Dulaxi
    Dulaxi
    Menu logo
    • Music Entertainment

      Music Entertainment

      See All
      John Korbel – Johnny Still Got Game

      John Korbel: Johnny Still Got Game (Interview)

      SONIC PULSES – HANDS UP

      SONIC PULSES – HANDS UP (Review)

      Kent Olsson – Whole Parade

      Kent Olsson – Whole Parade (Interview)

    • Interview

      Interview

      See All
      John Korbel – Johnny Still Got Game

      John Korbel: Johnny Still Got Game (Interview)

      Kent Olsson – Whole Parade

      Kent Olsson – Whole Parade (Interview)

      Sebastian Rydgren – momentary

      SEBASTIAN RYDGREN — MOMENTARY (INTERVIEW)

    • News

      News

      See All
      CapCut

      How to Change Your Background on CapCut for a Music Video as an Independent Artist

      CapCut Is Better

      Why CapCut Is Better Than Other Video Editors for Independent Artists and Creators

      Why Dulaxi is trusted

      Why Dulaxi Is Trusted by Independent Artists for Music Journalism, Reviews, and Artist Features

    • Genres
    • Music Videos

      Music Videos

      See All
      Starry Venus – Do You Feel It (Eric Kupper Remix)

      Starry Venus – Do You Feel It (Eric Kupper Remix) (Review)

      DISCOVERY 10/10

      DISCOVERY 10/10

      DISCOVERY 10/10

      DISCOVERY 10/10

    • Lyrics

      Lyrics

      See All
      Shelia Moore-Piper – Show Love

      Exclusive Interview With Shelia Moore-Piper – Show Love 

      Shelia Moore-Piper – Show Love

      Shelia Moore-Piper – Show Love (Review)

      Amelina – Step By Step

      Amelina’s “Step by Step” Lyrics

    • Spotify Playlists
    • Contact
    • About

    DISCOVERY 10/10

    Tehillah·
    Music EntertainmentFEEDBACKS
    ·24 September 2026
    DISCOVERY 10/10
    DISCOVERY 10/10
    Home
    Music Entertainment

    EXPLORE OUR LATEST MUSIC DISCOVERIES OF TALENTED INDEPENDENT ARTISTS.

    Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.

    Annie Liang – welcome to my home

    There is something immediately intriguing about Annie Liang’s “welcome to my home.” The song does not rush to reveal itself. Instead, it creates a mysterious atmosphere that gradually pulls the listener further in, making curiosity part of the listening experience.Much of that intrigue comes from Liang’s vocal performance. Her delivery has a hypnotic quality that feels controlled and deliberate, with an enchanting tone that keeps the listener attentive to every detail. There is a subtle suspense in the way she presents the lyrics, creating the feeling that something is always just around the corner.The whispered “welcome to my home…” is easily one of the track’s most memorable moments. The softness of the delivery makes it feel intensely personal, almost as though the words are being spoken directly into the listener’s thoughts. It introduces a chilling quality without becoming overly dramatic, perfectly complementing the song’s mysterious character.The production supports this atmosphere with care. The vocals remain clear while the surrounding textures create enough space for the mood to develop naturally. Nothing feels unnecessarily crowded, allowing the track to maintain its sense of mystery.“welcome to my home” succeeds because it understands the power of suggestion. Rather than explaining everything, Annie Liang allows atmosphere, voice, and carefully placed details to do the work. The result is a fascinating track that leaves just enough unanswered to make the listener want to return.

