In the neo-gothic landscape of Bloomington, Indiana, Josh Kreuzman created Twice Dark, a haunting music endeavor that surfaced in 2020. Twice Dark synthesizes a sound that blends goth, industrial, EBM, italodisco, deathrock, coldwave, and darkwave into an eerily refined aesthetic. Characterized by Post-punk.com as “dipped in auditory shadows and echoing with the retro resonance of the 1980s music scene… like a phantom reaching out through a fog of time”, Twice Dark serves as both a remembrance and an evolution, a ghostly link between history and what lies ahead. Kreuzman, an artist with profound creative origins, has dedicated decades to the underground music scene, evolving from punk roots in the early ‘90s to indie rock and finally to the dark electronic realms that characterize Twice Dark.
Released on March 7th, 2025, “Telekinetic” is the fourth full-length album from Twice Dark, representing a daring yet fluid venture into synthpop while maintaining the shadowy goth, electro, and darkwave essence that has characterized Kreuzman’s style. Thematically, the album explores the idea of extrasensory perception, approaching it not as a straightforward examination of telekinesis but rather as a metaphor for emotional and existential experiences. Time, memory, and perception twist and merge throughout the narrative, crafting an ambiance that appears simultaneously personal and ethereal.
Right from the initial track, “Telekinetic” captivates the audience with its expertly blended mix of throbbing synths, sparkling guitars, and consistent, mesmerizing drum machine beats. The production is flawless, refined yet otherworldly, creating a cinematic essence that takes the listener into a neon-lit, late-night dream. Kreuzman’s singing serves as a haunting presence, occasionally whispering like a faint reverberation, while at other moments rising with a subtle power that remains long after each track ends. Instead of overpowering the blend, his voice glides within it, an ethereal essence interlaced with the core of every song. The title track of the album, which includes guest vocals, enhances this celestial quality by adding harmonies that seem nearly extraterrestrial. The album’s title track, featuring guest vocals, amplifies this ethereal quality, layering harmonies that feel almost otherworldly.
Telekinetic Album Track List:
Night Shifts:
“Night Shifts” serves as an ideal introduction to “Telekinetic”, instantly drawing the audience into Twice Dark’s distinctive mix of nostalgia and ambiance. Beginning with the initial shimmering synth arpeggios, the track creates a vibrant auditory scene, filled with rain-soaked streets, shimmering city lights, and the serene stillness of the late-night moments. The constant beat of the drum machine grounds the track with an entrancing rhythm, while the bassline influenced by post-punk introduces a slight tension under the layer of glistening pads and echoing guitar swells. “Night Shifts” possesses an unmistakable noir essence that captures the aloofness of ‘80s new wave, yet showcases a distinctly contemporary polish.
Josh Kreuzman’s singing acts as the leading element in this hazy, cinematic fantasy. His voice, soft and otherworldly, floats delicately over the instrumentation, never dominating but consistently felt; a celestial essence that glides through the gaps of the track. His performance seems both close and far away, as if he’s vocalizing from a location just beyond reach, enhancing the song’s core ideas of nostalgia and desire. His voice carries a distinct gravity as it blends with the instruments, almost as though he’s traversing the very echoes of time. The interaction between the airy vocals and the song’s rich production generates a hypnotic and immersive effect, encouraging the listener to get lost in its profundities.
As it develops, “Night Shifts” transforms into more than merely a song; it is an experience, a moment caught in time. The track does not require immediate focus; rather, it slowly draws the listener in, enveloping them in a soundscape that is at once recognizable and surreal. Each component; the synth-led tunes, the moody bass, the ambient textures, collaborates to produce something profoundly stirring, a sonic representation of late-night reflection. It sets the stage for “Telekinetic” as a whole, introducing the album’s themes of perception, time, and emotional resonance in a way that feels both effortless and intentional.
Invisible Man:
“Invisible Man” follows the album’s ethereal opener. The minimalist synth pattern that begins the song feels like it’s suspended in midair, delicate yet persistent, setting an eerie, almost playful tone. When the punchy drum machine beat enters, it adds a grounding presence, propelling the track forward while still maintaining a sense of detachment. This tension between movement and stillness is a defining feature of the song, creating an experience that feels both urgent and dreamlike. Kreuzman’s vocals, airy and spectral, enhance this sensation, his voice seems to hover just beyond reach, reinforcing the themes of invisibility and transient existence.
As the song progresses, layers of shimmering synths intertwine with a subtly funky bassline, adding depth and an unexpected groove to the melancholic ambiance. There’s a push and pull between introspection and rhythm, making “Invisible Man” one of the most dynamic tracks on Telekinetic. The chorus, with the haunting phrase “write your name into the sand,” is particularly striking, it evokes a fleeting, impermanent beauty, as if grasping for something that is already slipping away. The vocal delivery carries a quiet intensity, balancing longing with an almost accepting resignation. This interplay between intimacy and distance, between connection and dissolution, gives the track an emotional complexity that lingers long after it ends.
