Explore Our Latest Music Discoveries Of Talented Independent Artists.
Welcome to Discovery 10/10, where we highlight ten standout artists in every edition. Each feature includes a short, impactful review alongside the artist’s music, making it easy to dive right into the music. Whether you’re here to find fresh talent or just explore new sounds, Discovery 10/10 has you covered. Stay tuned for the latest picks.
Desu Taem — Felix The Cat:
“Felix the Cat” by Desu Taem explodes with an energy that is both fierce and meticulously controlled, opening with a gripping wave of distorted guitars that immediately command attention. From the first chord, the listener is immersed in a wall of sound that is thick, immersive, and unapologetically raw. The guitar tone is saturated but not overwhelming, balanced perfectly to give each riff its own voice, creating a sonic texture that feels alive and breathing. The drums enter with unrelenting precision, giving the song its heartbeat through crisp snare hits, deep, resonant kicks, and dynamic cymbal crashes that accentuate every phrase. The vocals soar above this storm of instrumentation, powerful yet melodic, blending aggression with conviction. The vocal delivery is passionate and deliberate, every lyric resonating with attitude and intent, carrying the same emotional grit that defines great modern rock performances. What gives the song its edge is the chemistry between instruments, no element overshadows another; instead, they lock into an exhilarating groove that keeps the momentum consistent. The production is clean but not sterile, allowing the rawness of live performance to shine through, making “Felix the Cat” sound both stadium-ready and deeply personal at once.
What truly makes “Felix the Cat” remarkable is how it balances nostalgic hard rock foundations with a refreshingly contemporary sound that feels unique to Desu Taem’s creative vision. The chorus bursts open like a release of tension, with melodic phrasing that elevates the track beyond pure heaviness and into something anthemic and emotionally stirring. Beneath the layers of guitar distortion, subtle bass movements weave a dark groove that keeps the energy grounded, while shimmering overtones from background effects add color and dimension. Each transition, from verse to bridge to chorus, feels intentional and evolving, showing a keen understanding of pacing and emotional flow. The bridge section heightens the experience, teasing a buildup before breaking into a searing guitar solo that feels spontaneous yet refined, displaying both technical prowess and expressive control. As the final chorus hits, everything converges into one massive wave of sound, a moment that feels triumphant and complete. “Felix the Cat” stands out as a masterclass in rock craftsmanship, proving Desu Taem’s ability to fuse raw musical emotion with refined sonic architecture, delivering a track that demands attention and lingers long after the final note fades.
Rebecca Rowley — Plus Rien (Prélude Chopin E minor, Op. 28, No. 4):
“Plus Rien (Prélude Chopin E minor, Op. 28, No. 4)” by Rebecca Rowley is a breathtaking reimagining that bridges the worlds of classical and contemporary music with an emotional precision few artists achieve. From the very first note, the piano carries the mournful tenderness of Chopin’s original prelude, yet Rowley breathes new life into it with her voice, soft, controlled, and profoundly evocative. Her vocal tone glides like silk over the piano’s somber resonance, turning each phrase into a moment of reflection and intimacy. The minimalist arrangement leaves ample space for silence, and that silence becomes just as expressive as the melody itself. Each note lingers with meaning, as if echoing the fragility of the song’s message, “Plus Rien,” which translates to “Nothing More.” The piano, steady and introspective, supports her performance with a graceful restraint that heightens the emotional intensity rather than overwhelming it. It’s this delicate balance between melancholy and control that gives the song its power, Rowley doesn’t perform over Chopin’s prelude; she performs within it, as though her voice is another instrument seamlessly woven into its structure.
What truly makes “Plus Rien” stand out is its immersive atmosphere and the way every element feels deliberately placed to evoke emotion rather than spectacle. The production captures the raw texture of her voice, the faint tremble in her delivery, and the lingering resonance of the piano’s decay, each sonic detail working in harmony to create an enveloping experience. There’s an almost cinematic progression to the song, as though it’s unfolding a quiet story of loss, memory, and introspection through sound alone. The contrast between the piano’s timeless classical roots and Rowley’s contemporary vocal interpretation makes the piece feel simultaneously old and new, sacred and modern. Her phrasing, soft but assertive, communicates an unspoken narrative that transcends language, and her emotional precision leaves no note wasted. In the end, “Plus Rien” is not just a reinterpretation of Chopin, it’s a dialogue between past and present, where Rebecca Rowley becomes the voice of emotion that Chopin’s piano once implied. The result is a composition that feels meditative, cinematic, and soul-stirring, an exquisite testament to the enduring power of simplicity and emotional honesty in music.