    Touvelle – Come Alive

    “Come Alive” has an emotional warmth that makes it easy to connect with. Touvelle balances uplifting energy with genuine intimacy, creating a song that feels encouraging without losing its personal character.The vocals carry much of that emotional weight. There is soul and depth in the performance, but what stands out most is the sincerity behind it. Touvelle allows strength and vulnerability to exist together, giving the delivery a richness that makes the words feel lived rather than simply sung.The lyric, “You’re not the missing part of me, you’re the part I couldn’t see…” is especially striking. It offers a thoughtful perspective on connection and self-discovery. Instead of suggesting that another person completes someone, the line presents love or connection as something that can reveal qualities that were already present but had not yet been recognised. That gives the songwriting a refreshing emotional maturity.The music itself knows when to stay in the background. Its gentle rhythmic foundation gives the vocals room to breathe, while the warmth of the arrangement keeps the song inviting. There is a comfortable balance between the instrumental and vocal elements that allows neither to overwhelm the other.What makes “Come Alive” memorable is the honesty running through it. The songwriting has something meaningful to say, while the performance gives those ideas emotional credibility. Touvelle turns a warm, uplifting song into something more reflective, leaving the listener with a sense of connection and quiet encouragement.

    FAIA – Git Along

    FAIA’s “Git Along” wastes no time establishing its personality. Bright, energetic, and unmistakably playful, the song feels like an invitation to loosen up and enjoy the moment.The guitar riffs and drums provide much of that immediate excitement. Their lively interaction gives the track a strong sense of movement and creates a rhythmic foundation that suits its country character perfectly. There is enough energy to keep things moving without making the arrangement feel cluttered.FAIA’s voice adds plenty of charm. The sweetness in the delivery feels natural rather than carefully manufactured, while the personality behind the vocals gives the performance an infectious quality. It is easy to imagine the vocal becoming part of the song’s appeal simply because of how much character it brings.The storytelling is another reason the track stands out. “Yee haw get along, this ain’t your rodeo, it’s your misfortune and none of my own…” is playful, confident, and packed with attitude. The line captures the humour and independence running through the song while giving the listener something memorable to latch onto.Everything about “Git Along” feels deliberately fun. The instrumentation keeps the energy high, the vocals provide plenty of personality, and the lyrics give the song a distinct voice of its own. FAIA delivers a spirited country track that knows exactly what kind of mood it wants to create, and it achieves it with plenty of charm.

    Purple NiNi – Underwater

    Listening to Purple NiNi’s “Underwater” feels like being slowly submerged into a quieter emotional world. The song has a weightless, dreamlike quality that makes everything around it seem softer and more distant.NiNi’s vocals are particularly beautiful in this setting. Gentle and soulful, they carry an unmistakable sincerity that makes the performance feel deeply personal. There is passion beneath the softness, giving the voice emotional depth without disturbing the song’s delicate character.The instrumentation plays an equally important role. Its flowing, understated textures reinforce the feeling suggested by the title, creating a sonic environment that feels spacious and almost weightless. Instead of demanding attention, the music gives the vocals room to occupy the emotional centre.There is also a lovely patience to the way the track unfolds. The emotions are not pushed toward an exaggerated climax. They are allowed to breathe, giving the listener time to sit with the atmosphere and absorb its quieter details. That restraint gives “Underwater” an unusual sense of emotional depth.The production preserves this delicate balance beautifully. The mix provides enough space for both voice and instrumentation while retaining the softness that defines the track.“Underwater” is at its strongest when it simply allows the listener to drift. Purple NiNi creates a piece that feels peaceful without being empty and emotional without becoming overwhelming. It is a gentle, immersive listen with a quiet intensity that stays beneath the surface.

