From the cultural heart of Boston, Massachusetts, emerges an artist whose sound doesn’t just echo through speakers, it resonates through the soul. Aleksandra (Allie) Picariello is a singer-songwriter, producer, and composer whose music is not simply crafted but emotionally engineered. Her work dwells in the atmospheric spaces between theatrical indie pop, cinematic scoring, and retro hip-hop, fused together by raw vulnerability and artistic precision. A classically trained cellist who picked up the instrument at the age of nine, Aleksandra’s passion for storytelling led her to Berklee College of Music, where she graduated in 2013 with a degree in Film Scoring. This formal education shaped her into a versatile composer, deeply influenced by the grand emotional arcs of Hans Zimmer, Danny Elfman, and John Williams. But her artistry doesn’t stop at orchestral drama, she draws equally from the unapologetic groove of Red Hot Chili Peppers and the boundary-breaking emotional dynamism of Twenty One Pilots.
Her path, however, has not been linear. Behind the musical elegance lies a powerful story of resilience. Aleksandra Picariello has battled significant mental health challenges and substance abuse, including a defining moment a decade ago during a stay at a dual diagnosis rehab facility. It was there, in the throes of despair, that she threw a chair against a wall, an eruption of emotion that would later become a symbol of collapse, clarity, and the beginning of transformation. That same inner chaos, once destructive, now fuels her creative mission: to write music that offers comfort, understanding, and truth to others who walk the same fragile path of recovery and self-discovery. Today, Aleksandra uses her platform not only to compose and perform but to advocate, for mental health awareness, addiction recovery, and the power of music as emotional medicine. Her songs are sonic memoirs, blending orchestration with urgency, beauty with brokenness. She is not just a musician, she is a storyteller, a healer, and a voice for the unheard.
Released on June 24, 2025, Chair marks the stunning new single from Aleksandra Picariello, a bold, emotionally charged track born from a moment of personal reckoning. Rooted in the true story of a cathartic outburst during rehab, when Aleksandra hurled a chair against a wall in a spiraling wave of heartbreak and helplessness, this track captures the turning point that launched her journey toward healing. With its delicate piano lines, boom-bap-inspired grooves, and cinematic flair, Chair becomes a sonic confession, a memory set to motion. It carries the elegance of a film score, the confidence of ballroom swing, and the soul of a survivor finding her voice. At once vulnerable and commanding, Aleksandra transforms a moment of emotional collapse into a beautifully orchestrated anthem of self-realization and renewal.
Aleksandra Picariello’s Chair begins not with noise, but with atmosphere, a breath of intimacy that unfolds like a page from a personal journal left open under low light. The song greets the listener with soft, deliberate piano melodies, a kind of calm that feels both therapeutic and haunting, as if inviting you into a memory that still lingers. These tender keys shimmer with emotional clarity, laying the foundation for something much bigger. But beneath that stillness, there’s an intuitive tension, a pulse in the silence. Slowly, a shadow of rhythm creeps in, and like something awakening from within, a slow-burning hip-hop undercurrent begins to rise. The transition is subtle, yet transformative, and by the time the beat emerges fully, the listener has already been emotionally disarmed. It’s a brilliant introduction, delicate, cinematic, and emotionally disarming.

As the song takes shape, it reveals itself as a beautifully crafted hybrid of retro hip-hop and modern sound design, with the added elegance of a ballroom-inspired rhythmic swing. There’s an unmistakable boombap energy anchoring the track, but Picariello doesn’t stop at tradition, she pushes boundaries by lacing that foundation with funky basslines, clapping percussions, and slick synth flourishes. What elevates the sonic palette is the ballroom hip-hop feel, an unexpected yet seamless infusion that gives the song a confident, strutting presence. The rhythm moves with grace and grit, like a dancer gliding across polished floors while keeping the tension of the beat locked tight. Every percussive snap, synth loop, and bass thump feels choreographed, creating an auditory movement that is both elegant and raw. The groove is consistent and utterly magnetic, the kind that pulls your shoulders into motion and your emotions into contemplation.
Yet, it’s Aleksandra Picariello’s vocal performance that transforms Chair from a masterfully produced track into a full-blown narrative experience. Her voice navigates the sonic terrain with precision, delivering rap verses with tight breath control and emotional intensity. The way she rides the rhythm is nothing short of surgical, each bar is purposeful, each pause pregnant with meaning. Her lines come fast and packed with emotional grit, but never lose clarity or impact. There’s a theatrical quality to her delivery, one that mirrors the grand, sweeping gestures of a ballroom dance layered over gritty street poetry. The adlib vocals hovering in the background enhance the texture of her delivery, adding echoes of thought, flashes of feeling, and layers of intimacy that make her presence feel three-dimensional. Together, her voice and the instrumentation don’t just coexist, they fuse, each amplifying the other in a delicate but powerful dance.

Midway through the track, just when the listener has adjusted to the infectious rhythm, Chair takes a sharp yet graceful pivot into a softer moment. The funky groove retracts slightly, giving way to a reflective interlude driven by emotive synth-piano lines. This transition doesn’t feel like a departure but rather a return, a moment of introspection that circles back to the vulnerability of the opening. It’s as though the song pauses to catch its breath, to allow the listener to feel the weight of what has been said. The ballroom essence here shifts from motion to emotion, revealing the emotional choreography beneath the track’s rhythm. It’s a genius structural choice, one that allows contrast to elevate continuity, and silence to magnify sound. In this moment, the beat doesn’t disappear; it waits patiently in the wings while Picariello brings the emotional core to the front of the stage.
Then comes the finale, subtle, transformative, and exquisitely executed. As the song prepares to close, a pitch bend modulation bends reality ever so slightly, warping the instrumental space just enough to make everything feel dreamlike and surreal. It’s like the final twist of a film’s closing scene, a sonic fade into an altered state, where every line that came before begins to echo with new meaning. This modulation doesn’t just mark the end; it seals the experience with a lingering, almost spiritual effect. It’s here that Chair becomes more than a song, it becomes an atmosphere, a reverberation of emotion and style bending through time and memory. The ballroom flair resurfaces too, not in sound but in sensation, as if the entire piece has been one emotional waltz culminating in this last, breathless twirl.
Chair spins boombap hip-hop, cinematic strings, and ballroom flair into a raw, retro-soul spiral of emotion and groove.
Ultimately, Chair is an audacious, genre-bending statement that fuses classic hip-hop grit, modern melodic innovation, and ballroom elegance into a single, emotionally-rich performance. Aleksandra Picariello delivers not just bars, but truths, and she does so over a beat that knows when to dance and when to stand still. The production is sleek, immersive, and consistently high-quality, never overdone, never underwhelming. What makes Chair unforgettable is how it manages to be simultaneously raw and refined, chaotic and graceful. It’s a track that moves like choreography, speaks like a monologue, and feels like memory. And when the final note fades, you’re left not with silence, but with resonance, the echo of something beautiful, personal, and profoundly human.
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