Eylsia Nicolas — Not Gonna End Very Well (Mix):
“Not Gonna End Very Well (Mix)” by Eylsia Nicolas is an extraordinary piece that thrives on contrast, its beauty lies in how it transforms chaos into celebration through a flawless blend of pop, wit, and emotional depth. From the very first seconds, the song draws listeners into a radiant sonic world shaped by crisp percussion, shimmering synths, and buoyant basslines that pulse like the heartbeat of a dance floor on the edge of collapse. The production is clean yet daring, using vibrant electronic textures that glide smoothly beneath Eylsia’s crystal-clear vocals. Her tone carries a refreshing mix of irony and confidence, perfectly capturing the humor and humanity behind the song’s apocalyptic theme. The melodic progression feels alive, with subtle harmonies that rise and fall like waves, each one layered to perfection. There’s a dynamic interplay between the rhythm and melody that gives the track its elasticity, never static, always shifting. Every sonic detail, from the light vocal reverb to the sharp synth drops, feels intentional, as though every note is part of a carefully orchestrated emotional release. It’s a soundscape that invites movement, laughter, and reflection all at once, balancing charm and introspection with striking ease.
What makes “Not Gonna End Very Well (Mix)” so incredible is its ability to embody optimism in uncertainty, turning an end-of-the-world narrative into a danceable anthem of self-acceptance and resilience. The track glows with a euphoric energy that is both cinematic and intimate, its seamless transitions keeping listeners suspended in its rhythm from start to finish. Eylsia’s voice becomes the song’s compass, bold, warm, and emotive, guiding the listener through moments of sonic brilliance where humor meets heartbreak. The chorus is particularly unforgettable, bursting with melodic clarity and lyrical cleverness that makes it impossible not to sing along. Beneath the glossy surface lies an intricate structure: percussive layers interlock with playful synth runs, while subtle effects ripple through the background, giving the mix depth and dimension. It’s this craftsmanship that sets the track apart, how Eylsia manages to fuse wit, vulnerability, and polish without losing emotional honesty. “Not Gonna End Very Well (Mix)” doesn’t just sound good; it feels alive. It celebrates imperfection, uncertainty, and survival with unapologetic vibrancy, leaving a lasting impression as both a sonic triumph and a bold declaration of artistic identity.
Kandro Secondo — Lost Train:
“Lost Train” by Kandro Secondo is a breathtaking display of emotional storytelling through sound, a song that feels both intimate and cinematic at once. From the very beginning, the song sets a contemplative tone with its atmospheric opening, where ambient pads and subtle synth hums create a sensation of space and introspection. As the rhythm gradually emerges, a soft, pulsating beat anchors the mood, evoking the steady, uncertain movement of a train gliding through fog. Kandro’s vocals arrive gently but with commanding presence, carrying a wistful vulnerability that perfectly embodies the song’s metaphor of losing direction yet continuing the journey. Each line feels heartfelt and purposeful, complemented by the smooth interplay between the instrumental layers, shimmering piano chords, swelling synth textures, and a distant guitar line that adds warmth and color. The reverb-laden production enhances the song’s dreamlike atmosphere, making it feel as though the listener is floating between reality and memory. Every element, from the rhythmic pacing to the ambient soundscape, contributes to a sound experience that’s not just heard but felt, wrapping the listener in emotion and introspection from start to finish.
What truly makes “Lost Train” stand out is its emotional balance and sonic sophistication. The chorus blooms with a quiet power, not through loudness, but through a masterful layering of harmonies, subtle drum fills, and a deep, resonant bassline that pulses like a heartbeat. It’s a moment that feels both liberating and melancholic, capturing the duality of being lost yet still hopeful. Kandro Secondo’s vocal expression is one of the song’s greatest strengths; his tone carries raw sincerity, and his phrasing flows naturally with the instrumentation, giving the track an organic, human pulse. The production flourishes with attention to detail, delicate echo effects, ambient textures that mirror train wheels in motion, and gentle transitions that make every shift in mood feel fluid and intentional. As the song progresses, it builds emotional depth without ever feeling forced, ending with a sense of unresolved beauty that leaves the listener reflecting long after the final note fades. “Lost Train” isn’t just a song about disorientation; it’s an immersive sonic journey about persistence, emotion, and the quiet power of movement, a piece that resonates deeply with anyone who has ever felt lost but kept going anyway.