    Garrett Anthony Rice – Sparking Waterfalls

    “Sparking Waterfalls” is a song that rewards patience. Garrett Anthony Rice builds its emotional world gradually, beginning with gentle guitar work that creates a peaceful and reflective setting before allowing the vocals to take centre stage.Rice’s delivery is measured and sincere. He gives individual words enough room to settle, avoiding the urge to rush through the lyrics. That pacing gives the song a conversational quality and allows its emotional meaning to develop naturally.The instrumentation remains equally restrained. Soft guitar melodies and spacious textures create a warm backdrop, while the later arrival of drums introduces movement without disturbing the calm that has already been established. The arrangement develops rather than dramatically changes, which suits the song’s reflective character.“trust in the guidance I provided, and I will be by your side….” is one of the lyrics that stayed with me. Its message of reassurance and loyalty feels quietly powerful because it does not need exaggerated language to communicate comfort.There is also something refreshing about the natural quality of the vocal production. The voice has not been polished to the point of losing its human character. Instead, some of its rawness remains, making the performance feel closer and more intimate.The melancholic atmosphere gives the song another layer. It is not a sadness that weighs the listener down. Rather, it feels contemplative, almost comforting in its quietness. “Sparking Waterfalls” is therefore less about making a grand statement and more about creating a space where the listener can pause, reflect, and simply feel.

    Laurence Baer – This Holy Ground

    Laurence Baer’s “This Holy Ground” carries the warmth of a song that wants to bring people closer. Its jazzy melodies immediately create an inviting atmosphere, giving the track an elegant musical identity while leaving plenty of room for its message to emerge.Baer’s voice is central to that sense of intimacy. There is warmth in the tone, but also enough flexibility to move naturally between quieter passages and more powerful moments. These changes give the performance emotional movement without ever feeling exaggerated.The sincerity of the singing is particularly effective. Every line feels communicated with genuine conviction, which makes the song’s message easier to receive. That becomes especially apparent in, “With patience and compassion, we’ll help each other heal, a world of peace now beckons….” The lyric is simple, but its ideas of compassion, healing, and collective responsibility give it considerable emotional weight.The jazz influence adds character to the arrangement. The music can become fuller and more expressive when needed, then step back to allow the words to take priority. This creates a satisfying relationship between the instrumental and vocal elements.The production keeps everything polished while preserving the warmth that makes the performance appealing. Nothing feels overly processed or disconnected from the song’s emotional centre.“This Holy Ground” leaves behind something more than a pleasant musical impression. Its combination of soulful singing, jazz-inflected instrumentation, and hopeful songwriting gives it a genuine sense of purpose. It is a song built around the idea that patience, compassion, and human connection can still move us toward something better.

    Garrett Anthony Rice – Going Up (To See Him)

    Some songs make their impact through volume and intensity. “Going Up (To See Him)” takes a different route. Garrett Anthony Rice creates its effect through calmness, sincerity, and an underlying sense of hope.The guitar and percussion establish a gentle foundation, giving the song an easy, steady movement. Nothing feels hurried. Instead, the arrangement leaves enough space for the listener to settle into the performance and pay attention to the message.Rice’s voice is especially effective because of its natural quality. He does not overplay the emotion. His delivery remains straightforward and honest, allowing the words themselves to carry the weight. That restraint gives the song a comforting quality and makes the performance feel personal.The line, “don’t let them take the way you look at life, cause that is one thing they can never take…” captures the spirit of the track particularly well. It is a reminder that perspective and inner strength can remain ours even when circumstances try to change them. The message feels encouraging without becoming overly sentimental.The instrumentation continues to support that feeling throughout the song. Guitar, percussion, and the surrounding musical details blend without competing for attention, while the clean production maintains the recording’s organic character.“Going Up (To See Him)” feels like a quiet reminder to hold on to hope. Its greatest strength is not dramatic spectacle but the sense of reassurance it leaves behind. By the end, the song feels less like a performance demanding attention and more like a gentle piece of encouragement.

