EXPLORE OUR LATEST MUSIC DISCOVERIES OF TALENTED INDEPENDENT ARTISTS.
Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
Mathea-Mari – Crush:
In Crush, Mathea-Mari invites the listener into a beautifully fragile realm from the very first note, a place where vulnerability tiptoes through soft light and aching glances. The song opens with an ambient hush, where a delicate piano line floats above a mist of reverb, setting an introspective mood that feels both immediate and distant. There is an intimacy in the way the track begins, as though the song is being whispered from behind a half-closed door. Slowly, a gentle pulse rises beneath the keys, the rhythm patient and restrained, allowing the atmosphere to swell without ever overwhelming its own stillness. Each detail is placed with surgical precision, the faint rustle of synths, the subtle echo of breaths, as the arrangement breathes life into the quiet ache of infatuation. The magic of Crush lies in the seamless interplay between voice and instrumentation. Mathea-Mari’s vocals arrive like a soft exhale, melancholy and clear, threaded with the kind of restrained emotion that speaks volumes through silence. Her voice doesn’t climb or strain but instead lingers, tracing the delicate architecture of the melody with careful grace. Surrounding her, the production remains understated yet deeply textured: subtle harmonic layers drift beneath her voice, while the percussion maintains a heartbeat rhythm that never distracts but gently anchors the song. Transitions between verses and chorus unfold organically, without dramatic contrast, reinforcing the emotional continuity of the track. There’s no rush to the resolution, each moment lingers just long enough to leave an imprint before gracefully dissolving. As the song progresses, Crush builds not in volume, but in emotional weight. The atmosphere is one of suspended yearning, like a sigh held too long in the chest. There’s a quiet catharsis in the way the track glides toward its end, an acceptance that love, in its tender and unspoken forms, often lives in these moments of stillness. The production, though minimal, is polished and immersive, with every sonic detail delicately wrapped in warmth and space. When the final chord fades, it leaves behind a trace of something both sweet and unresolved, a memory not of heartbreak, but of the subtle ache that comes with caring too much, too quietly. In Crush, Mathea-Mari crafts a soundscape that feels like falling, not in dramatic spirals, but in soft, inevitable descents into longing.
Mathea-Mari – Tired of Fixing A Broken Heart:
The song opens with a gentle, almost breathless piano motif that seems to unfold like a hesitant confession at dawn. Soft ambient guitar textures hover in the background, subtly weaving around the main chord progression as if echoing unspoken thoughts. The lead vocal enters, frail yet unwavering, carrying the weight of exhaustion. The voice hovers delicately above the keys, its timbre intimate, with a faint reverb that gives the impression of vulnerability unfolding in an echo‐lit room. From the very first bar, a quiet tension is established: one that resonates not through grand crescendos but through the compelling restraint of a melody that knows its own fragility. As the piece transitions, strings emerge, delicate, sustained notes that color the atmosphere without crowding the core. A gentle swell of electronic pads shapes the middle ground, creating a bridge between the organic and the ethereal. At this point, percussion, a soft, heartbeat‑like pulse, anchors the arrangement, lending warmth and motion to an otherwise floating soundscape. The interplay between piano, strings, and subtle electronic elements is seamless; each instrument has its turn to breathe, and none overpowers the other. The production is polished yet intimate, affording clarity to every sonic detail, from the subtlest piano resonance to the nuanced articulation of the vocal. Throughout its runtime, the song cultivates an atmosphere of introspective melancholy, tempered with quiet resolve. The instrumentation drifts between spaces of open yearning and near‑stillness, mirroring the emotional landscape of someone who has tried too hard, loved too deeply, and found themselves gently unraveling. Yet there is solace in the precision of the arrangement, the delicate layering suggests care, intent, and a surrendering to healing even amid sorrow. The production quality feels pristine, yet human: breaths, minute vocal textures, and the reverberant decay of the piano give it a lived‑in warmth. By the final measure, the song leaves the listener in a suspended lull, filled with both weary reflection and unexpected strength, echoing long after the last note dissipates.
Capparet – The Naked Gallery:
The Naked Gallery by CAPPAERT is a cinematic and emotionally charged piece that immerses the listener in a space of longing, vulnerability, and transcendence. From the very first notes, there’s a quiet tension in the air, an intimacy that unfolds slowly, like a soul revealing itself layer by layer. The song’s orchestration is carefully restrained yet lush, allowing the ambient piano tones and atmospheric textures to wrap around the listener like a warm shroud. The composition holds a delicate balance between fragility and strength, painting a vivid emotional portrait without ever needing to overstate its message. The vocal performance is particularly stirring, poised and haunting, yet laced with tenderness. There’s a raw elegance in the delivery that feels almost confessional, like we are being invited into a private moment of reflection or yearning. The layered harmonies and subtle backing vocals add depth without crowding the space, enhancing the central voice rather than distracting from it. Together, the vocals and instrumentation create a mood that is both ethereal and grounded, embodying the feeling of standing in a sacred, metaphorical gallery, naked in spirit, open to the world. Visually, the accompanying music video expands on this emotional terrain with poetic precision. The imagery of a woman seeking connection beyond the physical realm speaks volumes about the internal human desire to merge with something larger, be it love, purpose, or the divine. The slow pacing, symbolic visuals, and earthy color palette give the song a cinematic weight, mirroring its themes of spiritual surrender and self-revelation. Overall, The Naked Gallery is a beautifully layered experience, sonically, visually, and emotionally, and it lingers long after the final note fades.
