From the heart of San Francisco’s eclectic music scene emerges Jenny Maybee, an artist who defies classification. Trained in jazz but untethered by tradition, Maybee blends the deep emotional core of blues with cinematic flair, drawing sonic lines that meander through pop, rock, orchestral, and soul. A fearless vocalist, accomplished pianist, and genre-fluid producer, she channels the emotional force of legends, but it’s her unique delivery that sets her apart. Whether performing barefoot behind the piano or navigating the chaotic grace of sailing, Jenny Maybee lives between worlds, shaping raw emotion into refined, resonant art. Her music is not just heard, it’s felt.
Released on May 16th, 2025, “Call Me” by Jenny Maybee is a rich, genre-blurring composition that immediately announces itself as something rare and formidable. This isn’t just a song, it’s an experience that ripples with cinematic textures, sultry vocal work, and a magnetic sense of control. From the first downbeat, the track seduces listeners into a carefully crafted soundscape that is equal parts noir pop, electro soul, and jazz-rooted experimentalism. There’s a ritualistic feel to the way it unfolds, like the invocation of something sacred and sensual, revealing layers of sonic storytelling that reflect Jenny Maybee’s deep artistic intention and mastery.
The Instrumentation in “Call Me” sets the tone with deliberate precision. Nick Carico’s drums form a hypnotic backbone, slow and methodical yet gradually evolving in complexity and swagger. His percussion does not simply keep time; it breathes, pulling the listener into a rhythmic trance. Over this foundation, Ariane Cap’s bass line delivers a thick, fluid groove that anchors the rest of the arrangement. Her playing is intuitive and seductive, weaving seamlessly into the track’s emotional core. Every pluck of the string feels deliberate, as though it’s part of a larger incantation.
Complementing the rhythm section is the atmospheric layering of synths and guitar, with Isha “The Mad Scientist” Erskine bringing in lush electronic elements and just the right amount of overdriven grit. The guitar growls softly in the distance while shimmering synths swirl like mist around the arrangement, giving “Call Me” a surreal quality. Erskine’s mix glows with a sleek sheen that’s both modern and timeless, his production choices elevating the track into something that feels far larger than its runtime. Every element whether ambient or foregrounded, has been meticulously placed to contribute to a sonic world that is deeply immersive.
Jenny Maybee’s vocals are the centerpiece of “Call Me”, commanding attention with an effortless blend of control and raw emotion. Her voice has been compared to icons like Amy Winehouse, Billie Holiday, and Adele, and here she lives up to every one of those comparisons while forging her own distinct vocal identity. The delivery is cool and assertive, yet undeniably sensual. She doesn’t just sing the lyrics, she embodies them, letting each phrase hang with intention. Whether she is cooing in hushed tones or declaring her presence with power, her voice carries an authority that is magnetic and unshakeable.
Lyrically, “Call Me” is a powerful ode to self-sovereignty and inner strength. The repeated line, “Call me devil, call me queen, call me anything you please”, functions as both invitation and declaration, a mantra of empowered identity that embraces the full spectrum of how one may be perceived. Written during a long car drive, the song channels a moment of personal reflection and transformation, pushing beyond the traditional narrative of a love song. It becomes a love letter to the most fearless version of oneself, the part that refuses to shrink or apologize. The poetic lyricism offers both a mirror and a torch to the listener.
The arrangement of “Call Me” mirrors the emotional journey within its lyrics. The song begins in a sultry hush and slowly builds tension, never rushing its evolution. Synths rise, guitars stretch, and vocal harmonies wrap around the listener like smoke. The dynamics swell and fall, guiding the ear through crescendos and delicate pauses. The restraint in its pacing is part of its power, rather than chasing drama, it draws you in with seduction and control. It feels cinematic in scope, like a scene unfolding in slow motion under dim lighting, every detail drenched in mood.
The technical production of the track Is nothing short of stellar. Recorded at The Mad Scientist Studios in Sebastopol, California, the mix balances every element with finesse. The interplay between electronic and organic sounds is seamless, allowing each instrument to speak without overpowering the others. The layering of vocals and synths adds depth and dimension, creating an atmospheric tension that feels both intimate and expansive. This is a track that rewards close listening, with new textures and emotional cues revealing themselves on each repeat.
Ultimately, “Call Me” solidifies Jenny Maybee’s place as an artist who refuses to be boxed in. It is a bold opening statement for her upcoming album Only Love, and one that hints at the emotional fire and stylistic fluidity to come. The song captures the essence of an artist who is deeply in tune with both her musical craft and her inner world. “Call Me” is more than just a standout track, it is a sonic embodiment of power, grace, and unapologetic presence. For anyone seeking music that both stirs the soul and moves the body, this track is not just recommended, it’s essential.
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