    G. Michael Peters – Nothin’s Gonna Stop Us Now

    There is an uncomplicated optimism at the centre of G. Michael Peters’ “Nothin’s Gonna Stop Us Now.” The song immediately creates a feeling of warmth and determination, establishing a message that is easy to understand and even easier to feel.Peters’ voice gives that message its personality. There is natural grit in the delivery that prevents the vocals from sounding overly polished, while the warmth underneath it keeps the performance approachable. Most importantly, he sounds emotionally invested in what he is singing. The conviction in his delivery makes the optimism feel believable.The repeated phrase “nothing’s gonna stop us now” works particularly well because it functions almost like a declaration. Each return reinforces the ideas of perseverance and togetherness. The line, “tomorrow brand new, the sun’s gonna shine, as long we are together, we’ll be fine…” takes that optimism further, looking toward the future while recognising the comfort that comes from facing uncertainty with someone else.The instrumental backing gives the vocals enough support without competing with them. It adds warmth and forward momentum, helping the song maintain its uplifting character.What makes this track appealing is how openly it embraces hope. There is no need for complicated symbolism. Peters communicates his central idea directly, and the emotional conviction behind the performance gives those simple words their strength. “Nothin’s Gonna Stop Us Now” is a reassuring reminder that optimism can become even more powerful when it is shared.

    Vince Rowan – Silence Says

    Vince Rowan’s “Silence Says” understands that emotional intensity does not always require a powerful vocal or dramatic arrangement. Sometimes, what is left unsaid can carry the greatest weight.The guitar melodies establish that idea almost immediately. They create a melancholic setting that feels intimate rather than overwhelming, giving the song an emotional space in which the vocals can unfold naturally.Rowan’s delivery is remarkably controlled. He moves between softer and more emphatic moments without losing the restraint that defines the performance. Beneath that calm surface, however, there is a clear emotional heaviness. It feels like the voice is carrying the weight of conversations that never happened and feelings that were never properly expressed.The line, “sometimes silence has the most to say, if you know how to listen to what it says….” captures this perfectly. It turns silence into something active, suggesting that pauses, distance, expressions, and absence can communicate just as much as spoken language.The simplicity of the lyrics makes the idea even stronger. There is no need for complicated wording because the emotional meaning comes from the combination of the words, vocal restraint, and surrounding atmosphere.The production gives the song plenty of breathing room. The guitar and vocals remain clear, allowing the smallest emotional details to register without unnecessary distraction.“Silence Says” is the kind of song that changes slightly depending on what the listener brings to it. Its central idea may be simple, but its emotional implications are much wider. By the final note, it leaves a question hanging in the air: how much have we failed to hear simply because nobody said it aloud?

    Explore Our Podcast
    Visit our socials

    Alternative MusicAnnie LiangCome Alivecountry musicDiscoveryDiscovery 10/10dulaxiemerging artistsEmotional MusicFAIAFolk MusicG. Michael PetersGarrett Anthony RiceGit AlongGoing Up (To See Him)Independent ArtistsIndependent MusicInspirational MusicJazz MusicLaurence BaerMusic discoveryMusic entertainmentMusic FeedbackMusic ReviewsNew MusicNew Music DiscoveryNew Music ReleasesNew songsNothin's Gonna Stop Us NowPurple NiNiSilence SaysSINGER-SONGWRITERSingle Reviewssong reviewsSoul MusicSparking WaterfallsThis Holy GroundTouvelleUnderwaterVince Rowanwelcome to my home

    Previous ArticleNiel Lian – Resilience in a World on Fire (Review)
    Next ArticleKen Woods and the Electrick Reckoning – S.O.S. (Same Old Shit) (Review)

    Related Posts

    John Korbel – Johnny Still Got Game

    John Korbel: Johnny Still Got Game (Interview)

    JazzInterviewMusic Entertainment
    SONIC PULSES – HANDS UP

    SONIC PULSES – HANDS UP (Review)

    ARTICLESAlbumElectronic Dance MusicGenresMusic Entertainment
    Kent Olsson – Whole Parade

    Kent Olsson – Whole Parade (Interview)

    JazzInterviewMusic Entertainment
    Coconut Shy – Knock

    Coconut Shy – Knock (Review)

    ARTICLESFolk / Americana / CountryGenresMusic Entertainment
    Kent Olsson – Whole Parade

    Kent Olsson – Whole Parade (Review)

    ARTICLESGenresJazzMusic EntertainmentSingle
    50mething – Make Us Pay for It.