Aaron Koeing – Honey Badger Don’t Care:
Honey Badger Don’t Care is a punchy, folk-cultured infused track with a groove that’s immediately infectious. The rhythm has a grounded stomp to it, earthy, confident, and unrelenting, that mirrors the fearless creature it celebrates. Built around a hypnotic beat with subtle folk textures, the song creates a sonic pulse that feels both primal and playful. Layered within this groove are bursts of backup vocals that echo and expand Koenig’s lead, giving the chorus an added edge of boldness and defiance. The interplay between his voice and the background chants gives the track a communal, almost tribal energy, as if it’s meant to be shouted in unison by a crowd that shares its no-nonsense ethos. Lyrically, the song is rich with satire and crypto-coded symbolism, turning the honey badger, a creature known for its indifference to danger, into a metaphor for Bitcoin’s resilience and decentralized defiance. Lines like I don’t fear no venomous snake / No central bank, no authority pack humor and rebellious spirit into tight, chantable phrases. Koenig walks a fine line between jest and provocation, using sharp one-liners to mock traditional systems while celebrating digital freedom. It’s witty without being shallow, and bold without taking itself too seriously, an anthem that manages to be both entertaining and ideologically charged. At its core, Honey Badger Don’t Care thrives because of how well its musical and thematic elements feed off each other. The rhythm doesn’t just carry the track, it becomes its voice, its momentum, and its attitude. The lyrics are delivered with a wry smirk, but they’re also backed by an authentic understanding of crypto culture and digital rebellion. The backup vocals punctuate key moments, giving the track a layered punch that lifts it beyond novelty into something memorable and resonant. It’s this cohesion, between groove, message, and delivery, that makes the song not just clever, but an actual banger in its own unapologetic lane.
Terese Hanses – In The Summertime:
In The Summertime arrives like a golden wave of nostalgia and sunlight, effortlessly blending a feel-good soulful electronic melodies with crisp, shimmering production that captures the essence of carefree summer days. From the opening bars, the song pulses with a warm, danceable beat, layered with glistening synth textures and buoyant percussion that invite you to roll the windows down and let the wind carry your worries away. The groove is steady and vibrant, offering the kind of upbeat tempo that perfectly complements long drives, lazy afternoons, or a spontaneous beach escape. Vocally, Terese brings a radiant performance that feels both intimate and exuberant. Her delivery is light but confident, riding the beat with a playful ease that mirrors the freedom the lyrics evoke. The lyrical narrative celebrates simple pleasures, sunbeams, windblown hair, the joy of being alive in the moment, and her melodic choices enhance the theme beautifully. Her use of layered backing vocals adds a dreamy, echo-like quality, almost like sun flares bouncing off waves. These subtle harmonies elevate the track’s emotional tone without weighing it down, reinforcing the breezy, uplifting vibe. What makes In The Summertime especially striking is how it balances polish with personality. Terese’s fingerprints are on every part of the song, from the shimmering keyboard lines to the tight mixing, which gives it a handcrafted, authentic charm rarely felt in electronic pop. The production is clean but never sterile; it sparkles with intention and creativity. This song doesn’t just sound like summer, it feels like it. It reminds us that sometimes, the best anthems don’t need complexity; they need clarity of mood, sincerity in delivery, and a rhythm that carries the spirit forward. Terese nails all three with grace.
rAlp – L’été comme une dernière:
L’été comme une dernière is a wistful, sun-drenched reflection that captures the emotional undertones of a fleeting summer, delivered with subtle melancholy and poetic grace. The song opens with a mellow, atmospheric production, anchored by soft guitar strums and laid-back rhythms that instantly evoke the golden hues of late August. rAlp’s voice enters with a delicate vulnerability, hovering gently over the arrangement like a fading memory. There’s a fragile honesty in the delivery, as though every note is clinging to a moment slipping away too soon. What truly carries the song is rAlp’s vocal performance, which flows with an almost conversational intimacy, like someone gently recounting something too precious to forget. The vocal tone is gentle yet expressive, gliding effortlessly through each phrase with a sense of quiet emotional depth. Sung entirely in French, the language adds a romantic and lyrical fluidity that gives the track a unique charm, softening the edges and making each word feel more musical. There’s a kind of elegance in how the voice merges with the instrumentation, enhancing the song’s creative flair and making the experience feel both cinematic and personal. The production stands out in its restraint, minimal yet emotive, allowing space for rAlp’s vocals and the song’s emotional weight to truly breathe. There are no overwhelming beats or flashy transitions, just a textured sonic bed that supports the song’s themes with grace. It’s the kind of track that lingers after the final note, not because it demands attention, but because it quietly earns it. L’été comme une dernière is a thoughtful, evocative piece that doesn’t try to do too much, but in that simplicity, it captures something genuinely moving.
