon Unna — Heaven Is Here (Review)
Released on 13th May 2026, “Heaven Is Here” by Gideon Unna featuring Naomi Shapira approaches its central idea...
CHAOS THEORY!!! – THE BROKEN MUSIC (Review)
“THE BROKEN MUSIC,” the second album from Glasgow based experimental act CHAOS THEORY!!!, arrives as an expansive 16 track...
Rubbish Party — Please Stay (Review)
Credit: J. Edwin Galloway, British master guitarist of Rubbish Party Released on August 12 2026, Rubbish Party’s “Please...
ZeeCogency – Oh (Review)
Released on 2nd October 2022, “Oh” by Sydney based electronic project ZeeCogency is a moody and immersive exploration of rhythm, texture, and...
Mark Cee — Ghost Talk Show (Review)
Released on 22nd November 2025, Mark Cee’s “Ghost Talk Show” is an intimate folk-rock and alt-folk album built...
Ash L. Leif — I’m Still Right Here (Review)
Released on June 12 2026, Ash L. Leif’s “I’m Still Right Here” establishes its emotional force through a...
Stephani Ezatoff – Run On (Review)
Released on 27th March 2025, Stephani Ezatoff’s “Run On” is far more than a straightforward cover. It is a deeply...
Anette Ähdel – The Rover (Review)
Anette Ähdel’s “The Rover,” released on July 14th, 2026, is an atmospheric Indie Pop and Alternative-leaning single that transforms the difficult...
Reetoxa – Gown (Review)
“Gown,” the emotional centerpiece of Reetoxa’s album “Soliloquy,” is an immersive exploration of atmosphere, mystery, vulnerability, and emotional isolation. Released...
Conchis — Under Your Feathers (Interview)
Hello everyone, it’s your host Oliver from DULAXI, and today I’m delighted to be joined by Conchis, the...