Explore Our Latest Music Discoveries Of Talented Independent Artists.
Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
Desu Taem – Taking My Groceries Home on a Pogo Stick
Desu Taem’s “Taking My Groceries Home on a Pogo Stick” transforms an ordinary shopping trip into a thrilling collision of absurdity, physical chaos, and musical energy. The production establishes this unusual journey through an unstable rhythmic bounce, abrasive textures, and syncopated patterns that mirror the unpredictable movement of a pogo stick across city pavement. Its restless arrangement keeps the listener constantly off balance, creating an atmosphere where every bounce threatens another hilarious disaster. Vocally, the strained, breathless delivery captures the narrator’s determination and physical exhaustion with remarkable character. The raw performance adds urgency, making the struggle feel immediate while perfectly complementing the track’s energetic, unconventional, and wonderfully chaotic musical personality throughout. Lyrically, “Taking My Groceries Home on a Pogo Stick” finds extraordinary humor in everyday misfortune, using vivid details to make the unfolding disaster feel both ridiculous and relatable. Images of plastic bags tearing, milk spilling, and eggs running down the narrator’s leg create a wonderfully messy picture of grocery shopping gone wrong. Yet beneath the slapstick comedy lies a determined spirit, as the narrator refuses to surrender despite the laughter of neighbors and the humiliation surrounding the journey. The declaration, “I’m airborne, baby, I don’t even care,” captures this defiance perfectly. Ultimately, Desu Taem delivers a memorable anthem of absurd confidence, combining energetic production, expressive vocals, and imaginative storytelling into an entertaining celebration of perseverance.
James Tonic – Wherever You Are
“Wherever You Are” by James Tonic is a polished modern pop song exploring emotional liberation, self discovery, and the journey beyond a confusing relationship. The production balances atmospheric tension with uplifting rhythmic energy, allowing the track to remain reflective while maintaining forward momentum. James Tonic’s vocal performance is a standout, combining intimacy with resilience. His conversational delivery in the verses captures the uncertainty of being misled, while the growing intensity of his vocals mirrors the transition from doubt toward clarity. A steady pulsing beat provides momentum, while ethereal synth textures create a spacious, dreamy atmosphere that complements the song’s themes. Together, these elements create a refined sonic environment where vulnerability and strength exist naturally. Lyrically, “Wherever You Are” transforms frustration into reassurance by acknowledging emotional pain before moving toward independence. Lines such as “The past seen a crime” and “You’ll always be fine” offer reflection and comfort, while references to “doubleminded voices” and wasted time capture the impact of conflicting influences. The repeated chorus phrase, “Wherever you are,” becomes a liberating reminder that personal peace can exist beyond difficult experiences. The contrast between vulnerable verses and expansive choruses strengthens this progression, giving the song an increasingly uplifting quality. Through expressive vocals, atmospheric instrumentation, polished production, and thoughtful storytelling, James Tonic delivers a compelling pop song about healing, reclaiming personal direction, and embracing freedom from the weight of the past.
Una Lengua Infinita – Muxima
“Muxima” by Una Lengua Infinita is a hypnotic and immersive composition that demonstrates how minimalism can create profound musical depth. Across its four-minute duration, the track moves away from conventional pop structures, concentrating instead on a singular vocal motif that gradually becomes the centre of the entire listening experience. The repeated chanting of “Muxima” gives the song a meditative character, with the measured vocal delivery functioning almost like another percussion instrument. Rather than feeling overly simple, the repetition creates a cyclical atmosphere that encourages the listener to become absorbed in its rhythm and texture. Subtle variations in the vocal performance also add movement, ensuring that the central refrain remains engaging while maintaining its grounding quality.
Larry Salzmann’s percussion provides the composition with its essential pulse, creating a heartbeat-like foundation that carries the track forward without overpowering its restrained aesthetic. The rhythmic layers rise and fall naturally, complementing the recurring vocal phrase while giving the arrangement a sense of organic motion. Executive producer Udo Lampe’s production further strengthens this balance through a clean, polished mix where every element has room to breathe. The instrumental passages offer welcome moments of space between the vocal refrains, adding texture and allowing the arrangement to develop without unnecessary ornamentation. Ultimately, “Muxima” feels both ancient and contemporary, blending rhythmic focus with ambient sensibilities to create a calm, immersive experience built around repetition, space, and introspection.