    50mething – Make Us Pay for It. (Review)

    ARTICLESGenresMusic EntertainmentR&B / SoulSingle
    OpCritical – Act Up

    OpCritical – Act Up (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    Foxy Leopard – Outlaws of Peace

    Foxy Leopard – Outlaws of Peace (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    January Blue – Sha La La

    January Blue – Sha La La (Review)

    ARTICLESGenresMusic EntertainmentPop / CommercialSingle
    Legends of the Seven Golden Vampires – The Pumphouse of Broken Dreams (Review)

    Legends of the Seven Golden Vampires – The Pumphouse of Broken Dreams (Review)

    AlbumARTICLESGenresMusic EntertainmentRock / Electric guitar based
    John Korbel – Johnny Still Got Game

    John Korbel – Johnny Still Got Game (Review)

    AlbumARTICLESGenresJazzMusic Entertainment
    Kevin Keller – ALTUS

    Kevin Keller – ALTUS (Review)

    AlbumARTICLESElectronic/SynthPop/ExperimentalGenresMusic Entertainment
    BR!LEY – FOR A SECOND

    BR!LEY – FOR A SECOND (Review)

    Music Entertainment
    Sebastian Rydgren – momentary

    SEBASTIAN RYDGREN — MOMENTARY (INTERVIEW)

    Pop / CommercialInterviewMusic Entertainment
    Kevin Keller — ALTUS

    Kevin Keller — ALTUS (Interview)

    Electronic/SynthPop/ExperimentalInterviewMusic Entertainment
    Juley

    Juley — The Mirror (Review)

    Music EntertainmentGenresRock / Electric guitar basedSingle
    Al Swainger's Pointless Beauty — Impure Imagination

    Al SWAINGER’S POINTLESS BEAUTY — IMPURE IMAGINATION (INTERVIEW)

    Classical / World / Roots / InternationalInterviewJazzMusic Entertainment
    Wildcard Campfire – Where God Grew Tired

    WILDCARD CAMPFIRE – WHERE GOD GREW TIRED (INTERVIEW)

    Punk / Metal / SKAInterviewMusic Entertainment
    QEERAN – STILL UR HOME

    QEERAN – STILL UR HOME (Interview)

    R&B / SoulInterviewMusic Entertainment
    SonicFluxx – Idol

    SonicFluxx — Idol (Interview)

    Electronic/SynthPop/ExperimentalInterviewMusic Entertainment
    Stephanie Phillips – Walking the Tightrope

    STEPHANIE PHILLIPS — WALKING THE TIGHTROPE (INTERVIEW)

    Folk / Americana / CountryInterviewMusic Entertainment
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    DISCOVERY 10/10

    DISCOVERY 10/10

    Music Entertainment
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    Fugu Dugu — Bucky Wanko and The Legend of Baba Yaga (Review)

    Fugu Dugu — Bucky Wanko and The Legend of Baba Yaga (Review)

    Music EntertainmentAlbumClassical / World / Roots / InternationalGenresJazz
    Sacha Mullin – Social Touch

    Sacha Mullin – Social Touch (Review)

    AlbumARTICLESGenresMusic EntertainmentPop / Commercial
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    Laji George feat. Dave Abbruzzese — Say (Review)

    Laji George feat. Dave Abbruzzese — Say (Review)

    Music EntertainmentGenresRock / Electric guitar basedSingle
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    INYO – An Ocean Between, Pt. 1

    INYO – An Ocean Between, Pt. 1 (Review)

    Music Entertainment
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    QEERAN – STILL UR HOME

    QEERAN – STILL UR HOME (Review)

    ARTICLESGenresMusic EntertainmentR&B / SoulSingle
    DISCOVERY 10/10

    DISCOVERY 10/10

    FEEDBACKSMusic Entertainment
    SonicFluxx – Idol

    SonicFluxx – Idol (Review)