Camille Miller – Dream On (With You):
Dream On (With You) by Camille Miller is an exquisite dive into soft dream-pop textures, delivering a warm and soothing atmosphere from the very first note. The arrangement is layered delicately, with mellow guitar lines and lush ambient undertones that wash gently beneath her voice. At the core of the track lies a soulful piano melody that flows like the ocean, steady, emotive, and immersive, adding a graceful depth to the sonic landscape. Complementing this is a hypnotic percussive progression that serves as the song’s rhythmic heartbeat, gently propelling the music forward without ever breaking its tranquil mood. It’s a comforting kind of song, filled with gentle emotion and a melodic charm that lingers long after the final chord. Camille’s vocal delivery is undeniably the heart of this piece. Her voice moves with such grace and intimacy, as though she’s speaking directly to someone she deeply trusts. What enhances this intimacy even more is the thoughtful addition of multiple vocal layers and duet-like harmonies that enrich the sonic fabric of the track. The background vocals rise and fall like a soft tide, adding emotional depth and rich texture without overwhelming the lead. All of this flows seamlessly around a sweet, solemn piano melody that anchors the song with emotional clarity, while a hypnotic percussive progression pulses gently in the background, keeping the rhythm fluid and entrancing. The production elevates the sonic depth, balancing every aspect without ever overshadowing the vocals. The downtempo progression of the track plays a crucial role in preserving its meditative, dreamlike quality, allowing every note and word to resonate with clarity. Every sound feels placed with purpose, from the soft echoes in the background to the way the reverb swells at just the right moments. It’s a song that speaks quietly but with strength, resonating with themes of love, dreams, and connection. Dream On (With You) isn’t just a song, it’s a tranquil, heartfelt experience that wraps around you like a warm memory.
COMMOTION – booty calls – rewind remix:
booty calls – rewind remix is a glowing example of how a track can be completely reimagined without losing its soul. Right from the first note, the song seduces the listener with shimmering synth layers and a slowed-down, sultry tempo that oozes late-night charm. The fusion of R&B and hip-hop textures over the original rock skeleton creates an entirely new atmosphere, one that feels intimate yet expansive. The instrumental is polished and vibrant, with subtle grooves that sway effortlessly, making the remix not just a companion to the original, but a whole new experience in itself. The vocal delivery in this remix deserves special praise. Smooth, almost conversational, and at times slyly sensual, the voice glides over the beat with a sense of controlled confidence. There’s a vulnerability tucked into the melodic phrasing, but it never feels exposed, more like a quiet confession shared under neon lights. The layering of the vocals adds depth, with background harmonies that swell at just the right moments to enhance the emotion without overpowering the flow. It’s this careful balance that gives the remix its standout quality: cool, collected, but emotionally engaging. What makes booty calls – rewind remix so gripping is its fearless genre fluidity. COMMOTION doesn’t shy away from bending expectations, blending elements of rock, R&B, and hip-hop in a way that feels fresh, authentic, and deeply intentional. The production leans into a sleek, midnight aesthetic without sacrificing groove or grit. It’s the kind of remix that doesn’t just add to the original, it reinvents it, breathing new life and attitude into the song’s essence. Whether on a dimly lit dance floor or in headphones during a reflective moment, this version resonates on multiple levels.
John Arter and The Eastern Kings feat Liv May Younger – Shutaway:
Shutaway by John Arter and The Eastern Kings featuring Liv May Younger is a strikingly emotive country ballad that draws the listener into a windswept soundscape where vulnerability meets defiance. The instrumental arrangement is rich with acoustic warmth, subtle string textures, and a restrained rhythm section that gives the track a graceful, steady momentum. From the opening bars, the song establishes a sense of reflective solitude, like the sonic equivalent of staring out over an endless plain, wrestling with memories that won’t quite fade. John Arter’s lead vocals carry a quiet intensity, delivering each line with a sense of weary conviction, while Liv May Younger’s entrance in the second verse shifts the emotional gravity of the track. Her voice, smoky and resolute, intertwines with Arter’s like a conversation across distance, both literal and emotional. The chemistry between their vocals creates a narrative arc that feels intimate and cinematic, elevating the song from a personal monologue to a shared reckoning. Together, they paint a picture of loss, longing, and the silent strength that comes with letting go. The production is intentionally understated, allowing the emotional weight of the song to shine without excess. Each element, from the resonant acoustic guitar lines to the ambient swells beneath the surface, is carefully placed to enhance the storytelling without drawing attention away from it. Shutaway doesn’t try to impress with volume or flash; instead, it draws you in with its quiet power, delivering a beautifully crafted track that lingers long after the final note.