ErickOscar – Because I Said So
“Because I Said So” by ErickOscar is a poignant acoustic driven song that turns the familiar experience of becoming one’s parents into something tender, humorous, and deeply relatable. Built around warm, rhythmic acoustic guitar, the track embraces a stripped back production style that gives its storytelling plenty of room to breathe. Crisp strumming provides the foundation while subtle atmospheric textures expand around the chorus, adding emotional weight without overwhelming the song’s organic character. The arrangement remains intentionally restrained, allowing ErickOscar’s voice and the narrative at its heart to remain the central focus. This simplicity gives the song an inviting warmth, making its emotional message feel natural rather than overstated.
ErickOscar delivers the song with a conversational intimacy that makes it feel like a personal conversation between parent and child. His naturally weathered vocal tone carries both the fatigue and tenderness of parenthood, while his precise phrasing reflects the familiar cadence of a father attempting to explain lessons once passed down to him. The songwriting becomes especially effective through vivid everyday imagery, connecting childhood memories such as being told to wait before swimming with the larger realities of raising children. The realization that he has become his own father gives the song its emotional center, balancing gentle humor with acceptance. Ultimately, “Because I Said So” succeeds as heartfelt folk leaning storytelling, celebrating the imperfect ways love, wisdom, and familiar traditions travel from one generation to another.
ErickOscar – It Sucks Getting Old
“It Sucks Getting Old” by ErickOscar is a deeply intimate folk-country reflection that transforms the realities of aging into a moving piece of minimalist storytelling. Built around a steady acoustic guitar, the song creates an unhurried atmosphere that gives every detail room to breathe. The deliberate fingerpicking captures the slow passage of time, while the spacious production creates the feeling of sitting quietly on a porch at dusk, reflecting on a life fully lived. ErickOscar’s earthy, weathered vocal delivery strengthens this atmosphere, sounding conversational and sincere rather than overly polished. His subtle vocal strain adds emotional weight to the song, allowing the listener to hear both the physical exhaustion and emotional vulnerability within the subject. The restraint of the arrangement is particularly effective because it keeps the focus firmly on the story, creating an honest musical setting for its themes of aging, loss, loneliness, memory, and resilience.
The songwriting is where the track becomes especially powerful, using specific images to make the experience of growing older feel immediate and universal. The contrast between hands once strong enough to swing a hammer and hands that now shake while holding a phone captures the changing relationship between strength, independence, and time. Likewise, the image of another empty pew appearing each year brings a quiet sense of grief and reminds us of how aging can gradually reshape the world around us. Yet the song never remains trapped in sadness. Its final acknowledgment of still being here and still standing transforms the piece into a quiet celebration of endurance. That emotional shift gives the song its greatest strength, showing that growing older can carry pain while still containing dignity, perspective, and gratitude. ErickOscar ultimately creates a touching portrait of human perseverance, allowing the simplicity of the music and honesty of the performance to make the song feel timeless and profoundly relatable.
loveoleglove – Déjà Vu SRL (Reimagined)
“Déjà Vu SRL (Reimagined)” by loveoleglove is an immersive progressive trance composition that transforms its emotive foundation into an expansive electronic journey. Released within Oleg Ponomarev’s broader Soul Real Love (SRL) framework, the 6:07 track favors patience, atmosphere, and gradual movement over immediate hooks. It opens with sparse ambient synth textures and a gentle pulse before introducing a clean four-on-the-floor kick that establishes its momentum. The arrangement develops through a measured build-and-release structure, moving into a spacious mid-track breakdown before returning with a more driving second half. Bright synth arpeggios interact with rolling basslines, while crisp electronic drums, subtle hi-hats, rimshots, and snare builds maintain movement without cluttering the mix. Wide stereo panning and delay trails create impressive depth, while the children’s choir voices add a distinctive human quality to the electronic atmosphere.