    Music EntertainmentARTICLESElectronic/SynthPop/ExperimentalGenresSingle
    Sebastian Rydgren – momentary

    Sebastian Rydgren – momentary (Review)

    Music EntertainmentARTICLESGenresPop / CommercialSingle
    New Sunday – Here I Am Meant To BE

    New Sunday – Here I Am Meant To BE (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    Music by Jeremy – Scenes from a Well Worn Path (Side Three)

    Music by Jeremy – Scenes from a Well Worn Path (Side Three) (Review)

    ARTICLESAlbumGenresMusic EntertainmentRock / Electric guitar based
    Faint Halos – Honeybee

    Faint Halos – Honeybee (Interview)

    Rock / Electric guitar basedInterviewMusic Entertainment
    Twisted Natures – Do You Think of Me Too?

    Twisted Natures – Do You Think of Me Too? (Review)

    ARTICLESElectronic/SynthPop/ExperimentalGenresMusic EntertainmentSingle
    Sergiy Bolotny - Reflections: Oh Human Destiny

    Sergiy Bolotny – Reflections: Oh Human Destiny (Review)

    ARTICLESClassical / World / Roots / InternationalGenresJazzMusic EntertainmentSingle
    LUNA14 – Zero Gravity

    LUNA14: Zero Gravity (Interview)

    Music EntertainmentInterviewPop / Commercial
    Usein Bekirov — Dedication (Review)

    Usein Bekirov — Dedication (Review)

    Music EntertainmentAlbumARTICLESClassical / World / Roots / InternationalGenresJazz
    Cyberswamp – Mi Amada & Other Love Songs

    Cyberswamp: Mi Amada & Other Love Songs (Interview)

    Rock / Electric guitar basedInterviewMusic Entertainment
    DownTown Mystic – Maybe Love’s A Crime

    DownTown Mystic — Maybe Love’s A Crime (Interview)

    InterviewMusic EntertainmentRock / Electric guitar based
    Steve and Dolapo – Solid Ground

    Steve and Dolapo — Solid Ground (Interview)

    InterviewMusic Entertainment
    The Sonic Travelers – A Heart’s A Terrible Thing To Waste

    The Sonic Travelers — A Heart’s A Terrible Thing To Waste (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    Sergiy Bolotny — Reflections: Oh, Human Destiny

    Sergiy Bolotny — Reflections: Oh, Human Destiny (Interview)

    Classical / World / Roots / InternationalInterviewMusic Entertainment
    Charm – The Anti-Blues

    Charm — The Anti-Blues (Interview)

    Classical / World / Roots / InternationalJazz
    Bash Co. – Velvet

    Bash Co. — Velvet (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    DEAR MARTIN – I Could Be Loving You

    DEAR MARTIN — I COULD BE LOVING YOU (INTERVIEW)

    Electronic/SynthPop/ExperimentalInterviewMusic Entertainment
    Gianfranco Pescetti – Heidi

    Gianfranco Pescetti – Heidi (Review)

    ARTICLESElectronic/SynthPop/ExperimentalGenresMusic EntertainmentSingle
    Tom Hartman – Storm Photography by Eline Verhoeven

    Tom Hartman — Storm (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    Tom Kuhr – Come Along Little Brother

    Tom Kuhr: Come Along Little Brother (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    Gianfranco Pescetti — Heidi

    Gianfranco Pescetti — Heidi (Interview)

    Electronic/SynthPop/ExperimentalInterviewMusic Entertainment
    Wildcard Campfire – Where God Grew Tired

    Wildcard Campfire – Where God Grew Tired (Review)

    AlbumARTICLESGenresMusic EntertainmentPunk / Metal / SKA
    Cyberswamp – Mi Amada & Other Love Songs

    Cyberswamp – Mi Amada & Other Love Songs (Review)

    Music EntertainmentAlbumARTICLESGenresRock / Electric guitar based
    Steve and Dolapo – Solid Ground

