Hello everyone, it’s your host Daniel from Dulaxi, and today I have with me the exceptional alternative rock band Spinors from London, United Kingdom. And Spinors is here to discuss their recent original single “Choose to Believe” which was released on May 14th, 2026. So, welcome, Spinors! But before we begin our interview, to our audience; here is what you need to know about this artist.
Spinors is a steampunk-inspired Alternative Rock band based in London, United Kingdom, founded in 2026 by singer and guitarist Sergie Code, who relocated from Argentina to the UK to expand his musical career and reach a broader audience. Joined by Gabe Scapigliati on bass and Angie Sartori on drums, the band has quickly established a distinctive identity built on powerful instrumentation, heavily distorted guitars, introspective lyricism, and memorable choruses that balance intensity with accessibility. The name SPINORS is inspired by a quantum property of particles that can exist in multiple states at once, reflecting the band’s philosophy that their music remains undefined until interpreted by each listener. As part of their growing presence on the UK live circuit, the band is undertaking an extensive 2026 tour with performances including New Cross Inn, London (May 23), MK11, Milton Keynes (June 5), Exeter Phoenix, Exeter (July 18), The Cluny, Newcastle (September 26), Exchange, Bristol (November 14–15), and Komedia, Brighton (December 6). Their latest single, “Choose to Believe,” released on May 14th, 2026, tackles the modern phenomenon of post-truth and the ways in which powerful interests can influence public perception while convincing individuals that they possess the absolute truth. Through thought-provoking lyrics and the band’s signature alternative rock sound, the track explores themes of manipulation, information control, and societal influence. According to Sergie Code, the song examines how narratives can shape collective behavior while maintaining the illusion of personal certainty. The release is a clean track with no explicit content and currently stands as a standalone single, separate from any album or EP.
Having this brief Introduction about Spinors, I’m sure new and current fans must be excited about our Interview today.
INTERVIEW SESSION
Daniel: Spinors is a band with a distinctive steampunk aesthetic and an alternative rock identity. What inspired the creation of SPINORS, and how did the move from Argentina to London shape the vision behind the band?
Spinors: Music has always been my grounding force, a place where I can let everything out, and having a band is almost like breathing to me. After moving to Europe and living here for two years, I felt the need to start a new chapter, and two months ago we launched this beautiful project that brings together an incredible aesthetic I absolutely love: Steampunk.
Daniel: The name SPINORS is rooted in a fascinating quantum concept. Can you explain how that idea reflects your artistic philosophy and the way you want listeners to experience your music?
Spinors: The artistic and conceptual idea is that the music remains undefined until our listeners hear it, allowing it to take shape through their own experiences, perspectives, and life stories. It’s a concept we really love because it lets the audience become part of the band and the music in a certain way.
Daniel: Gabe and Angie joined the project during an important stage of its development. How has the chemistry between the three of you influenced the band’s sound and direction so far?
Spinors: The guys joined so they could come along with me on the tour. The music had already been written and recorded, and they are part of the live band. Obviously, both of them caught my attention because of their stage presence and great performance, as well as the amazing sound they bring. I felt that their style could work really well with my songs, and I think that’s exactly what’s happening. People really love how the band sounds live, and they make sure to let us know.
Daniel: “Choose to Believe” tackles the concept of post-truth and the manipulation of public perception. What first inspired you to explore such a thought-provoking theme in this song?
Spinors: I think we’re living through a very particular moment in history where technology gives everyone access to information, and the way to manipulate the masses is precisely through misinformation, the spread of fake news, and the establishment of ideas through influential figures and opinion-building by repetition. Today, creating a narrative is more important than analyzing the facts themselves, something strongly supported by the decline in intellectual standards, the pursuit of instant gratification, the inability to use common sense and critical judgment, and the emotional nature of public discourse.
Telling you explicitly whether something is right or wrong has little value at this point. What matters more is addressing the real problem, which is becoming trapped by a narrative, so that those who can may try to break free from that dynamic. Art should be a tool for debate and reflection.
Daniel: The song discusses how powerful interests can shape narratives while convincing people that they possess the truth. Why do you feel this message is particularly relevant in today’s world?
Spinors: I believe it’s essential for artists to get involved in providing tools and inspiration that allow people to see themselves reflected and, perhaps through a song lyric, a music video, or a public statement, encourage them to reflect and maybe begin a process that eventually leads them to become more analytical or to develop better tools for dealing with information overload. Of course, the individual is constrained by the masses within a democratic system, which is why education and sources of information are so often targeted.
