Mikey La Luna emerged at the crossroads of Europe and Asia, raised in the Caucasus mountains and trained in Georgian ballet, shaping his disciplined, expressive artistry. He first performed as Tash Tash, electrifying traditional Georgian songs with folk energy, beats, and synths for global audiences. Drawn later to electronic music, he embraced hypnotic repetition, melody, and emotional freedom. Influenced by shamanic rituals, he merges music, dance, and spirituality. Self-taught in production, Mikey crafts melodic techno, tribal house, and mantra-infused soundscapes with deep bass, percussion, and Middle Eastern textures, creating ceremonial, transformative experiences as “The Shaman of the Night,” worldwide today.
“Hallelujah • הללויה • الحمد لله” was released on December 29, 2025, as a deeply intentional artistic statement from Mikey La Luna, one that immediately positions itself beyond conventional electronic releases. From the opening moments, the track announces its purpose not as entertainment alone, but as an experience shaped by voice, spirit, and shared emotional language. The song exists in a space where club culture and inner reflection meet, and its core strength lies in how vocals, themes, and message are treated as sacred tools rather than lyrical exposition. Mikey’s own vocal presence is dark, intimate, and deliberately restrained, delivered in Hebrew and Arabic with a calm authority that feels meditative rather than performative. These vocal lines do not seek to explain or persuade; instead, they breathe, repeat, and resonate, functioning as mantras designed to bypass intellect and speak directly to feeling.
The tri-lingual concept at the heart of the song is central to its emotional weight. By uniting English, Hebrew, and Arabic expressions of praise, Mikey reframes sacred language as a shared human frequency rather than a marker of separation. The lyrics are minimal, but their repetition carries immense symbolic power, emphasizing continuity, coexistence, and spiritual common ground. Daniela Dvash’s guest vocal plays a crucial role in elevating this message. Her angelic counter-voice floats above Mikey’s grounded delivery, creating a dynamic contrast that feels almost celestial. Where Mikey’s vocals are rooted and earthy, Daniela’s are light and ascending, forming a dialogue that mirrors the song’s larger theme of unity between contrasts, light and shadow, body and spirit, individual and collective. The emotional result is immersive and deeply affecting, encouraging listeners to surrender rather than analyze.
Musically, the production serves these vocal and thematic intentions with precision. Built on melodic techno foundations, the track features deep, steady club beats that anchor the body while allowing the mind to wander. The bassline is warm and rolling, maintaining forward momentum without overpowering the vocal presence. Church-like melodic tones, subtle electric guitar textures, and ritualistic percussion layers add to the ceremonial atmosphere, reinforcing the sense that this track unfolds like a sonic rite rather than a linear song. Psychedelic influences reminiscent of Pink Floyd’s expansiveness blend seamlessly with the emotionally charged dancefloor sensibility associated with Faithless, resulting in a groove that is both hypnotic and emotionally generous.
Hallelujah • הללויה • الحمد لله is a techno mantra where sacred voices, deep grooves, and unity transform dancefloors into spiritual communion.
Recorded in Tbilisi, Georgia, the track also represents a conceptual evolution following Mikey La Luna’s “Embrace the Light” EP, shifting focus from introspection toward shared experience and collective resonance. “Hallelujah • הללויה • الحمد لله” thrives equally in solitary listening and late-night dancefloor settings, proving that electronic music can be spiritual without dogma and powerful without aggression. This is not just a track to hear, this is a track to feel, return to, and surrender yourself to when you want music that heals, unites, and moves both soul and body in equal measure.
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