Basil Babychan — The Cadence of Infinity:
“The Cadence of Infinity” by Basil Babychan is a breathtaking symphony of sound and feeling, showcasing his rare ability to merge emotional depth with technical mastery. The composition opens with a serene yet commanding orchestral swell that instantly draws the listener into its cinematic world, setting an atmosphere that feels both grand and deeply personal. The piano, which serves as the emotional core of the piece, begins softly, its reflective tones guiding the listener through a meditative space that feels timeless. As the piece progresses, lush strings enter with graceful precision, weaving layers of warmth, melancholy, and beauty that lift the track into an almost celestial realm. The inclusion of sustained ambient sounds is one of the song’s most striking moments; its soulful phrasing introduces a soft richness that contrasts yet complements the classical orchestration perfectly. The instrument’s breathy tone dances around the piano and strings, creating a dialogue that feels organic and alive. Babychan’s attention to sonic placement is equally remarkable, each sound occupies its own space, yet all work together in harmony. The production is pristine, emphasizing the balance between clarity and emotion, allowing the music to breathe naturally and surround the listener in an enveloping, ethereal atmosphere.
What makes “The Cadence of Infinity” truly remarkable is the depth of its emotional and structural progression. Babychan doesn’t just compose notes, he sculpts emotion, allowing the piece to unfold like a narrative that evolves with every bar. The harmonic progressions are fluid and expressive, evoking a sense of motion that mirrors the endless nature suggested by the title itself. Subtle crescendos rise and fall like waves, while dynamic transitions give the song a living pulse, moving between moments of introspection and release. The seamless blend of neoclassical structure with hints of jazz improvisation demonstrates an advanced musical intelligence and a fearless embrace of fusion. There’s a sense of purpose behind every tone, as if each note carries a fragment of the infinite, building toward a resolution that feels both triumphant and reflective. By the time the final chords fade, the listener is left with a profound sense of calm and completion, as though the music has traveled through emotion, experience, and transcendence, finally arriving at a place of stillness. “The Cadence of Infinity” isn’t merely a song, it’s a sonic journey that captures the eternal conversation between sound, space, and the human spirit, leaving behind an emotional imprint that continues to echo long after the music ends.
Ressentiment Superlibre Masculin Hardcore — Le Bal Des Trous D’ Balle:
“Le Bal Des Trous D’ Balle” by Ressentiment Superlibre Masculin Hardcore strikes as a brutally charged and unfiltered display of sonic aggression, merging hardcore punk ferocity with metallic edge and raw underground grit. The track opens with a burst of distorted guitar riffs that immediately pull the listener into a chaotic atmosphere, sharp, abrasive, and purposely uncomfortable in a way that feels both cathartic and confrontational. The drums pound with mechanical precision, each snare hit slamming like a weaponized heartbeat, while the bass drives beneath with grim density that grounds the wall of sound. The vocals, delivered in harsh, guttural French, sound less sung than expelled, carrying a sense of visceral frustration that adds to the song’s abrasive identity. There’s a deliberate sense of dissonance in the composition; the guitars occasionally clash in tonal warfare, creating a mood that feels unrestrained yet controlled in its descent into sonic anarchy. Every moment of the track seems engineered to shock the senses and reflect the violent poetry of the title, “The Ball of Bullet Holes.”
What makes the song stand out most is its unapologetic commitment to intensity and atmosphere. Ressentiment Superlibre Masculin Hardcore doesn’t rely on melody or polish but instead channels emotion through noise, rhythm, and texture, allowing the chaos itself to become musical. The layering of sound, feedback screeches, quick tempo shifts, and sudden silences, demonstrates a mastery of tension and release that makes the three-minute runtime feel monumental. There’s a raw authenticity that mirrors the spirit of classic French hardcore while incorporating elements of industrial harshness and metallic grind, giving it an edge that feels both modern and primal. The production, though intentionally rough, enhances the energy rather than obscuring it; it captures every distortion ripple and vocal roar like a live explosion frozen in time. “Le Bal Des Trous D’ Balle” isn’t just a track to be heard, it’s a sonic confrontation, a visceral experience that stands as proof of the artist’s fearless pursuit of expressive extremity.