The track’s minor-key progression balances tension and resolution through sustained chord sweeps and evolving arpeggiated motifs. Instead of aggressive synth leads, it allows its melodic ideas to gradually shift, creating a hypnotic circularity that connects with the psychological loop suggested by its title. Deep synth pads provide warmth while higher-pitched keys move through the rhythmic framework, sustaining the track’s sense of motion. Atmospheric vocal chops, distant wordless phrases, and reverberated vocal pads are woven subtly into the arrangement, surfacing during quieter moments before blending back into the fuller production. Ultimately, “Déjà Vu SRL (Reimagined)” succeeds through its atmosphere, spatial depth, repetition, and gradual evolution, creating an engaging electronic experience where familiar motifs continue to develop without losing their hypnotic character.
Tom Mathis – Profite de la vie
“Profite de la vie” by Tom Mathis is a vibrant and uplifting French pop track that embraces the joy of living in the present moment. From its opening, the song establishes an infectious rhythmic foundation, combining energetic beats with bright synthesized textures that immediately create a festive atmosphere. The production maintains a steady sense of movement, while subtle melodic transitions and layered electronic elements keep the arrangement engaging throughout. Mathis complements this lively backdrop with an approachable vocal performance, moving naturally between conversational verses and a more open, anthemic chorus. His light and encouraging delivery gives the song a genuine warmth, allowing its positive message to feel inviting rather than forced. The contrast between the more restrained verses and the fuller chorus also gives the arrangement a satisfying sense of progression.
At the heart of “Profite de la vie” is a simple but resonant message about refusing to let the frustrations of everyday life overshadow the opportunity to enjoy each moment. Mathis acknowledges the heaviness of grey mornings, tiring routines, and those periods when time seems to move slowly, before turning that feeling into an invitation to reconnect with happiness. The chorus becomes the song’s emotional centerpiece, encouraging listeners to release their worries, come together, raise a glass, and celebrate life. This combination of relatable subject matter and energetic musicality gives the track its strongest appeal. Rather than dwelling on life’s difficulties, Mathis transforms them into a reason to embrace connection, optimism, and shared enjoyment. With its propulsive rhythm, polished production, engaging vocals, and feel-good spirit, “Profite de la vie” succeeds as a catchy celebration of living fully and finding brightness even within ordinary days.
Maroussya Lionne – CHOISIS LA BIBLE
“CHOISIS LA BIBLE” by Maroussya Lionne is a poignant contemporary spiritual song that combines devotional purpose with a rhythmic, anthemic approach. The track presents its message with clarity and conviction, turning its reflection on the enduring relevance of the Bible into an accessible modern listening experience. At the center is Maroussya Lionne’s compelling vocal performance, which moves between spoken-word delivery and melodic singing with impressive control. Her verses feel direct and conversational, keeping the words prominent, while the more expressive chorus provides an emotional lift. The additional backing vocals add depth and strengthen the song’s anthemic character, keeping the spiritual message at the heart of the composition.
Musically, “CHOISIS LA BIBLE” is driven by a steady pulse that gives the song continuous movement without feeling rushed. The arrangement uses space effectively, with sparser and atmospheric moments allowing the lead vocal to take prominence before the soundscape expands during the chorus. The polished production maintains a clean and sincere quality, avoiding unnecessary ornamentation while allowing the rhythmic elements, vocal layers, and instrumental swells to complement one another. This balance between modern accessibility and timeless subject matter gives the song a strong identity. Ultimately, Maroussya Lionne presents “CHOISIS LA BIBLE” as a purposeful and uplifting anthem, with its vocal phrasing, steady rhythm, restrained arrangement, and layered production reinforcing its message of faith and spiritual guidance.
Thomas Hendley – Back Home
Thomas Hendley’s “Back Home” is a heartfelt folk inspired Americana song that captures the emotional pull of returning to the places and memories that shaped us. The track balances nostalgia with a gentle awareness of how much life changes over time, using the imagery of small town life to make its story feel intimate and relatable. Its steady acoustic guitar creates a warm, organic foundation that moves with the ease of a long drive, while the uncluttered production keeps attention firmly on Hendley’s storytelling. His conversational vocal delivery adds another layer of authenticity, allowing memories of family, childhood, and familiar routines to unfold with warmth and sincerity. The restrained emotion in his performance makes the song feel personal without becoming overly dramatic.
