From the vibrant city of Zagreb, Croatia, Roy Beatie’s journey through the music landscape is one marked by evolution and passion. From his early days weaving through various original bands with his guitar in hand, Roy’s musical prowess has been undeniable. His tenure with the top-notch band Dosh Lee was a testament to his ability to blend fierce and funky guitar riffs on a punk-rock canvas, earning critical acclaim, numerous awards, and contributing to three successful albums.
Yet, it was within the confines of these achievements that Roy’s curiosity for recording and producing music began to flourish. Gathering years of advice and absorbing the knowledge of seasoned studio professionals, he eventually established his own home studio. This space became a crucible for creativity, leading to the production of his first independent house EP, “Go in or Get Out!”—a prelude to what would become his magnum opus, the EP “Elektro Eklekto”.
Released on the 15th of March, 2024, “Elektro Eklekto” stands as a crowning achievement in Roy Beatie’s musical odyssey. This EP is a collection of five tracks that encapsulate a year’s worth of sonic exploration, drawing from the diverse realms of electronic music. While the entire EP comfortably resides under the expansive umbrella of electronic music, a deeper dive reveals layers of inspiration spanning various eras and sub-genres—from the nostalgic synth sounds of the ‘80s to the pulsating rhythms of classic house and tech-house, all the way to electronica with an exotic oriental flair. Each track is a testament to variety and quality, brought to life by modern sound production techniques. The mastering, handled by the renowned FM Mastering studio under the guidance of the illustrious Filip Motovunski, adds a polished sheen to the already vibrant soundscape.
Elektro Eklekto EP Track List:
Daddy-O:
“Daddy-O” serves as a compelling introduction to Roy Beatie’s EP “Elektro Eklekto,” setting the tone for the auditory journey ahead. The track is anchored by a robust electronic beat that lays a steady foundation for the rest of the composition. This consistent rhythm is punctuated by an array of electronic elements that ebb and flow, creating a dynamic soundscape. Despite the variations, the core beat remains unaltered, driving the track forward with a relentless energy that captivates the listener.
The most distinctive feature of “Daddy-O” is the otherworldly vocal that threads through the electronic tapestry. It doesn’t conform to traditional singing; instead, it offers an enigmatic presence that adds layers of intrigue to the track. The mysterious quality of the vocal content increases the allure, prompting listeners to impose their own meanings onto the sounds. This vocal component changes the song from just a series of rhythms to a story-like journey, although one that allows room for the listener’s imagination.
Overall, “Daddy-O” is not just a piece of music but an auditory experience that challenges conventional expectations. The track’s consistent beat and the interwoven electronic elements provide a sense of familiarity and structure, while the cryptic vocals invite a deeper engagement. Listeners are drawn into a world crafted by Roy Beatie, one that is both alien and intimately resonant. As the opening track of “Elektro Eklekto,” it promises an EP that is not afraid to explore the boundaries of electronic music and the power of abstract storytelling through sound.
Moon Rush:
“Moon Rush” stands out as a unique composition in Roy Beatie’s EP “Elektro Eklekto”. The song demonstrates the artist’s skill in telling a story using only music. It starts with a unique percussion sound that lays the groundwork, slowly bringing in a semi-EDM beat that acts as the foundation of the composition. This foundational rhythm is both engaging and intricate, inviting listeners to immerse themselves in the soundscape that Beatie has created.
As the track unfolds, “Moon Rush” showcases a blend of traditional and electronic string instruments. The normal strings provide a familiar touchstone for listeners, while the synthesized guitar strings add a modern twist that aligns with the electronic genre’s innovative nature. This fusion of elements reflects the track’s theme of exploration and discovery, much like a journey to the moon, full of wonder and new experiences.
The progression of “Moon Rush” is marked by an evolving layer of synth sounds that create a harmonious collision, echoing the track’s title. These finely crafted synth sounds are not just complementary; they are central to the track’s identity, providing depth and complexity that captivate the listener. The result is a piece that is not only rhythmically consistent but also rich in texture, offering an auditory experience that resonates with fans of electronic music and beyond. Beatie’s skillful weaving of beats and melodies in “Moon Rush” makes it a standout track that is both memorable and innovative within the electronic music scene.
Omfgigt:
“Omfgigt” serves as the culminating auditory experience of Roy Beatie’s EP “Elektro Eklekto,” a track that encapsulates the essence of the entire collection. The opening beat sets a subdued yet anticipatory tone, inviting listeners into a soundscape that is both familiar and fresh. As the rhythmic sound joins in, it weaves through the beat with precision, creating a tapestry of sound that is intricate and engaging. The synergy between the beat and rhythm lays a foundation that is both stable and dynamic, setting the stage for the gradual emergence of the drum line. This build-up is not abrupt but measured, allowing the listener to immerse themselves in the evolving layers of sound.
The track’s midpoint marks a shift as other elements begin to interlace with the established rhythm. Voices emerge, ethereal and elusive, adding a human touch to the electronic milieu. These voices, though indistinct, provide a sense of depth and mystery, enhancing the track’s complexity. The consistent electronic beat pulses throughout, a testament to the genre’s influence on Beatie’s work. The beat acts as a spine, supporting the other elements while ensuring the track’s flow remains uninterrupted. This constancy is a nod to the traditions of EDM, where the beat is the heart that keeps the music alive.
“Omfgigt” introduces Synthwave influences, bass synths, and a finely crafted percussion arrangement that elevates the track from mere sound to a sonic odyssey. The synthwave components create a nostalgic and innovative retro-futuristic atmosphere that is characteristic of the genre. The percussion, meticulously crafted, punctuates the track with clarity and intention. Together, these elements culminate in a piece that is not just heard but experienced, a fitting finale to an EP that seeks to push the boundaries of electronic music. “Omfgigt” is a testament to Roy Beatie’s skill as a producer and his vision as an artist, leaving listeners with a resonant impression that lingers long after the last note fades.
Roy’s “Elektro Eklekto” is more than just a musical release; it’s an auditory journey that captures the essence of EDM. The vocals in the songs are difficult to pin down, urging the audience to explore the music further to understand them, a characteristic that enhances the EP’s appeal. It is a daring, diverse combination that encourages audiences to delve into the vibrant history of electronic music while also embracing its forefront.
For those who have yet to experience “Elektro Eklekto,” the invitation stands: Go check out this EP and be part of Roy Beatie’s continuing legacy in the world of music.
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