“Invisible Man” carries an undercurrent of nostalgia and warmth as if sifting through faded memories rather than being trapped in isolation. The track embodies the paradox of feeling simultaneously present and absent, making it one of “Telekinetic” most immersive and emotionally intricate moments. Kreuzman crafts a song that isn’t just about invisibility, it’s about the delicate dance between being seen and fading away, between holding on and letting go. It’s a beautifully haunting meditation on impermanence, wrapped in a soundscape that is both haunting and strangely comforting.
Time Traveler:
“Time Traveler” stands as one of “Telekinetic” most evocative tracks, immediately pulling the listener into its swirling, time-warped dreamscape. The song opens with a pulsating post-punk bassline that establishes a driving yet melancholic foundation, reminiscent of New Order’s ability to blend dance rhythms with emotional weight. Above this steady pulse, shimmering synths unfold in waves, creating a sense of movement that feels both urgent and hypnotic. The crisp, controlled percussion locks into the groove without overwhelming it, allowing each instrumental layer to breathe and evolve naturally. The result is a song that feels like stepping into a fractured memory, one that shifts, reshapes, and eludes complete clarity.
Kreuzman’s vocal delivery perfectly complements this atmosphere, balancing cool detachment with a quiet emotional intensity. His voice carries both wistfulness and urgency, as though he’s recounting a journey through time not with physical steps but through recollections that slip in and out of focus. As the track progresses, intertwining guitar melodies add further depth, blending seamlessly with the synth-driven soundscape. The interplay between these elements makes “Time Traveler” feel expansive and cinematic, like the soundtrack to a neon-lit reverie unfolding across different eras.
What makes “Time Traveler” so striking is its ability to balance momentum and introspection. The track never feels stagnant. The song captures the paradox of time itself: always in motion yet deeply tied to the past, always slipping away yet permanently etched in the mind. With its fusion of post-punk energy, ethereal synth textures, and Kreuzman’s hauntingly restrained vocals, “Time Traveler” stands as one of “Telekinetic” most emotionally resonant and sonically immersive moments.
Telekinetic:
As “Telekinetic” reaches its final moments, the title track delivers a stunning conclusion that encapsulates the album’s darkwave essence in its purest form. “Telekinetic” opens with a brooding synth line, pulsing like a distant signal from another dimension, immediately setting an eerie yet hypnotic tone. Atmospheric pads swirl around the slow-burning drum machine groove, creating a sense of quiet intensity that lingers beneath the surface. The rhythm is steady, yet there’s an undeniable tension simmering beneath it, something unseen, something just beyond reach. This underlying energy keeps the listener locked in, anticipating each subtle shift in the soundscape.
Kreuzman’s vocals emerge like a voice calling out through the void, distant yet strikingly present. His delivery carries an almost supernatural weight, as if channeling something beyond the tangible world. As the song progresses, a backing vocal enters, weaving an ethereal counterpoint that deepens the track’s spectral quality. The interplay between these voices is seamless. Meanwhile, guitars drift through the mix like spectral echoes, their presence felt more than heard, adding texture and depth to the shimmering synth layers. The bassline remains a grounding force, steady and pulsing, tethering the track’s ethereal elements to something solid.
Rather than merely closing the album, “Telekinetic” elevates it, solidifying the record’s themes of perception, time, and emotional resonance. The song doesn’t fade out gently; instead, it leaves the listener suspended in its darkly beautiful aura, caught between reality and something more metaphysical. It’s the perfect ending, both haunting and cathartic, a track that lingers long after the final note has faded. As the album’s last breath, “Telekinetic” doesn’t just conclude “Telekinetic”; it transforms it into an experience that feels almost supernatural, a transmission from the depths of memory and beyond.
What sets “Telekinetic” apart is its ability to balance nostalgia with modernity. The album pays homage to the golden age of ‘80s new wave and post-punk while maintaining a forward-thinking edge. Each song unfolds with a sense of deliberate pacing, building atmosphere and momentum, encouraging listeners to not just hear the music but to immerse themselves in it fully. Whether it’s the driving beats of a dancefloor-ready track or the melancholic haze of a slower moment, every piece contributes to an overarching mood of introspection and movement.
With contributions from Postal Recording in Indianapolis and various performers and remixers, “Telekinetic” is a testament to Kreuzman’s artistic evolution and Twice Dark’s growing presence in the darkwave and electronic music landscape. It is an album that demands to be played loud, to be danced to, and, most importantly, to be felt. Go check out “Telekinetic” and experience the dark, hypnotic world of Twice Dark for yourself.
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