Daniel: Were there any specific events, observations, or personal experiences that influenced the lyrical direction of “Choose to Believe”?
Spinors: I think what makes me write about this topic is my frustration at not being able to communicate some ideas when talking with people, there is a very strong emotional element in discussions that deeply biases everything and does not allow for the analysis of facts and hard data.
In addition to political correctness and social pressure, social media algorithms and the constant bombardment from traditional media make it very difficult to break away from preconceived ideas, and almost always people end up seeking to reinforce what they already believed while ignoring the data.
Daniel: Is there a particular lyric or passage in the song that you feel best captures its central message, and what makes that line especially meaningful to you?
Spinors: The chorus of the song repeats something that I think is key, “you choose to believe it”, because at some point the fact that someone keeps being a slave is also a choice, there is a comfort in not changing, there is a comfort in staying in a politically correct place, on the contrary, being aware and being able to face the truth is painful and uncomfortable and it is a bit what Morpheus was talking about with Neo in Matrix on a symbolic level
Daniel: Beyond its social commentary, what do you hope listeners take away from “Choose to Believe” after hearing it for the first time?
Spinors: The most important thing I think people take from the song is this message we had been discussing, I think what is being said is so explicit that most people comment to me about the lyrics, but it is also a catchy song with elements of classic rock which also makes it possible to replay the melody over and over again and I think that is great
Daniel: How did the songwriting process for “Choose to Believe” unfold, from the initial idea to the finished track?
Spinors: When I compose, I almost always focus on a feeling or a sensation, I work on the music and I take elements that I feel represent that on a musical level. The lyrics always come last. In this particular song I needed to communicate that sense of indignation about the comfort of the masses, to shout something in everyone’s face and tell them WAKE UP!
Daniel: Spinors is known for balancing heavily distorted guitars with memorable, singable choruses. How did you approach achieving that balance in this single?
Spinors: In this specific song, you can clearly see that mix, it starts with a powerful and melodic riff with a hint of the 70s and 90s, the eras of the best heavy riffs, and yet the chorus is catchy with a phrase that repeats itself with the idea of creating a leitmotif so that people have something easy to sing and repeat without much effort. It also has that duality that I love when composing, which is making something difficult to play but easy to listen to so it’s fun for both the musician and the listener
Daniel: What musical or production choices were essential in creating the intensity, atmosphere, and emotional impact that define “Choose to Believe”?
Spinors: I’m very detail-oriented and I take each song very seriously, paying attention to every single detail, in this case I worked a lot on the vocal distortion in the chorus to be able to transmit that sense of urgency and need in contrast with the bridge, which is quite melodic and talks about a world in which the decay in mass behavior is evident but no one does anything to change it
Daniel: Looking back on your musical journey, how does SPINORS differ from the projects you were involved with in Argentina?
Spinors: Spinors is a project I’m very proud of, it’s only two months old so it hasn’t had all the evolution of earlier projects I’ve been part of and it’s still in early stages of development, it would be a bit unfair to compare it with some successes but I can say that I think I’ve made very healthy early decisions like using a deep steampunk aesthetic including clothing, logos, videos as well as a solid investment in quality material and promotion so that in a short time the band can have a strong and high quality presence on the internet and on stages in the UK and Europe
Daniel: Your debut release, “Walk Alone,” reflected the sacrifices involved in pursuing a dream. How has that journey evolved since relocating to the United Kingdom?
Spinors: Moving to Europe and specifically to London is the second time I’ve left everything behind in my life. I was originally born in the city of Córdoba and I moved at 23 to Buenos Aires, the capital of Argentina, leaving everything behind including family, home, and work in order to pursue my dream of music. This feels like one more step, and that feeling of not having a home to belong to or a place to return to is what the song WALK ALONE represents, although it does it in a nostalgic way of course but not a sad one, rather in a somewhat positive way
Daniel: Building a new band and audience in a different country comes with challenges. What have been some of the biggest lessons you’ve learned during this transition?
Spinors: The difference is huge but I think I’m adapting very well, here you can perform much more intensely, the opportunities are endless although the competition is also very strong and the cost of living is extremely high, not to mention the investment needed to produce high quality material, however I think the process is going very well and I feel very optimistic about the next steps for the band
Daniel: The story of SPINORS includes some unique moments, from a metal Britney Spears tribute project to chance encounters that helped complete the lineup. How have these unexpected experiences shaped the band’s identity?