Lyrically, “Back Home” beautifully explores the tension between moving forward and remaining connected to where you began. Moments surrounding his mother’s cooking, his father watching the game, and the realization that people move on after high school give the song a vivid sense of lived experience. The idea of having a “little town still in my bones” becomes especially meaningful, expressing how deeply our origins can remain within us even after years of distance and change. Hendley’s songwriting recognizes that returning home can never completely restore the past, yet the desire to reconnect with it remains powerful. Ultimately, “Back Home” is a soulful reflection on roots, growth, memory, and belonging, with its gentle instrumentation, intimate vocals, and honest storytelling creating a comforting and deeply resonant listening experience.
Eylsia Nicolas – Music in My Mind
“Music in My Mind” by Eylsia Nicolas is a beautifully immersive blend of folk inspired storytelling and atmospheric pop, creating a sound that feels intimate while still carrying an expansive sense of space. The song explores music as an ever present force, connecting the inner world of creativity with the sounds and rhythms found in everyday life. Its organic instrumentation establishes a gentle rhythmic pulse that reflects the natural imagery within the song, from rainfall tapping against a window to the flowing movement of a river. The arrangement develops with subtle changes in texture, moving from delicate acoustic passages into fuller instrumental swells without losing its calm, reflective character. Nicolas’ vocal performance brings emotional sincerity and expressive control, moving naturally between conversational phrasing and more melodic moments, while Lisa Pamintuan’s background vocals add a warm, layered harmonic presence that deepens the song’s atmospheric quality.
Lyrically, “Music in My Mind” becomes a thoughtful meditation on creativity, discovery, and the relationship between the outside world and the music carried within. Ordinary moments, including the sound of a river and laughter around a dinner table, are transformed into meaningful reminders that inspiration can exist everywhere. The recurring question, “How many kinds of music fill the air?” gives the song an inviting sense of curiosity, while the realization that “The song I was searching for was waiting in me” brings its central message into focus. The repeated vow, “I won’t leave it behind,” reinforces the importance of holding onto that inner creative voice. Through its layered production, sincere vocals, organic instrumentation, and reflective writing, the song creates an evocative listening experience that encourages listeners to recognize the music, inspiration, and harmony already present within their own lives.
Desu Taem – Broken Spider Aquarium
“Broken Spider Aquarium” by Desu Taem is a chilling and immersive piece of experimental music that builds its identity around atmosphere, tension, and sonic storytelling. From its opening moments, the sparse instrumentation creates a claustrophobic environment, allowing every sound to carry a sense of unease. The detached, conversational vocal delivery adds to this feeling, presenting the narrator’s observations with an understated intensity that gradually becomes more unsettled. The rhythmic and haunting performance captures the isolation of house sitting around a collection of tarantulas, while the cold production and carefully placed sonic details create an environment that feels fragile and strangely watchful. The track’s skittering percussion and sharp synth textures evoke the movement of “eight legs climb the glass,” giving the production a tactile quality that makes the song’s unsettling imagery feel vividly present.
Rather than following a conventional song structure, “Broken Spider Aquarium” unfolds like a suspenseful vignette, using silence, abrupt dynamic changes, and evolving vocal intensity to heighten its atmosphere. Desu Taem transforms ordinary details such as a suitcase, refrigerator, kitchen, and cracked tiles into elements of a deeply unsettling domestic scene. The lyrics remain stark and cinematic, allowing simple observations to gradually develop into a stronger feeling of isolation and paranoia. Phrases such as “Everyone is looking at you” and the closing realization of “Staring at me” give the track a particularly haunting finish, while the restrained arrangement ensures that the tension never feels overstated. The result is an unconventional and memorable listening experience that turns an everyday house sitting situation into an eerie psychological world, with its experimental production and vivid storytelling working closely together to leave a lasting impression.