Mark Shalom (Shavirus) — Umbrella Unit:
“Umbrella Unit” by Malak Shalom (Shavirus) stands as a commanding display of conscious hip-hop at its finest, merging lyrical clarity, spiritual undertones, and intricate production to create a sound that is both compelling and purposeful. The song opens with a gripping blend of rhythmic percussion and ambient synth layers that instantly set a meditative yet assertive mood, giving the listener a sense of both movement and stillness. The drumline is sharp and deliberate, each snare hit punctuating Malak’s flow with precision, while the bass provides a steady groove that grounds the track in an almost hypnotic rhythm. His voice enters with poise and conviction, firm, controlled, and full of intent, pulling the listener into a lyrical space that feels reflective yet militant in its unity-driven message. Every line he delivers carries weight, balancing spiritual insight with urban realism, and his flow adapts fluidly to the beat, never forced, always aligned with the pulse of the production. The hook, with its chant-like quality and steady repetition, creates a sense of collective energy, almost as if the listener becomes part of the “unit” he describes, shielded and strengthened by the song’s message and sound.
What elevates “Umbrella Unit” to a truly remarkable level is how meticulously crafted its sound and message are, allowing it to feel simultaneously personal and universal. The instrumental arrangement is clean yet layered with subtle textures, soft reverb on the vocals, faint echoes of distant synth pads, and background harmonics that emerge gently between verses. These sonic details give the track a cinematic, immersive quality, transforming it from a simple hip-hop record into a full sensory experience. Malak’s lyricism shines with thoughtful pacing; his diction is crisp, his timing deliberate, and his tone unwavering, reflecting both mastery and emotional intelligence. The minimalist production works as a canvas that lets his message breathe, while the mix ensures that no instrument or vocal element overshadows another, maintaining perfect sonic equilibrium. Lyrically and musically, the song operates as a metaphorical storm shelter, a reminder of strength, unity, and purpose under pressure. The interplay between message, flow, and rhythm gives “Umbrella Unit” its unique power, turning it into not just a song to be heard, but one to be felt deeply, a declaration of awareness and solidarity that lingers long after the final beat fades.
Massivik — Oligark:
“Oligark” by Massivik opens with a magnetic surge of sound that immediately seizes the senses and refuses to let go. From the very first beat, the song establishes a dark yet exhilarating atmosphere, one that feels futuristic, mechanical, and deeply human all at once. The track’s electronic pop identity is evident in its pulsating synth bassline, tightly programmed drum patterns, and glistening layers of arpeggiated synths that create a hypnotic groove. The rhythm section carries a powerful undercurrent of momentum; the kick drum strikes with surgical precision, while the hi-hats flicker like sparks in a digital storm. Behind it all, lush pads and airy textures swell in and out, giving the song a cinematic depth that makes it feel larger than life. The sonic detailing is immersive, Massivik sculpts every frequency with intention, allowing the low-end to rumble like thunder beneath a skyline of shimmering melodies. The transitions are seamless, blending moments of quiet introspection with bursts of electronic energy that pulse through the listener’s chest. It’s not just a song you hear, it’s one you physically feel, vibrating through your senses like an electric current.
What truly makes “Oligark” stand out is its emotional architecture beneath the precision of its production. The track feels like a confrontation between mechanical order and organic emotion; beneath the synthetic surface, there’s a heartbeat. The interplay of deep sub-bass, sharp snare hits, and ethereal synth chords forms a sonic narrative that evolves with every measure. There’s a sense of urgency embedded in its groove, a forward-driving pulse that keeps the energy alive while subtle melodic variations add a sense of movement and progression. The midsection, in particular, shines with layers of modulated synth leads that rise and fall like digital waves, supported by evolving percussion that keeps the rhythm fresh and unpredictable. Each note feels meticulously placed, yet the result flows effortlessly, creating an intoxicating balance between intensity and atmosphere. “Oligark” is the sound of controlled chaos, industrial, rhythmic, and deeply expressive. It embodies the sleek sophistication of modern electronic pop while maintaining a raw emotional edge that lingers long after the final note fades.