    Steve and Dolapo – Solid Ground (Review)

    Music Entertainment
    Sanny Veloo – I’ve Got You My Friend

    Sanny Veloo – I’ve Got You My Friend (Review)

    AlbumARTICLESGenresMusic EntertainmentRock / Electric guitar based
    Tom Kuhr – Come Along Little Brother

    Tom Kuhr – Come Along Little Brother (Review)

    ARTICLESEPFolk / Americana / CountryGenresMusic Entertainment
    Hallaballoo – Gravity

    Hallaballoo – Gravity (Review)

    AlbumARTICLESGenresMusic EntertainmentRock / Electric guitar based
    Manufracture Music – System Apathy

    Manufracture Music – System Apathy (Review)

    ARTICLESElectronic/SynthPop/ExperimentalGenresMusic EntertainmentSingle
    Katie Noir – The Aftermath EP

    Katie Noir – The Aftermath EP (Review)

    ARTICLESEPGenresMusic EntertainmentR&B / Soul
    The Night and the Dirty – Reflections

    The Night and the Dirty – Reflections (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    Ray’s Music Exchange - A Live Family Rayunion 2025

    Ray’s Music Exchange – A Live Family Rayunion 2025 (Review)

    AlbumARTICLESGenresJazzMusic Entertainment
    Pridhvi Sunain Zoro – MAHA: Make America Human Again

    Pridhvi Sunain Zoro – MAHA: Make America Human Again (Review)

    ARTICLESAlbumElectronic/SynthPop/ExperimentalGenresMusic Entertainment
    CODE 1144 — Happy In The Little Things

    CODE 1144 — Happy In The Little Things (Interview)

    R&B / SoulInterviewMusic EntertainmentRock / Electric guitar based
    IDKs – I’m Not Dead

    IDKs — I’m Not Dead (Interview)

    Punk / Metal / SKAEPInterviewMusic Entertainment
    Al Swainger's Pointless Beauty — Impure Imagination

    Al Swainger’s Pointless Beauty — Impure Imagination (Review)

    Classical / World / Roots / InternationalJazz
    Kaliopi & The Blues Messengers — Watermelon Man

    Kaliopi & The Blues Messengers — Watermelon Man (Interview)

    JazzClassical / World / Roots / International
    Faint Halos – Honeybee

    Faint Halos – Honeybee (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    EVE.L – SUGAR EATER

    EVE.L – SUGAR EATER (Review)

    ARTICLESGenresMusic EntertainmentPop / CommercialSingle
    New Sunday – Here I Am Meant To BE

    New Sunday – Here I Am Meant To BE (Review)

    Music EntertainmentARTICLESFolk / Americana / CountryGenresSingle
    Sheba Holly — I Thought (Review)

    Sheba Holly — I Thought (Review)

    Music EntertainmentARTICLESGenresHip-hop / Trap / DrillR&B / SoulSingle
    Tom Hartman – Storm Photography by Eline Verhoeven

    Tom Hartman – Storm (Review)

    ARTICLESFolk / Americana / CountryGenresMusic EntertainmentSingle
    PROJECT: Beyond – The End

    PROJECT: Beyond – The End (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    Echo The Light — Send Me (Review)

    Echo The Light — Send Me (Review)

    Music EntertainmentRock / Electric guitar basedSingle
    Bernward Koch – Behind the Hills

    Bernward Koch – Behind the Hills (Review)

    AlbumARTICLESClassical / World / Roots / InternationalGenresJazzMusic Entertainment
    Stephanie Phillips – Walking the Tightrope

    Stephanie Phillips – Walking the Tightrope (Review)

    AlbumARTICLESFolk / Americana / CountryGenresMusic Entertainment
    LUNA14 – Zero Gravity

    LUNA14 – Zero Gravity (Review)

    ARTICLESGenresMusic EntertainmentPop / CommercialSingle
    Jay Pinto – Arrive or Company?