Spinors: With Gabe, the bassist, we play in this band called BRITALLICA, a tribute to Britney Spears but with metal versions of her songs, playing some iconic metal riffs in the middle, which is really fun and allows us to reach a very diverse audience. It’s a great experience and it’s also what allows us to travel since Spinors is the opening band for their shows and this gives us a lot of exposure, which is what we’re looking for in these early months
Daniel: One particularly touching part of your story involves Glottis, whose influence delayed your move to Europe and inspired future creative plans. Could you share more about that chapter of your life and its impact on your music?
Spinors: Yes, Glottis, my little cat, was my companion my whole life and I postponed coming to London because of him since he was too old to travel. Eventually in 2023 he passed away and that pushed me to fully commit to this new stage here. In fact, I want to share that I will soon be doing a tribute to Glottis by releasing a song and a music video where he appears and I think it will be very emotional
Daniel: Since the release of “Choose to Believe,” what kinds of reactions or conversations from listeners have stood out to you the most?
Spinors: Luckily it has had the expected effect, which was to generate conversation about how the world works and how information overload, fake news, biased algorithms, and the use of the phone shape narratives, and many people have taken it in a reflective way. The music video, with a strong steampunk aesthetic, has also generated quite a lot of discussion since it’s a band that stands out from the norm by offering something new within alternative rock
Daniel: With more than 30 live dates scheduled across the UK, how important is the live experience in helping audiences connect with the messages behind your songs?
Spinors: Playing live is essential, I think it’s our strength and the best way to show what we do. Nowadays, with the amount of supply in the market, making people listen to our proposal is becoming increasingly difficult, but if we do it by opening for a band that fills venues, combined with an eye-catching concept and investment in positioning ourselves on social media and traditional media, it will pay off sooner or later.
Daniel: As you continue releasing new music throughout 2026, what can fans expect from SPINORS in terms of upcoming singles, creative evolution, and future projects?
Spinors: Our plan is to release one music video per month with its own original song and to keep playing every weekend in different cities across the UK and Europe. We will be preparing different proposals and we’ll look at adding some variations such as acoustic sets
Daniel: Looking ahead, what are your long-term ambitions for SPINORS, and where do you hope this exciting new chapter will take the band in the years to come?
Spinors: One thing we have planned is that once the band has moved past this stage of positioning ourselves, getting exposure, and making people aware that we exist, and we can start doing shows where people already know the concept and come to see us because they like us, and we have the freedom to create a more personalised show, we want to incorporate a more theatrical element with actors, dancers, and create a much more interactive performance, involving the audience in sections of improvisation and live experimentation, which we really enjoy.
Having Taken A Close Listen To This Thought-provoking And Fiercely Relevant Piece Of Alternative Rock, Here’s My Perspective On “Choose to Believe.”
Having listened closely to “Choose to Believe,” I found myself drawn not only to its explosive Alternative Rock energy but also to the intelligence embedded within its message. Spinors tackles the unsettling reality of the post-truth era with remarkable confidence, crafting a song that challenges listeners to examine how information, perception, and influence shape modern society. What impressed me most was the vocal performance, which serves as the emotional and philosophical centerpiece of the track. The singer moves effortlessly between introspective restraint and soaring intensity, creating a sense of urgency that makes every lyrical idea feel immediate and consequential. The lyrics themselves are thought-provoking and deeply relevant, exploring how powerful interests can manipulate public behavior while convincing individuals that they are acting on objective truth. Musically, the track is equally compelling. The heavily distorted guitars create a massive wall of sound that mirrors the weight of the song’s themes, while the punchy bass and hard-hitting drums generate a relentless rhythmic drive that keeps the momentum alive throughout. The steampunk aesthetic adds character and individuality to the arrangement, helping the band establish a distinctive sonic identity. I particularly enjoyed the dynamic contrast between the tense verses and the explosive choruses, as it allows the song to breathe while maintaining a powerful emotional impact. The production strikes an excellent balance between modern polish and live-performance urgency, ensuring that every instrument remains clear, forceful, and purposeful within the mix. What ultimately makes “Choose to Believe” stand out is the way every element, vocals, lyrics, instrumentation, production, and atmosphere, works together to reinforce its central message of questioning narratives and resisting passive acceptance. It is a bold, cinematic, and intellectually engaging rock song that delivers both musical excitement and meaningful substance, leaving a lasting impression long after the final note fades.
~ Daniel (Dulaxi Team).
Finally to our audience, I urge you to listen to “Choose To Believe”, add it to your playlist and be inspired by it, and on behalf of Dulaxi I like to appreciate you all by saying thank you everyone, See you on our next interview.
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