Stephen McCafferty — I Am The Buffalo:
Stephen McCafferty’s “I Am The Buffalo” stands as a masterclass in modern pop-rock craftsmanship, where clarity of thought meets musical precision. From the very first note, the song opens with a bright, jangly guitar riff that instantly sets a tone of movement and curiosity, pulling the listener into a soundscape that feels both comforting and exploratory. The arrangement builds gently but deliberately, layering acoustic textures with subtle rhythmic energy that keeps the track fluid and alive. McCafferty’s vocal delivery is smooth yet expressive, he doesn’t oversing, instead allowing his tone to carry the emotional narrative with measured control. Each verse glides naturally into the next, guided by a steady rhythm section that gives the song its pulse without overcomplicating it. The interplay between the instruments is crisp and cohesive, showcasing how well McCafferty understands balance in songwriting. The result is a piece that invites multiple listens, where every strum, harmony, and echo reveals something new and meaningful about his artistry.
What makes “I Am The Buffalo” truly remarkable, however, is how it blossoms from simplicity into grandeur without ever losing its intimacy. As the track progresses, McCafferty gradually expands the sonic palette, introducing multi-layered harmonies that bloom beautifully in the chorus and give the song an almost ethereal lift. The production is clean and deliberate, every sound placed with purpose, the reverberating guitars, the echoing harmonies, and the understated percussion all come together to create a sound that feels timeless yet modern. Thematically, the song channels ideas of identity, inner resilience, and self-realization, echoing the symbolic strength of the buffalo itself. There’s a sense of quiet power running through the melody, a confidence that comes not from volume but from conviction. By the final chorus, the song feels like a personal awakening, its lush harmonies and melodic precision merging into something deeply reflective and emotionally satisfying. It’s a song that doesn’t just play, it resonates, lingering in the listener’s memory as a perfect example of how heartfelt songwriting and thoughtful production can elevate music into art.
Akihisa Yorozu — Transplex-Evo-Omicron:
“Transplex-Evo-Omicron” by Akihisa Yorozu stands out as an electrifying fusion of precision, intensity, and futurism, merging the finest elements of complextro, glitch, and trance into one deeply intricate sonic architecture. From its very first moment, the track engulfs the listener in an immersive digital ecosystem where every frequency, pulse, and modulation feels intentionally placed and mathematically sculpted. Yorozu’s production thrives on balance, every detail is engineered with surgical accuracy, yet the composition radiates a sense of organic motion, as if the machines themselves are breathing. The basslines are dense, pulsating with an elastic energy that gives the song its mechanical heartbeat, while layers of synths twist and fold into each other like strands of data forming a neural network. Subtle glitch textures ripple through the mix, and the transitions are executed with such fluidity that the listener is never jolted but constantly propelled forward. Every sound morphs into another, building a sense of unstoppable evolution, and the precision of the rhythm sequencing keeps everything locked in a hypnotic motion. It’s a sound world that feels both digital and alive, a technical masterpiece that captures emotion through circuitry and frequency rather than traditional melody.
What makes “Transplex-Evo-Omicron” truly incredible is the way it transforms density into clarity and complexity into coherence. Despite its layers of high-speed synth runs, granular textures, and multi-dimensional percussion, the track remains clean, sharp, and intelligible at every moment. Yorozu achieves this through meticulous sound separation and dynamic modulation, giving each element its own sonic space to breathe even in the midst of chaos. The melodic progressions rise subtly through the mechanical haze, acting as emotional checkpoints that ground the listener amid the intensity of the electronic storm. Each drop carries controlled aggression, never overwhelming, but perfectly timed to maximize tension and release, and the progression from one section to the next feels like an evolutionary sequence unfolding in real time. As the track approaches its final moments, it dissolves into a crystalline atmosphere of high-frequency tones and ethereal resonance, leaving behind a haunting sense of digital transcendence. “Transplex-Evo-Omicron” doesn’t just sound futuristic; it manifests the future itself, a fusion of human ingenuity and artificial precision, a declaration of how far electronic music can go when creativity and computation coexist in perfect harmony.