    Jay Pinto – Arrive or Company? (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    Charm – The Anti-Blues

    Charm – The Anti-Blues (Review)

    ARTICLESClassical / World / Roots / InternationalGenresJazzMusic EntertainmentSingle
    Pavel Ishanov – We Dance through Joy and Pain

    Pavel Ishanov – We Dance through Joy and Pain (Review)

    ARTICLESGenresMusic EntertainmentPop / CommercialSingle
    SANTA CLAWS – Sands of Time

    SANTA CLAWS — SANDS OF TIME (INTERVIEW)

    Rock / Electric guitar basedInterviewMusic Entertainment
    Pavel Ishanov — We Dance through Joy and Pain

    Pavel Ishanov — We Dance through Joy and Pain (Interview)

    Music Entertainment
    Grey & Purple Songbook: Fateful Ski Trip

    Grey & Purple Songbook: Fateful Ski Trip (Interview)

    Folk / Americana / CountryInterviewMusic Entertainment
    The Dead Hearts – In The Back Seat

    The Dead Hearts — In The Back Seat (Interview)

    Punk / Metal / SKAInterviewMusic Entertainment
    Dru Melodics – Blessing In Disguise

    Dru Melodics — Blessing In Disguise (Interview)

    R&B / SoulInterviewMusic Entertainment
    Exzenya – B!tch Please

    Exzenya – B!tch Please (Interview)

    Rock / Electric guitar basedInterviewMusic Entertainment
    Jack Agdur – Arche Dream

    Jack Agdur: Arche Dream (Interview)

    Classical / World / Roots / InternationalInterviewMusic Entertainment
    RADARFIELD – Cocoon

    RADARFIELD – Cocoon (Interview)

    Music EntertainmentElectronic/SynthPop/ExperimentalInterview
    G-SINNZ – Una Noche Más

    G-SINNZ – Una Noche Más (Review)

    ARTICLESGenresMusic EntertainmentPop / CommercialSingle
    Lacey Lune – The Capital Club

    Lacey Lune – The Capital Club (Review)

    AlbumARTICLESGenresMusic EntertainmentPop / Commercial
    SANTA CLAWS – Sands of Time

    SANTA CLAWS – Sands of Time (Review)

    Music Entertainment
    DEAR MARTIN – I Could Be Loving You

    DEAR MARTIN – I Could Be Loving You (Review)

    ARTICLESElectronic/SynthPop/ExperimentalGenresMusic EntertainmentSingle
    Meas & Riddie – Keep T Moving

    Meas & Riddie – Keep T Moving (Review)

    Music EntertainmentARTICLESElectronic Dance MusicGenresSingle
    Plain Drifter – Cracks in the Mirror

    Plain Drifter – Cracks in the Mirror (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    Exzenya – B!tch Please

    Exzenya – B!tch Please (Review)

    ARTICLESGenresMusic EntertainmentRock / Electric guitar basedSingle
    The Sonic Travelers – A Heart’s A Terrible Thing To Waste

    The Sonic Travelers – A Heart’s A Terrible Thing To Waste (Review)

    ARTICLESFolk / Americana / CountryGenresMusic EntertainmentSingle
    Judith Owen – Inside Out

    Judith Owen – Inside Out (Review)

    ARTICLESGenresJazzMusic EntertainmentSingle
    Chatterless - CONVERSATIONS WITH FRIENDS

    Chatterless – CONVERSATIONS WITH FRIENDS (Interview)

    Electronic/SynthPop/ExperimentalInterviewMusic Entertainment
    • Music Entertainment
    • Interview
    • News
    • Genres
    • Music Videos
    • Lyrics
    • Spotify Playlists
    • Contact
    • About
    Dulaxi
    • Music Entertainment
    • Interview
    • News
    • Genres
    • Music Videos
    • Lyrics
    • Spotify Playlists
    • Contact
    • About
    Type to search or hit ESC to close
    See all results